Bringing​ together dedicated music lovers from around the world to enjoy a carefully curated programme spanning across House, Techno, Electro, Breaks and much more.

Dimensions is the perfect place to come and enjoy the world’s best electronic music next to the sun-soaked Croatian shore.

Yo Im DJ TESCO and Im in charge of the music section of TESCO. Here's a discogs of the mixxes Ive done since 2006

[01][2006] DJ TESCO MAGNET THIRD YEAR SUPPORT MIX 06
[02][2006] DJ TESCO Merry Iain Easter Mix
[03][2006] DJ TESCO MIKES REQUEST
[04][2007] DJ TESCO V recsund-sorry I could'nt see you mix
[05][2007] DJ TESCO do you want a 2007cash back on that
[06][2007] DJ TESCO Let's house
[07][2007] DJ TESCO POP IT UP Farwell house from SAMSUNG JUNE
[08][2007] DJ TESCO SUMMER 07 lunch pack
[09][2007] DJ TESCO WELCOME BACK SOUNDS 305
[10][2007] DJ TESCO Film DAnce [FINAL CONSTAPATION 1&2] August
[11][2007] DJ TESCO RAP DOWN ACIB JUCE ink graphic party2 December
[12][2007] DJ TESCO SAYS HAYES [Decmber]
[13][2008] DJ TESCO MIKES REQUEST 2 [February]
[14][2008] DJ TESCO RE-NAME THE BLAME!
[15][2008] DJ TESCO RE-NAME THE SHAME!
[16][2008] DJ TESCO POP IN YORK WITH FORK
[17][2008] DJ TESCO UP GRADE THEN FADE [August]
[18][2008] DJ TESCO JMC BRAIN STYLE [December]
[19][2008] DJ TESCO JOSALINA PARADINA
[20][2008] DJ TESCO ROTANCE [December]
[21][2009] DJ TESCO THE CHAPS LIBRARY COURSE
[22][2009] DJ TESCO PLAY RCA TILL SUN SET BAY
[23][2009] DJ TESCO SALLY SEA MEN [october]
[24][2010] DJ TESCO Tangent Space [lost]
[25][2010] DJ TESCO 25th BirthDay - DJ MIKE DJ KAREN DJ EMILY DJ TESCO
[26][2010] DJ TESCO Dreamweaver - [MAY]
[27][2010] DJ TESCO CUBAN CAFE
[28][2010] DJ TESCO JMC RECSUND CLUB
[29][2011] DJ TESCO FINDS FORTUNE IN THE GHETTO FUTURE MAZE OF FAITH
[30][2011] DJ TESCO LETS HOUSE 2 MUSIC
[31][2011] DJ TESCO VERONICA 70'S JIM AND TONIC HER
[32][2011] DJ TESCO STANDARD DINNER DANCE
[33][2011] DJ TESCO LADY GAGA EVERYTHING ELSE I CAN SAY IS
[34][2011] DJ TESCO CRUDE POSY FRANCHISE
[35][2011] DJ TESCO 2011 SUMMER TIME CHIME

For DJ Bookings, Remixes, Production, press and any info email: 
trevorfun@gmail.com

All of my mixes, have been moved to: 
https://www.mixcloud.com/TrevorFung/

All things Music !!......House, Detroit, Acid and Balearic....
DJ, Music Producer & Remixer !!

For DJ Bookings, Remixes, Production , press and any info email: 
trevorfun@gmail.com

In the beginning there was House Music…
And when Balearic and Acid House were born, Trevor Fung was present and instrumental in the birth of the new musical revolution. He was described then and now as a Legend of UK House.

