Enjoyed the vocal melody and harmony on this, excellent topic too

Interesting concept of writing I like the thought process and performance. Hail to Luca it inspired me also 👍

This reminds me of Brian Wilson in ways... it has an open spirit and curiosity. Actually one of my favorite tunes of yours I've heard. The unusual melody and vocal effects suit the subject matter somehow. Awesome work!

What a cool concept to build a song around. Love the use of different time signatures for the verses.

Related tracks: Dusty Grain of Sand

Music/Arrangement/Production/Vocals/Lyrics by Achazia
Video: https://www.youtube.com/watch?v=DPYgoD4-YSY

Would you catch me if I fall.
It's a long way to down.
I want to surrender
but I don't know how.

I'm running through waste lands
to the deepest end
I'm fighting emotions.
That is my defence.

I was once touched by shadows.
That tore me inside
and then you came to me
like a shining light

Do not get any closer
I'm letting you go 
I keep on running.
away from your love.

Falchon's elegy

Unspoken Geometries

47th Mutation of a Melancholic A.I.

47th Mutation Of A Melancholic A.I.

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

With much curiosity and just enough grace, Icyllia wanders the Frost Palace aimlessly

Mood Exhibit - Icyllia

Taken from our upcoming debut album "Rock and Roll Kills" (mid-2024).
Youtube link: https://youtu.be/kWZJiztgoXU (like & subscribe:))
---------------------------
lyrics:
And then i ask my self, is there a way out, could i be heard loud?
And then i ask my self, could it be?

And then i turn my head, up in the sky and wondering why?
could i turn back time or live it again?

Chances are thrown away, anothers have won not gone astray
but that's a blessing not a curse so thank you!

You think is over...over now, just shake your head and face now
face the truth and all the greatness around

Don't need nothing else, i got everything that completes me
all the rest is just a dusty grain of sand

(p) & (c),all rights reserved, STA 2024.

Rock and Roll Kills

Dusty Grain of Sand

Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition, production, and mix

The Mysterious Decibel -- @themysteriousdecibel – MD – First vocals and lyrics 

Llanpsych–@llanpsych –Tez–Electric guitar

TexMex Shaman–@texmex-shaman –Stephen– Electric guitar, mix, and production  

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, lyrics, and vocals at the end

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass

     This song began with Terry sharing an intriguing Eastern sounding synth and minimal beat with Ken, who added a really solid beat to bring out the strong rhythm of the song. Once they had a solid foundation and skeleton, they shared it with the rest of the Eclectic Collective. 
     Josh added his four string fretless bass in a dubby line that was inspired by Tez's hot skank part. Stephen came up with the shocking dynamic lift towards the end, and Tez piled on to light it up. Then MD got a hold of it and wrote and sang some of his trademark, fun lyrics and vocals in the first part of the song. Ken, not to be left out of the melodic experience, added the vocals at the end. 
   After we all had everything in the can, the Texas Tea combo of Stephen and Terry produced and mixed the whole thing down. This wasn't their first rodeo mixing a project together, and it really shows in the end quality. They also have several duo projects up on both of their pages that are worth checking out.  
  We think the end result is reminiscent of Massive Attack and Thievery Corporation, two big influences on a few of us. We all hope you enjoy listening to this song as much as we enjoyed creating it.

Lyrics by MD:
Time again and on, and on, and on, we fall in slumber
Dreams never wait
Ashes to ashes we all fall down 
Ooooo Circles break
Ashes to ashes we all fall down
When we wake
When we wake
Is this a new Simulation?
When I wake
When I wake

Lyrics by Ken:
Feed the fire, or the fire flames out

Coherent Fire -Eclectic Collective

Cast of Characters:
mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, mix
Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals
TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, and mastering
J.J. Terrell–@j-j-terrell –piano and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 

This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. 

So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 

But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. 

Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then Josh added his guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed well, too, so we turned to Stephen for that important role, once again, which he fulfilled expertly.  
 

