Name: Boott Mill Looms by Erika Nesse
Duration: 1 min 38 s
Description: Recorded at the weaving room in Boott Mills, Lowell, MA

ok, I'm not fluent on Pig Latin, but hey: during this Friday morning I managed to get two sentences done:
First sentence goes B-C-E-G-A-B8-Eb-D8
Second sentence goes B-C-A-E-B8-Eb-G-D8-E8-D8
Then I  transferred the initial two note "consonant cluster" to the end of the phrase and added a vocalic syllable in the form of a low A note (upright bass and treated piano)

00:00 First sentence B-C-E-G-A-B8-Eb-D8
00:13 Second sentence B-C-A-E-B8-Eb-G-D8-E8-D8
00:32 First sentence in Pig Latin
00:45 Second Sentence in Pig Latin

Added some filtered delays and reverbs.
I finished with a last low note and some acoustic detritus from the piano+fx return

Composed and performed by DD
Photo by Boudewijn Huysmans

@disquiet

Created on Friday March 12th for the 480th junto project.

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/

This project is informed by Pig Latin. From the Oxford English Dictionary: “a secret language formed from English by transferring the initial consonant or consonant cluster of each word to the end of the word and adding a vocalic syllable.”

Miniature 4 Pig Latin (disquiet0480)

Entirely composed of manipulations of a field recording of filling a kettle, boiling it, then making a cup of tea.

The recording was loaded into several instances of Ableton's Simpler sampler. One track was created using Simpler's Slice function. The results of this were sent to a group of ApulSoft ApQualizr's each narrowly bandpassing a group of frequencies determined by ear. This was repeated with another track using different frequencies. The results were additionally ducked and filtered.

Another track used pitched versions of a section of the original recording and these were passed through Albedo and convolution reverbs.  A further track was a snipped sample from the original recording played through Ableton's Wavetable synthesizer with the table position being modulated by an envelope based on the synth's output.

These tracks were then variously panned, filtered, compressed and volume-automated to create the final track. 
---
More on this 487th weekly Disquiet Junto project — Carillon Quotidian (Assignment: Turn a recurring sound from your life into music) — at: https://disquiet.com/0487/

This project was developed by Marty Petkovich (aka K Joule) as part of the celebration of the upcoming 500th consecutive weekly Disquiet Junto project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

https://llllllll.co/t/disquiet-junto-project-0487-carillon-quotidian/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

brew (disquiet0487)

Ghosts of Sine and Vine [disquiet0326]

Several tracks of staked warbling sine waves produced in pure data. These use mutiple sine waves with the shifting volumes to give a warbling effect. Some of the bassier tracks had a side chained beat pumping them using an expander gate- this was in time with the end-of-vinyl click sample. some other added crackle  and click samples . Compiled in pro tools. Only two of the drone tracks had delay/reverb the rest of the tracks are dry.

Samples:

https://freesound.org/people/DanielsonIII/sounds/68400/
https://freesound.org/people/ludvique/sounds/71854/

More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:
https://disquiet.com/0326/ 5
More on Clay and Fischer at:
http://dclaymusic.com 8
http://feather2pixels.com 1
More on the Disquiet Junto at:
https://disquiet.com/junto/ 2
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co 3:
https://llllllll.co/t/disquiet-junto-project-0326-wave-turntable/ 2

Ghost Of Sine And Vine

Saturday the 4:th of April. Living with this virus since eleven days. This is my fist song I've made since I got sick.
Now there's hope.
Stay safe out there and take care of yourselves!
/nic

Its All About the Booze

It's All About The Booze

Sounds from Monday morning

ラミニウス

More on this 463rd weekly Disquiet Junto project, Making the Gradient (The Assignment: Make a piece of music inspired by the concept of a gradient), at:

https://disquiet.com/0463/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0463-making-the-gradient/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

fading lather

halF gradienT [disquiet0463]

Dararat Chemnasiri - Alto Sax
King Imagine  -  FX, electronics

Dararat Chemnasiri & King Imagine - Bird Boiling Point

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

Katie Mason - Good As It Gets  [evol mix]

Recorded at the weaving room in Boott Mills, Lowell, MA

Boott Mill Looms

Erika Nesse

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