This is a very nice piece of music, good work.

The opening reminds me a lot Smetana's Moldau. But it where all similarities end. The composition and progression is very nice with lovely instrumentation.

With shades of Smetana and Grieg this is a lovely moving composition.

love the mysterious vibe from the start then turn into a very fun and joyful one. Very cool!

Amazing instrumental track. Really enjoyed listening, liked and repostet it.  Musical greetings Tobias

Playful and happy piece. Great composition.

07 - Cuantas Veces

Words and Music Andrew Smith 2021
Four o’clock in the morning, And I’m making my way back home
I feel a new day calling, Got your number on my phone
They say that bolts of lightning, Only happen when it’s meant to be
But Girl this thing is frightening
The life right out of me, Creeping up the stairway
Waiting for a cue, How will I feel tomorrow?
When I’m waking up next to you so tell me now

I’ve been struck by lightning now what can I do
Fallen for another guess I’ve blown my cover with you
Never say for ever but I whispered forever to you
Tearing at the seams ‘cus the Girl of my dream ain’t you
But I’m in disguise as I’m closing my eyes

Feeling warm beside me, Dreamy half awake
This is half of something, But it’s all of our mistake
You make is oh so easy, So I never need to try
To search for what is missing, Never knowing it’s a lie
And when we wake tomorrow, And there’s nobody on the phone
I found a four leaf clover,   And I’m gonna’ take is home so tell me now

I’ve been struck by lightning now what can I do
Fallen for another guess I’ve blown my cover with you
Never say for ever but I whispered forever to you
Tearing at the seams ‘cus the Girl of my dream ain’t you
And I’m in disguise as I’m closing my eyes

There are no words to tell you, just the answer in my eyes
I got no rhyme or reason, it’s got me right between the eyes

I’ve been struck by lightning now what can I do
Fallen for another guess I’ve blown my cover with you
Never say for ever but I whispered forever to you
Tearing at the seams ‘cus the Girl of my dream ain’t you
And I’m in disguise as I open my eyes

Never Say Forever!

Original song, video, pictures, and gif created, composed, and produced by Among The Vanity.

If My Star Fade Away From My Dream

Edvard Grieg. Played on Hohner CX-12 bordeaux.

Norwegian Dances Op35 No2

As a Child, I had a story or game or maybe a memory- My 'ONE' was with me in the Aethers before this incarnation- We were Infinite, Eternal -- and we had many physical lives separate from one-another* We would visit and share with no fear of judgments- finally, we chose this life to incarnate together- he in inner earth and me a surface dweller... We chose to live and experience as much as possible the first half of our lives and then come together for the second half-

parthenogenesis

twinflame   - live  w/ Sam Hays

Eddie Q - Where is the love

Intruder

Archer

Intemperies

Fools Rush In  (4)

A playful uplifting waltz like track with ¾ time signature and a leading flute playing cheerful yet tender, sentimental melodies embedded in a soft orchestral soundscape with a dominant underlying upright bass.

Purchasing this track permits you to use it unchanged in your own non-commercial productions with an attribution to Covert Acoustics.

For commercial and derivative licenses, please visit our Pond5 profile where you can buy this track for a number of additional uses.
https://www.pond5.com/artist/covertacoustics

Dancing Memories

Belong by Hope Street
Joe Tibbits - guitar and vocals
Barry Harman - bass

Silence and Chaos

Belong

Elegy for Two Cellos and Piano
Duration 10'
View Score: https://issuu.com/robertpaterson/docs/elegy_for_two_cellos_and_piano_fs_b
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1074

PROGRAM NOTE(SHORT VERSION — FOR PROGRAMS)
After hearing my music, and in particular, my Sonata for Bassoon and Piano, bassoonist Charles McCracken asked me to write the original version of this work, Elegy for two bassoons and piano, in memory of his father, Charles P. McCracken, a well-known and highly-regarded cellist in the New York musical community. His only request was that I quote a work that his father loved to play, one of the cello suites by J.S. Bach. I also love Bach’s music, so this was an easy request. I quote Bach’s Fifth Cello Suite, one of his father’s favorite pieces, and also Bach’s Third Cello Suite, a work that Charles Jr. likes, creating a sort of father and son pairing of references. Although Charles described his father as gregarious, fun loving and larger than life, this work is perhaps more earnest than humorous, but with a sense of playfulness in the way I manipulate the musical materials. Since this piece references Bach’s cello suites and Charles Sr. was a cellist (and played principal with the New York Metropolitan Orchestra for two seasons), and the cello and bassoon have very similar ranges, I made this transcription for two cellos and piano, a version I think Charles Sr. would have appreciated.

The original Elegy was commissioned by Charles McCracken and Gordon Harris through the American Composers Forum and is written in memory of Charles P. McCracken.

Spheres

Elegy for Two Cellos and Piano

Covert Acoustics is a strategic alliance of musicians, composers, producers and audio engineers based in Basel Switzerland, teaming up to create cutting edge acoustic content for contemporary media.

For commercial and derivative licenses, please visit our Pond5 profile where you can buy all ours track for a number of additional uses.
https://www.pond5.com/artist/covertacoustics?ref=covertacoustics

The alliance was founded and is managed by @mic-studer, @vitamin-b & @sam-sherbini

Dancing Memories

Covert Acoustics

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The Infinite Wimshurst

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6Greytails

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