Hey! Your playlist is amazing!
I’m Japanese, but this is actually the first time I’ve heard Yosui Inoue’s “Pi Po Pa” — it’s so good!
Thanks for sharing such great music!

Yeahhh nice 👏 👏 👏 👏 👏 👏 

test

KREIDLER Alphabet [Single Edit]

*Posted with the blessing of Peter Westheimer himself.

Len Leise 33rpm (half speed) edit of Peter Westheimer – Tin Drum. Off the Laminex Lovers 7"

www.peterwestheimer.com

Peter Westheimer – Tin Drum (Len Leise, 33rpm Edit)

© 2025 Waldmensch / Cringe Groove Edition

Ein ironisch-würziger Techno-Snack direkt aus der Wurstküche der Schweizer Seele. Cervelat Salat serviert sich kalt: ein schmieriger Groove auf 126 BPM, gebadet in analogem Mayonnaise-Delay, garniert mit scharfem Humor und einer Prise Selbstironie à la Berner Kellerparty ’99.

Der Track tanzt auf der feinen Linie zwischen sozialem Kommentar und Wurstsalat-Metapher – typisch Cringe Groove: absurd ehrlich, tanzbar, unkomfortabel wahr.

Die Vocals knistern wie ein betrunkenes Selbstgespräch am Buffet:
“Techno ist wie ich – nicht für jeden, aber für die richtigen perfekt.”
“Hey Girl!? … Blockier mich schon jetzt!”
“Oh wow – du bist viel weniger hässlich, als ich’s mir vorgestellt hatte…”

Ein torkelnder Spiegel für den Dating-Zirkus unserer Zeit – serviert mit sattem Bass, zischenden Hi-Hats und einer Portion Meta-Wurstigkeit.

Dieses Lied mustes so sein, also habe ich es mir gebastelt!
🌀 Mood: ironisch · absurd · ehrlich · groovend

Cervelat Salat – weil manchmal das beste Büffet ohne Muscheln stattfindet.

Cringe Groove

Cervelat Salat (die party für nur ohne Frauen)

About the Artist

Lay Me Down | Renée (1982)

Jaz- State Of Hindipendence

The Antinote guys have always been keen on introducing new names to you and this addition to the label’s catalogue makes no exception to the rule: they are pleased to present Sfarot, the debut EP from Alek Lee, a musician currently living in Tel-Aviv.

The geographic origin of the artists on the Parisian imprint has never been felt as much as on Alek Lee’s debut 12”. In a very “fourth world” manner, Alek Lee brings together middle-eastern influences in his music with ease and without ever having it sounding cliché: on Harabait and Sfarot (and its dub version), his friends and him play the violin, the bass clarinet and the accordion in a way which reminds of Klezmer music, putting the three songs on the EP in line with both his musical education and his cultural background. 

This seems strikingly true when taking into account the process Alek Lee went through to record the tittle-track: the original material used in Sfarot comes from a recording Lee did a few years, and on which were recorded traditional songs Israeli children used to learn at school, performed by a choir of very young kids. Both conceptually and musically hypnotizing, Sfarot and its dub version take the listener on a slightly psychedelic trip
as the haunted voices from the kids loose themselves in long reverbs and are backed by a wide range of instruments played by the Israeli musician including an electric organ, percussions, etc.

And if you are still in need of more dubby excursions, the closing track is the one for you !

Sfarot

ALEK LEE - SFAROT

A1.  L'Alba dei Vinti (15:54)
B1.  Slot Machine	  (8:05)
B2. Che Male C'è	  (3:53)

Bop & @291out

[EAS015] Bop & 291out - L'alba dei Vinti

Buy / stream: 
https://lnk.to/coveredingloria

Pop-not-slop:
https://open.spotify.com/user/deek-recordings/playlist/7f4uYQCSG8rFCRQPmiIL3z

Thool w/ Marieke - Je Sors (Stepping Out)

Had this cd-only beauty bomb up on my youtube channel for a year or so to great popularity before being pulled down by the copyright holder. Hope it can live here undisturbed. https://www.youtube.com/c/ContainYrBrain

https://www.facebook.com/groups/VISIONS.group/
https://www.facebook.com/containyrbrain.blog/
https://www.instagram.com/contain_yr_brain/
https://soundcloud.com/containyrbrain/
http://containyrbrain.blogspot.com/

↝

Handsome Boy

Inoue Yosui - Pi Po Pa

One of two remixes of Pierre Bastien and Eddie Ladoire's Phantom Dance #0 for the garden. Thanks to Gilb'r. Released on @versatile-records December 2017.

Pierre Bastien Et Eddie Ladoire - Phantom Dance #0 (Oceanic Garden Version)

'New Musik' with a touch of Harry Hancock
remastered by https://soundcloud.com/ravechild01
photo by <3 Charlotte Weber <3
pm 4 file

Hunting for an edit

This is the second volume of the Diavol Edits series. 
This time we are proud to present four italian gems nicely edited by DJ and producer Nassau. 
The tracks go from shameless disco floorfillers (Patrizia Pellegrino, Umberto Tozzi) to dreamy and balearic mid tempo songs (Anna Oxa, Vasco Rossi).

Released January 10, 2012. 
Edits by: Nassau - soundcloud.com/nassau
Artwork by: Martin Di Paola - www.martindipaola.com.ar 
Available on Diavol Bandcamp: https://diavol.bandcamp.com

Anna Oxa - Controllo Totale (Nassau Torre di Controllo Edit)

03 Ettika - Ettika (version Maxi)-(from CHEBRAN - French Boogie -vol2)

Barbatuques - Baianá (Brasingles vol.2) 12"

A1 Baianá
B1 Baianá (Wolf Müller's Drum Drop)

The fourth release of Selva Discos is one that has been bursting audiences into flames for a good while. Barbatuques, a well-known Brazilian group of body percussionists, adapted "Baianá" back in 2005 (first released on the "O Seguinte É Esse" album) and since then it became a staple of their concerts, getting crazy reactions from the children to the elder, being featured on soundtracks and sampled by trap duo Tropkillaz. The original is a modern folk song from Bahia composed by Maria do Carmo Barbosa, but it was the mouth harp sound and the stomping beat on the Barbatuques' arrangement that imprinted its trademark sound - like the first lightning strikes before the storm.

A couple of years ago, Jan Schulte, the german producer known for his taste for tropical drums (and also for using a few different aliases), heard the song and decided to add an extra punch to it for his DJ sets: more drums, taken from a library record of "drumdrops" (hence the title). In his appearance at 2017's Dekmantel Boiler Room stage as Bufiman, he dropped it to the crowd's awe, and it's been like that wherever its played - believe it, it's been tested all around.

So now for the first time "Baianá" is issued on vinyl. It marks the second volume of the BRASINGLES series, a new series on Selva Discos dedicated to releasing loud 12" singles with the original song on the A side and a rework on the B side, to please both the DJ and the listener.

Released on vinyl (and digital) on June 29th 2018. Distributed by Kompakt.

Optimo Music / Selva Discos - OMSD 004 - Barbatuques - Baianá 12" (sampler)

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

▽Ç¥♪ß¡!▽

               Contain Yr Brain ≈ Çøπ⊥α¡π ¥♪ ßґα¡π 

▲ Lynx ↓

Inoue Yosui - Pi Po Pa

Çøπ⊥α¡π ¥♪ ßґα¡π

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