Selector's & Composers Dj's


(Label & La Bête - Analogic Recording Label)

We Can Create (2007), Turning The Mind (2009), Vicissitude (2013), Realigned (Remix album) (2014), Colours. Reflect. Time. Loss. (2019), Colours. Remixed. Time. Loss. (2020), Counter Melodies (2023), Counter Mixes (2023), Counter Continuo (2024). 

Management - Roland Brown: roland@rkbmanagement.com

Harpsichordist, pianist, composer for concerts, dance, theatre and opera productions in France and abroad.

Solo player in harpsichord solo Yellow Magic Harpsichord
Half part of the baroque electronic duo Scarlatti Goes Electro

Contact : antoine.souchav@gmail.com

As one of the most iconic artists of her generation, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has imbued techno, and dance music culture, with her unique DNA.
As well as running two labels (BPitch and UFO Inc.) and performing regularly at prestigious clubs and festivals all over the world she is also an accomplished producer with eight solo albums under her belt and an extensive catalogue of singles, EPs and remixes.

www.mute.com

Mute was founded by Daniel Miller in 1978, and since then has signed and developed some of the world’s most influential recording artists – including Goldfrapp, Liars, Moby, M83, Erasure, Depeche Mode, Nick Cave & The Bad Seeds, Laibach, Yeasayer and Richard Hawley – and become home to a crop of emerging talent and recent signings such as Cold Specks, Polly Scattergood, Big Deal, Beth Jeans Houghton, Josh T. Pearson and Apparat.

Whilst maintaining a firmly eclectic roster, from the earliest days of The Normal, Fad Gadget and DAF through to the techno era with artists such as Plastikman / Richie Hawtin and Speedy J, and to the present day with electronic artists such as Diamond Version and Maps, the label has always been a champion of electronic music.

Mute is also home to the catalogue of a host of seminal artists such as Can and Cabaret Voltaire.

Daily Mirror ****
"A heart-stopping and strangely uplifting ride"

Telegraph: ****
"It exudes the brooding, biblical, murder-ballad gloom of Nick Cave and sounds rather like Antony and the Johnsons singing the music of Nick Drake in the style of Amnesiac-era Radiohead fused with that of a Romanian gipsy band. Highly Recommended."

Musicweek
"As Playful as Andrew Bird but with the Eccentricities of Tom Waits and the elegance of Shearwater. Marvellous."
Since the release of their first album ‘Trick Of The Night’ at the end of 2008, London sextet SixToes have received a steady stream of evocative and insightful acclaim- reviews that capture the grainy, bittersweet nature of the band’s music, and hold it in high regard.

After taking to the backwaters of Ely, Cambridgeshire for their asylum-tinged first album, the band spent time producing music for various short films and entered into the foray of remixing for other artists. On the strength of a remix of Maps ‘Elouise’ the band were commissioned to work on Depeche Mode’s ‘Jezebel’, which grew to a further three tracks from their 2009 album ‘Sounds Of The Universe’.
More recently, to their delight, SixToes were asked to put their spin on a track for Nick Cave’s Grinderman 2 album- reinterpreting ‘When My Baby Comes’ in their newly unique style.
An appearance from the Toes’ string players on the critically acclaimed Josh T. Pearson album ‘Last Of The Country Gentlemen’ sweetened a busy 2010 for the band.
Along side these antics, SixToes have been working hard on producing their second album- getting out of the city and taking to a cottage in the windy shadows of the New Forest, Hampshire where they set up studio to write and record. Using the bands technical experience, they have again been Recording, Producing and Mixing the material themselves and hope to tie it up for release next year.



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