DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

For worldwide dj-bookings and mix-engineering/music-production inquiries contact : louis@muzocreative.com

House of Disco is a record label run by Magnier which is dedicated to unearthing joy for your earlobes

For bookings email: 
david@thebuildingsociety.agency

Dave Lee aka Jakatta, Doug Willis, Raven Maize, Sessomatto, formerly Joey Negro as well as being part of The Sunburst Band and many more. 

Bookings: Tim@zrecords.ltd.uk

Inspired by the “naughties”, boldness; timidity of life, Clare composes music and spoken word; music by itself, mainly within the field of electronic music. Additionally, she creates visual artworks composed of text +image. 

Now on a solo journey, in the past Clare has collaborated with others & for many years was half of ‘lowkey+nude’ – a collaboration between herself and Michael Hogg (aka low key operations), she continues to evolve both creatively and personally within the realm of sound. 

Over the years, Clare has received support from the Music, Writing & Arts Industries where opportunities have allowed her, and her collaborations, to perform in clubs, festivals, out door techno parties & art galleries within Australia and Berlin.

Key performances include Berlin clubs; Support act for UK act Vince Watson Brisbane AU Tour; Big Day Out (Syd AU); Earthcore (Mel & Qld AU); Parklife (Bris AU); Elsewhere (Gold Coast AU); Empire Hotel (Bris AU); UBER (Bris AU); Valley Fiesta (Bris AU); Livid Festival (Bris AU); MAAP Festival (Bris AU); ADAPT Festival (Bris AU); The Brisbane Powerhouse; Institute of Modern Art (Bris AU); The Brisbane Writers Festival (AU); Qld Poetry Festival (AU), to name just a few.

Releases include CD, Vinyl, Online albums and compilations both Nationally and Internationally. Key releases include: Soulshift (New York / New Jersey), AltX (Colorado); Interference Records (Berlin); Smashbang (Melbourne AU), Dektek Records (Gold Coast AU), ABC’s Radio National Sound Quality (Sydney AU); Transcom (Brisbane AU), La La Land (Gold Coast AU); ADJF Mixtape Compilation by In the Mix (AU) as well independently releasing own work.

Support from local & international DJ’s, writers/producers who have played & remixed collaborated tracks. Tracks have received airplay on Triple Js MIX UP and Groove Train; ABC Radio National; NOVA; & other independent radio stations nationally & internationally.

In addition, Clare creates sound art+text installations as well as image+text artworks which have been exhibited in such art spaces as The Brisbane Powerhouse (AU); The Institute of Modern Art (AU) and Metro Arts(AU); Bars / Restaurants; private commissions.

Eddie Hale's sound is soulful, futuristic, and balances groove with depth—a versatility that has led him to collaborate with some of the finest underground artists and labels. Since 2013, his work has appeared on renowned imprints like ODD/EVEN, KMS, Intacto, Parabel, Flash, and Dynamic Reflection.

Eddie’s relentless passion for electronic music has taken him from Australian festivals such as Sydney Mardi Gras, Rainbow Serpent, and Strawberry Fields to iconic international stages like Berlin’s Tresor and Amsterdam Dance Event.

In 2021, his Dormancy EP on ODD/EVEN became a modern classic, earning strong support from key tastemaker DJs. That same year, he launched Denude Records, a platform supporting both his vision and the global rise of Australian electronic music.

His 2022 debut album, Far Beyond, showcased a blend of Detroit techno, dub, ambient, and breakbeat influences. In 2023, he returned to ODD/EVEN with the Bad Sector EP, featuring a remix by techno legend Ken Ishii.

In 2024, Eddie presented Vanishing Point, his second album on Denude. Inspired by a silent meditation retreat, it features nine tracks that explore a broader sonic landscape while staying rooted in the floor-ready techno he’s known for. From the raw, timeless energy of Affinity to the expansive electronica of Black Rock and Observer, Eddie demonstrates his evolution as a forward-thinking artist, seamlessly blending classic influences with futuristic sounds.

Eddie Hale continues to push boundaries, crafting a unique soundscape that challenges the norm while offering a fresh perspective on techno’s future.

Bookings: cerissa@denuderecords.com

https://www.floatingpoints.co.uk/

 hello@floatingpoints.co.uk

I've been a DJ for a while. I kind of like it.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

(Clink) is following