Having carved out a successful individual career to date as a top producer and international DJ, Indecent Noise has now launched his own record label, "Mental Asylum Records". 
 
Mental Asylum will offer a home to producers of the darker, twisted, more up tempo side of Trance and will be part of the increasingly successful "Fraction Records" group. Its primary focus will be quality over quantity as the label aims to establish itself as a well respected outlet for Trance music. It aims to showcase to the wider EDM community not only established trance and tech-trance artists but also the best of the new talent breaking through. 
 
Contact Info
 
Demo Submissions / A&R : mentalasylumrecords@hotmail.com
For licensing requests: alan@fractionrecords.com 
Press & PR Requests: chris@audioreligion.co.uk 

Any info contact me on edheaney@hotmail.co.uk

My track, "Dream A Little Dream" with Sam Gray, is out now! https://AvBSG.lnk.to/DreamALittleDreamSO

Armin van Buuren has been named number one in the prestigious DJ MAG Top 100 poll four times in a row, as the first DJ in the history of the DJ Magazine and an indication of his prolific output over the more than 14 years he’s been dj’ing and producing. Being the official World’s Most Popular DJ is just one of his many achievements, but the driving force behind his success is an overriding passion for dance music.

AKA - William Daniel

William Daniel’s passion for electronic music began at a young age, growing up in Scotland during the golden era of trance, techno, and house. His first exposure to underground music came through pirate radio, where he discovered the raw energy of unfiltered club sounds. Listening to these illicit broadcasts fueled his desire to become a DJ, and before long, he was making his own mixes and experimenting with turntables.

In his teenage years, William became involved in pirate radio himself, broadcasting underground dance music to local audiences. These early experiences sharpened his skills in track selection, blending genres, and understanding the energy of a set - skills that would later define his career. His dedication and natural talent behind the decks quickly led him into Scotland’s club scene, setting him on a path to becoming one of the country’s most respected DJs.

William’s career took off when he secured residencies at some of Scotland’s most iconic club nights, including Colours, Inside Out, and Freefall at the legendary Arches nightclub in Glasgow. The Arches was a cornerstone of UK clubbing, hosting world-class DJs and unforgettable nights. His ability to craft euphoric, high-energy sets made him a key figure in the club’s history, earning him a dedicated following.

His deep connection with The Arches lives on through his DJ sets and Forgotten Moments mix series, where he curates nostalgic sets featuring the classic tracks that defined the club’s golden era. These mixes have resonated with fans worldwide, keeping the spirit of the venue alive.

Beyond DJing, William has played a crucial role in the music industry through his work at 23rd Precinct Music, one of Scotland’s most respected independent music publishers and record stores. His experience at 23rd Precinct allowed him to gain deep industry insight, working alongside established artists, discovering emerging talent, and helping shape the trajectory of electronic music in the UK.

His work in A&R, label management, and music publishing at 23rd Precinct strengthened his influence in the scene, giving him a unique perspective on both the creative and business sides of the industry. Through this role, he contributed to the success of various artists and helped curate some of the best music releases in the dance genre.

In addition to his DJing and industry work, William has made significant contributions as a music journalist, writing for M8 Magazine and Beatsmedia.

M8 Magazine was one of the UK’s most respected dance music publications, covering global club culture, artist interviews, and the latest industry trends. William’s in-depth knowledge and firsthand experience made him a key contributor, delivering reviews, features, and exclusive insights into the world of electronic music.
Beatsmedia was an influential online platform dedicated to electronic music news, interviews, and features. As a writer, William helped promote emerging artists, reviewed major releases, and kept fans informed about the evolving dance music scene.
His work in journalism further solidified his industry expertise and credibility, allowing him to connect with both fans and professionals on a deeper level.

One of William’s recent standout achievements was his involvement in Vinyl Fantasy, a special event held at SWG3, one of Glasgow’s most renowned club venues. This sold-out show was a celebration of classic vinyl DJing, bringing together old-school energy with a modern audience.

As a passionate advocate for vinyl culture, William’s set at Vinyl Fantasy was a masterclass in mixing, track selection, and crowd connection, taking clubbers on a nostalgic journey through some of the most iconic records in dance music history. The event’s overwhelming success further cemented his reputation as a DJ who understands the essence of club culture and knows how to deliver a truly unforgettable experience.

Throughout his career, William has shared the stage with global dance music icons, including Tiesto, Paul van Dyk, Above & Beyond, Armin van Buuren, Ferry Corsten, and Marco V. His ability to blend uplifting trance, driving techno, and progressive house has made him a standout performer in the UK clubbing scene.

In addition to DJing, William has worked as a promoter, label manager, and journalist, using his extensive knowledge to support the dance music industry from multiple angles. His passion for electronic music extends beyond performance - he has played a key role in fostering talent, curating events, and keeping the clubbing culture thriving.

William’s DJing style is a fusion of classic and contemporary electronic music, with a strong influence from the golden age of trance and progressive house. Whether performing at a packed festival or an intimate club, he brings unmatched energy and connection to his audience, creating unforgettable experiences on the dance floor.

Despite the closure of The Arches, William remains an active and influential figure in the electronic music industry. His carefully curated mixes, live performances, and continued work within the music business ensure that his impact endures.

With a career spanning DJing, pirate radio, label management, music publishing, journalism, and promotion, William Daniel is more than just a DJ - he’s a true ambassador of the UK’s electronic music scene, dedicated to preserving its rich history while pushing it forward for future generations.

Quotes:

"I've seen William DJ on a number of occasions and each time he has got the crowd going wild. A natural entertainer with a growing talent for production - I have no doubt William can be a big name in the very near future." - John O'Callaghan

"I'm a big fan of will's driving techy productions. besides his production skills he's also a great dj to keep an eye on for the near future!" - Sander Van Doorn

"William Daniel has become one of my favourite producers in the last year. Consistent tracks accompanied by djing skills that are second to none." - Simon Patterson

“Inside Out resident William Daniel the legend from Glasgow is for sure one of the pillars under this successful brand and always a pleasure to perform with him." - Marcel Woods

"William is one of the unsung heroes of the British trance scene. Long standing Inside Out resident and Tilllate Magazine reviewer the young Scot is consistently growing in his production release onslaught making waves with big name support along the way You will see more of this unrated talent as he becomes a name to notice in the near future" - Barry Almond PFA/Goodgreef

For Info, bookings & remix requests: Fu2ramusic@gmail.com 💫

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Each week Dave Pearce brings you 1 hour of the latest Trance, Progressive & EDM. For full tracklisting please head to www.davepearce.co.uk

For demos and info email podcast@davepearce.co.uk

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