For more info go to…
https://www.facebook.com/TrevorFungBalearicHouseMusicDJProducer/


 " Quality, Originality and Creativity are the key to any good DJ.” 
Trevor Fung


All of my mixes, have been moved to: 
https://www.mixcloud.com/TrevorFung/


https://twitter.com/trevorfun
https://www.mixcloud.com/TrevorFung/
https://hearthis.at/thehouseoftheflyineyball/set/trevor-fung/
For DJ Bookings, Remixes & Production contact: 
trevorfun@gmail.com


Trevor Fung DJ Page:
https://www.facebook.com/TrevorFungBalearicHouseMusicDJProducer

I begun DJing in 1990 back in the day when people were producing tracks in their bedroom and it seemed as though there were more bootlegs on the market than general releases. The labels didn’t have a clue what was going on and D-construction was a small dance label that was signing acts like N-Joi rather than Kylie. I did two years in the smoke playing sets to crowds of 2,000 party people that really knew their music.

If you were a DJ playing old records, you’d get booed off the stage, or the crowd would leave the room and go upstairs. I kept it close with my crowd, people would come up to me and ask if I had this tune, if it wasn’t in the box I’d play it next week. But it wasn’t a case of these people making jukebox requests but rather that they wanted to feel a part of the scene and know that they had some hand in making the night.

Out of the club into another, the nights were long and people just kept on going. 200 cars in convoy going down the A1 that was a real feeling of unity. You’d end up in a field with or without a generator, but someone would light a fire and, in the end, you might be dancing around a car stereo but it still sounded good, people believed that they were part of a new expression, a new movement.

Roll that musical clock forward and by 2011 what remained was a shrink wrapped corporately packaged scene that got its kicks from re-releasing and remixing tracks created from back catalogues of labels from the 70s and 80s snapped up for next to nothing. The majors took over distribution and the public channels of expression for independent producers has got even harder. Take a trip down the lane of the tracks that defined our genre and you won’t find too many happy faces. From Rappers Delight, through to Grandmaster Flash - Larry Heard, the man that gave you Fingers Inc - went off to become a programmer. LARRY HEARD!!! 

Back in the day a DJ would take two tracks and blend them to make a third with a mix that could last up to 4 minutes. That for me has always been a part of what a DJ should do. It's much easier now as all you have to do is push a button to beat sync it, whereas if you were mixing over the quartz lock crest of the 1210s you'd be moving it over and below the green light as you were mixing it up!

Music has today become much more disposable in the digital age, reducing people’s creative art to a click. Skip through it, break it down to a stem, no sleeve notes, no artwork visual dimension to the artists creation. All you get is track01 - 4.5MB! Do you want to download? That's today, but for me sleeve artwork for dance music has always been something special too.

DJ equipment is now cheap much more accessible – my Numark 1762 cost me nearly £400 back in 1990. My current Xone32 is still stupid money but you can’t beat the analogue circuitry inside.

The period 1988-1994 was to dance music what the 1960s was to free love. Either you were lucky to have been at just the right age to have been a part of it, or you missed out. We were the last generation to get a youth culture before the smartphone made the youth look inside instead of the world outside.

Music will take centre stage once again at some point in the future, but for all of use that were part of it we know we were part of something special, and this idea of one love guides us to this day. 

My thanks to the following people:
JJ Slide at St. Matthews Church in Brixton
Goa Nights at Tyssen Street Studios  in London
Global Dance 3,4 and weekly nights of Exposure at the Stour Centre in Kent
Buzzbys on a Friday night
SpiralTribe Sound
Chocki and the boys
Nicki Blackmarket
Ratpack
Fabio and Grooverider
Ellis Dee
Truelove productions
Heavenly Recordings
Blapps Posse
Break the Limits
Reinforced Recordings
K-Klass
Zoom Records (Camden)
Horace, (Camden Market)
Resistance D
P. Slaghaus (rip)
Leigh303 (for showing me the dance light)
K-Alexi Shelby....to understand means a way of life...

Keep listening.....to everything

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

Free space inspired by the 90s techno music and oldschool way of mixing. 💥
Dedicated to every pioneers 🤘🖤
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contact : thethirdturntable@gmail.com

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