Sillage Mirage

!!! This is a stripped-down 160mp3 snippet of the original track !!!

Artist:  Arno E. Mathieu
Release:  Contemplation II – Colline (incl. remixes by Mark E, Next Evidence)
 Catalog No:  CPT 590-3 
Format: digital

Tracklisting:

1. Colline (Original) (6:07)
2. Colline (Mark E Remix) (5:46)
3. Colline Au Zenith (Next Evidence Vocal) (6:10)
4. Colline Au Zenith (Next Evidence Dub) (6:10)

Following the first EP of his new CONTEMPLATION project, Arno E. Mathieu delivers here a real Mediterranean French boogie tune. Dedicated to the landscape of his hometown in Provence, the track has been thought as a walk in the hills, but with a typical and local gypsy funky twist that brings a true balearic mood. 

After the bass line, latin guitar and funky drums opening, chords and melodies come quickly to introduce all the fresh vocal modulations of the Marseille native singer, Zula. Her performance sounds like she is showing us a small path in the hills, taking our hand for a walk under the sun of summer, and whispering us the warmest words about almond trees and thyme bushes parfums.

Mark E takes the most electronic side of the original for a dope deep and hypnotic reinterpretation, evolving in sobriety with super elegant strings over driving drum and guitar gimmicks, keeping the essence of the original but with a housey touch.  

For the second remix, Arno wanted to ask his old friends, the duo Next Evidence, to team-up once again, 20 years after their timeless and classic album «Thrills», to revisit «Colline»…

It is maybe the best feeling Arno had about a comeback of Next Evidence, as the result is an ultra energic funky jam, full of great music references, but with a real personal touch, delivering a dope dancefloor killer for funk and disco addicts.

Links:
Arno E. Mathieu
Instagram: www.instagram.com/arnosunchild 
Soundcloud: https://soundcloud.com/clima-solarism 
Resident Advisor: https://ra.co/dj/arnoe.mathieu

Mark E
Instagram:  www.instagram.com/mark_e_merc 
Facebook:  https://www.facebook.com/profile.php?id=100063623735739 
Soundcloud:  https://soundcloud.com/merc_music 
Discogs:  https://www.discogs.com/artist/378421-Mark-E 

Next Evidence
Discogs:  https://www.discogs.com/artist/1748-Next-Evidence 
Spotify:  https://open.spotify.com/artist/54shj3FK8b7QjT9LpJwhTE

Arno E. Mathieu - Colline Au Zenith (Next Evidence Vocal) (snippet)

Manhattan

Face Your Fear

Dream Girl

In late 2016, Thomas Gandey and Danny McLewin — known from the popular disco-influenced electronic music collective Psychemagik — emerged from their studio in London, England, claiming to have produced an extended musical arrangement, both entitled, and containing the sounds of, shakuhachi. Furthermore, they insisted, for the purposes of this production, and a further album of related arrangements to be released subsequently in conjunction with the successful German record label Kompakt, they should be referred to henceforth as Ghost Vision.

Shortly thereafter, the audio recordings described by Gandey and McLewin came into the possession of noted Los Angeles degenerate, DJ and nymphomaniac* (citation needed) Dirty Dave, who was quick to relay the hallucinatory qualities of the duo’s productions to fellow DJ and trusted hallucinogenic expert Paramida, of esteemed German musical imprint Love On The Rocks.

Paramida, recognising the innate quality of the sounds presented to her, decided that such recordings warranted immediate release through her audio distribution channel, and not without remixes. Quite without thinking of the Eastern origins of the instrument which had given the recording certain sonic distinguishments, and of course, its title, she enlisted the help of two musicians named Alex — one from Tokyo, and one from Kyoto.

Both Alex From Tokyo — the acclaimed producer of electronic sounds known for his prior releases on popular German label Innervisions — and his counterpart, Alex from Kyoto, better known as Al Kassian, rising Tamagotchi on Paramida’s Love On The Rocks imprint and his own label, Planet Sundae — turned in striking reinterpretations of Gandey and McLewin’s composition. It was reported that upon their arrival and first listening at Love On The Rocks headquarters, wild dancing broke out almost immediately and did not stop for 36 hours.

The resulting package of stereo recordings was finally released for public broadcast and manipulation by disc jockeys in early 2018, to much rejoicing, from England to LA, throughout Europe and Japan. It marked the first release for the label in their fourth year of operation, during which there is much more to come.

信じない者には魔法なんて見つからない。

LOTR017 A1. Ghost Vision - Shakuhachi

Order here:
https://www.juno.co.uk/products/elaine-kibaro-pour-lamour/689664-01/

Emotional Rescue is delighted to offer this compilation of music from Elaine Kibaro and her particular coalesce of chanson, folk, balearic and touch of disco, all encased in her strong French and North African roots. 

The music included here, released between 1979 to 1989, is an expression of her development, of music changes matching growth in life, conveyed through her emotions in song. Opening with the spoken word Introduction from her debut album, "Mirrors" and the folk rock of melodies of Le Reveil from the 1981 follow up, Au Soleil, her early works are characterised by band, orchestra and choirs complimenting her voice as one. 

This is further heard on the mystical Sorciere, psyche percussion of Secret, the marching Le Guerrier and the inclusion her first "hit" with Aurore, appearing her in all it's extended, off-kilter guitar meets organ form.

Exploring sensitivity and desires the compilation matches these earlier folk and world inspired songs with her move towards electronic production that accompanied a return some 4 years later, adding balearic and even pop dance found on 1985's Le Long De Fleuve Amour and the following 1989 opus, in Kiroel. 

L'Amour Pour Bouclier and Ne Doute Pas lift her music higher towards lovers' heights, with word, melody, and rhythm giving the desire to dance and be free, while her continuing exploration of chanson and spoken word takes on new meanings via the new wave meets estoric Douleur, while the emotionally charged soundscape of Kiroel brings balance. 

Inspired by the purity of song, Kibaro's music's has a timeless essence to behold; a voice and words found through life experience - beauty, discovery, nature and dreams. 

A love and hope in music, her quest for the infinite potential in song.

A3. Elaine Kibaro - L'Amour Pour Bouclier

Just Four Men 1964-1968

Save My Soul (Radio Session 1967)

More than 30 years in business, over 800 catalogue releases, over 8000 songs + remixes and still going strong!! Compost is one of the most prolific, highly acclaimed and in demand indie labels in Europe. Compost and its sublabels Compost Black Label, Compost Disco, Drumpoet Community, Derwin Recordings and rumpelmusig standing for quality music, a sophisticated mixture of electrifying disco, house, techno, soul, jazz and a little bit of pop. XLR8R wrote: "...top address where electronica meets musicality". Besides internationally respected artist like Robert Owens, Trüby Trio, Koop, Beanfield, Christian Prommer, Felix Laband, Karma, Ben Mono, Kyoto Jazz Massive, Marsmobil, Eddy Meets Yannah, Sepalot, Alif Tree, Shahrokh, Wigald Boning a.o. the label is also well known for its praised compilation series V.A. "Elaste" (Vol.1-4), "Future Sounds Of Jazz" (Vol.1-14), "Partykeller" (Vol.1-3) or "Glücklich" (Vol.1-5). Like Gilles Peterson once said: “With great pleasure I pronounce Compost the most consistent and forward thinking record label of continental Europe.“

Arno E. Mathieu - Colline Au Zenith (Next Evidence Vocal) (snippet)

compost