Bruises Reprise

21 Varia & Dissonant - Phasebraker 240bpm Master By Hypnokrono

Charlie Morrow - "Toot! Too" LP (R41)
http://www.recitalprogram.com/toot-too/
http://www.recitalprogram.com/purchase/

R41 Charlie Morrow - "Wave Music II – 100 Musicians with Lights (1978)" from Toot! Too LP

damage

ivan skoryna - nobody

Final track on 'Mechanosphere', Cam Deas' debut album for The Death of Rave

Available on CD and download from Boomkat.com 31/10/19
https://soundcloud.com/camdeas

Mechanosphere

Solitude

Cam Deas - Solitude [RAVE029]

From the Vertical Jamming tape on Disciples

Phew - Cheers

JWR034
'You Will Never Know'

The second in a series of compilations selected by friends/family as well members of our own team. Music made for our lost loved ones and for the difficult times. Check out the EP below! 

featuring 
https://soundcloud.com/v3sta_ath
https://soundcloud.com/blissingpersons
https://soundcloud.com/jacobmarley
https://soundcloud.com/max-rollins
https://soundcloud.com/facewashmusic
https://soundcloud.com/entten
https://soundcloud.com/user-976108423-700598082

Mastered by SIM
Artwork by Oskar Jeff aka Dome Zero

For Agnes Jackson

V3sta - Onerous

A series of bleak, blustery scenes make up Nazanin Noori’s Farce. Noori, who also works as a theater director, conjures glacial storms and buzzing subterranean server farms on this album; but such scenes were far from the artist’s guiding narrative as it was being produced. The two tracks, clocking in at 80 minutes total, were envisioned as an enraged argument (or a "modular heartbreak") unfolding between two groups of people about a pothole in the road, told from the perspective of the road, and then the pothole.

This surreal, mundane plot device is nowhere to be found on Farce in any concrete way. And this is intentional. Noori, inspired by Artaud's concept of the theatre of cruelty, wants listeners to develop their own sensorial world separate from the musician's. When not darkly ambient, the tracks are full of drama and whimsy, as if a spotlight is following a character along a wayward path, into the hands of fate. The emotional hooks in the sound include a sense of desperate desolation, optimistic reprieve, and of course, the sense that ritual repetition is both a curse and a blessing—but they resist obvious imagery. Exactly what kinds of characters or settings get hung on the album's scaffolding is up to the audience. Listening with a hi-fi sound-system is highly recommended.

---

Nazanin Noori is an Iranian artist living and working in Berlin, Germany. Her work includes theater and radio play direction, music, and text. She focuses on atmospheric narratives in sound, and works to overcome cultural reliance on sentiment by making dramatic adaptations of non-dramatic texts. She studied theater, film and media sciences at Goethe University in Frankfurt and worked at Deutsches Theater and Schauspiel Hannover. She currently selects Acid Folk for POMP, a sound scenario series on Retreat Radio, and is an artist-in-residence at the Young Academy of the Arts in Berlin.

released August 25, 2020

mastering :: Martijn Comes

all proceeds to Afrorack (Chicago, IL, USA) - www.afrorack.org

FARCE

Nazanin Noori - IMAGINE ALL THAT FALL IN A POTHOLE ON A BEAUTIFUL DAY (ENMX09)

recorded in Lodnon philarmonia
meditaciebi LA MINORSHTI slowed down reverbed bootleg nightcore

Acupunctura (w/ Levan Shanidze)

╳ Extracted from "RITUAL" by @shevsmachine

╳ Stream / Purchase: https://ghostcity.bandcamp.com/album/ritual

GCCLLCTV2020

Produced & Mixed by SHE/MACHINE during 2020.
Master & Artwork by Marco Zanella.

╳ She/Machine
- soundcloud.com/shevsmachine
- facebook.com/shevsmachine
- shevsmachine.bandcamp.com

╳ Ghost City
- soundcloud.com/weareghostcity
- www.facebook.com/weareghostcity