Nicely done! If youre ever down for a collab, hmu!

Bro#5 by Andre

Buy 'Hands / Not Ready Yet' Here
https://itunes.apple.com/au/album/hands-single/id717066800

For ‘Hands’ the 9-piece soul outfit continued on their 2013 collaboration bent and enlisted Jarrad Brown (Eagle And The Worm) to produce and Julian Mckenzie (Money For Rope) as engineer with Haima Marriott on mixing duties.

Hands

Produced by 5ynoT.

Art Direction: CLDGME Design

Recorded at The Local Collective.

Mixed by Nolan The Ninja + Chavis Chandler.

"Plight" (music video): http://bit.ly/1dzGZJ4

Plight

The Optimist

from the upcoming album "The Night Took Us In Like Family"
Pre-Order (4/21): https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

Premeired @ Pigeons & Planes: http://pigeonsandplanes.com/2015/03/premiere-lorange-jeremiah-jae-taken-by-the-night/

About the Album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family."

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping.

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus.  A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap.

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic.

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed. 



L'Orange & Jeremiah Jae - Taken By The Night

cover of Georgia by Vance Joy, hope you enjoy this song x

Georgia Vance Joy // Joel Leggett Cover

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

L'Orange & Jeremiah Jae - All I Need (feat. Gift Of Gab)

She's Not Lovin'

Lover - Chet Faker (cover)

just a little more soap, and a little more lather 
if i wash away the dirt, maybe the bruises wont matter

you say "the waters gone cold, lets get out of the shower"
but i just can't face the day, if it means we can't do it together

so you have to excuse me, for procrastinating- what is there to say
can you let me enjoy the last seven years as they are circling the drain

such a shame, mmm

just a little bit longer, my teeth start to chatter
you lips have turned blue, from the bite of the water

and i pull you in closer, sharing our shivers
you say you are getting out first, and you reach for the towel

i'm screaming "don't leave me", would it really be so hard for you to stay?
i'm watching it helplessly, as everything we built is just circling the drain

what a shame, what a shame
what a shame, what a shame

what a shame, but i can't make you stay
if you don't want to stay, we're circling the drain

circling the drain

circling the drain

milo - going no place (feat. Elucid) [so the flies don't come]

The Art Of Escape - Hein Cooper // Joel Leggett Cover

Don´t own any rights, just like good music.

For world peace,
for the good in us,
for health to everybody,
for a way.

Sons Of The East - River Man - Pine Street Sessions - Episode 46

new original - acoustic version (unfinished).

lyrics posted soon

what it felt like - original

The new track "Nothing Is Anything (Without You)" from Wintersleep's forthcoming album "Hello Hum" - out June 12 on Roll Call Records (US).

City and Color - The girl

yasmin

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