Independent Alternative
Electric Rock
• • New Album "Face in the Crowd" now available

Conversion Delay is an alternative rock group based out of Columbus, Ohio. It was formed as a two-piece in May of 2012 by Nathaniel M Grosh and JD Johnston. Early performances utilized live looping, keyboard voices and several guitars. Recording for their first album “Stepping Stone” began in 2012 at Amish Electric Chair Studios in Athens, Ohio. It was released for digital purchase on March 26, 2013.

Songwriting continued as the band expanded into a three piece with the addition of drummer Nick Allen. Nearly two years in the making, the second full length release "Face in the Crowd" was released November 30, 2014. Guitarist Sebastian Olsson has since joined the live line-up.

To book Conversion Delay for your show or venue, send us details at conversiondelay@gmail.com

All video, audio, image and text © 2013-2014 Nathaniel M. Grosh, Jonathan D. Johnston, and Nicholas C. Allen. All rights reserved.

http://symbionproject.bandcamp.com/ :: purchase music

For the last 25 years, Symbion project has been electronic music endeavor of Kasson Crooker. During that time, he founded the synthpop band Freezepop, was a member of the electronic rock trio Splashdown, wrote a bunch of music for videogames (FreQuency, Amplitude, Rockband, DDR). The sound of Symbion Project is dark and haunting downtempo and features a large collection of vintage analog synthesizers. Symbion Project is very inspired by the artists Massive Attack, Depeche Mode, Wendy Carlos, Vangelis, Air, and Erik Satie.

The first full length Symbion Project cd "Red" came out in 1997 followed by "Immortal Game" with artwork by Stoltze Design. Not being one to be pinned down stylistically, Symbion Project has continued to embed differing styles of electronic music into its overall aesthetic. Early songs incorporated elements of instrumental techno & trance, along with elements of drum & bass. Songs on "Immortal Game" slowed dramatically into hypnotic down-tempo, reminiscent of Boards of Canada & DJ Shadow, with haunting synths & Vangelis-esque ambient soundscapes. "Immortal Game" also features guest vocalists Melissa R Kaplan of Splashdown/Universal Hall Pass & Leah Callahan, alongside the instrumentals. "Wound Up by God or the Devil," was released in early 2007 and was the first foray into a different sound for the band. Inspired by the baroque qualities of vintage synth artist Wendy Carlos (A Clockwork Orange, Tron) and Vangelis (Bladerunner), the Wound Up album became the first in a trilogy of instrumental analog synthesizer releases.

2009 saw the release of the 4th studio album "Misery in Soliloquy" which was released on cd in stereo and on dvd in a quad 4channel surround sound format. This album returned to the downtempo sounds of Immortal Game and heavily featured Melissa R Kaplan and Kasson on vocals. A followup version cd called "Misery in Soliloquy [Exposed]" features the entire album mixed without vocals or drums, allowing the synths, strings, and ambient fx to shine. 2011 saw the release of "Contrapasso" which is a followup to the Wound Up album. This album features a cover of the Dead Can Dance song "Enigma of the Absolute." 

2016 saw the release of Arcadian featuring guest vocalists Jenni Potts, Briana Marela, Markus Junnikkala, and Melissa R Kaplan.

The latest from Symbion Project is "Saturnine" featuring guest vocalist Mars Nord (aka Markus Junnikkala).

Symbion Project was featured in the sony ps2 videogames freQuency & sequel amplitude where you can interact, construct, & remix Symbion Project songs like "funky dope maneuver" & "freQout" & "synthesized."  k*ss*n wrote additional songs for the games under the pseudonyms komputer kontroller, dj hmx, & cosmonaut zero. Freezepop (k*ss*n's other band has contributed music to games like ddr, guitar hero 1&2, Phase for the ipod, and Rockband1&2. symbion project has also been heavily involved in remixes over the last few years, for bands such as Depeche Mode, Lamb, Delerium, Information Society, Universal Hall Pass, and Kodomo.

Wren has recently been reformatted from a four-piece alternative rock band to a somewhat unconventional two-man team with a hired gun drummer for shows and recording. The sound has changed as well. In addition to the band’s rock roots, elements of funk and hip-hop have been heavily incorporated. The new Wren is able to seamlessly transition from heavy rock to light alternative to rhythm-core hip-hop. Rapped verses with sung choruses over guitar effects, slap bass lines and funk/rock drum beats are where the band is heading.

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