This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.
  We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 
Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.
With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

A Brush With Death -  (EclecticCollective) w/ special guest mistermark

Pakicetus

Verse 1 (4/4):
400 million years ago fish left the water to live on land
15 million years ago mammals found there way back into the oceans 

Verse 2:
Pakicetus is a Transitional phase between land mammals and whales
This is a small whale to be about the size of a wolf

Verse 3 (7/4 time):
With hooks and claws
A beginning of land animals returning to the water

Verse 4 (4/4):
Packicetus gave rise to sea mammals: Propoises and whales
All have multiple stomachs
Coming from the structure of their land mammal days
The evidence is that they have the same unique ear bone

Bridge: (5/4)
Whales and hippos descended from the same ancestor

Verse 5:
DNA comparisons reveal that whales have many genes that are inactive
These genes were functional on land
But they have no use in the water 




Unused Lyrical Ideas:

An ear bone unique to whales and dolphins
The oldest fossil whale ever found
Teeth like a carnivorous mammals 
A carnivore that adapted to land 
Long mouth 
Long mouth full of teeth

References:

https://en.wikipedia.org/wiki/Pakicetus?wprov=sfti1#

https://www.amnh.org/explore/news-blogs/on-exhibit-posts/the-first-whale-pakicetus

https://evolution.berkeley.edu/what-are-evograms/the-evolution-of-whales/

Pakicetus

Can't Remember My Name

... inspiration can brood and bubble at times, barely detectable to all but that subtle sight - the vague yet hopeful perception of a vast web, which shines somehow in the eye of intention. see through doldrums to the eternal wind. thanks for listening <3

-phil

elucidate space

Brian Butts - Guitars, Drums, Bass, Keyboards, Master Mix
Cosmic Keanu - Vocals, Lyrics https://soundcloud.com/cosmic_keanu?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
Integrity in truth
Purity in obedience to God
Tranquility in spirit
Realization in faith

Be strong in the Lord
Put on the armor of God
For the struggle is fought
Not against flesh and blood
But against the forces of darkness
And the schemes of the evil one

Stand firm
Resist
On the evil day
Stand firm
Against the spiritual forces
of wickedness
in heavenly places

With every prayer and request
At all times in the spirit
With this in view
Be alert with all perseverance
So speak with boldness
As you ought to speak

On that day the deaf will hear
And those who are blind will see
The afflicted and needy will rejoice
For the ruthless will come to an end
And the scorner will be finished

Woe to the rebellious
Who rely on oppression

Astrarium

The Evil Day (feat. Cosmic Keanu)

A (Yusuf) 'Cat Stevens' Classic. Listened to and loved for the better part of my Life. A song, a prayer, a Version......some thoughts. Just created simply and in my own way - vocal and acoustic guitar. Intended with respect to an incredibly prolific songwriter and performer from the 70's and beyond. Acoustic Guitar, Vocals, and Production for this Version by Riff Beach (RiffWerx Productions). 2024
Lyrics - The Wind
I listen to the wind, to the wind of my soul
Where I'll end up, well I think only God really knows
I've sat upon the setting sun...
But never, never, never, never
I never wanted water once
No never, never, never

I listen to my words but they fall far below
I let my music take me where my heart wants to go
I swam upon the Devil's lake...
But never, never, never, never
I'll never make the same mistake
No - never, never, never
Writer/s: CAT STEVENS, YUSUF ISLAM 
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Sunny Beaches Among Us

The Wind...Again

The Wind - Version

This composition presents you with a musical plateform that represents you calling out to your  past family, friends or people you have felt a bond with,or who are experiencing hardship.
The Sad Souls are captured in the -Celo, flute and piano.
The Happy responses are felt in the guitar and piano
I hope you can relate to this composition as it allows you to  create your vision.

My Soul cries out for you

Dust

24 - 1-2025

So It Shall Be

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Dear SoundCloud friends.  This is the place where I locate my country, bluegrass, folk, jazz, and blues oriented songs:  roots music.  You will find this music rougher and not as polished as the music I place elsewhere.  This is where I will host music with a more wooden feel.  As always I am very interested in collaborating with my fellow musicians.

I encourage you to visit the sites of the musicians with whom I have collaborated on this page:
https://soundcloud.com/brianpeters-3
https://soundcloud.com/nayj-2
https://soundcloud.com/selaruioana
https://soundcloud.com/markjbennett
https://soundcloud.com/mlucas
https://soundcloud.com/tracesoflace
https://soundcloud.com/johnny-minstrel
https://soundcloud.com/kodiaktom-1
https://soundcloud.com/lucy-o-music
https://soundcloud.com/ian-tait

You can find my other music on these sites:
@progrockdan1
@dan-lockhart
@progrockdan-instrumentals
www.reverbnation.com/prdvocals
www.reverbnation.com/progrockdan1
www.reverbnation.com/daniellockhart4

My songs with Dan Blackard can be found here:
@user-106484228
@user-590884876

www.reverbnation.com/dananddan5
www.reverbnation.com/danx2

I have 72 Songs about Space here:
hearthis.at/progrockdan1/set/space-songs/

I have a collection Christmas songs here:
www.youtube.com/@prd.christmas4703

Children's songs are here:
www.youtube.com/@musicfirkids

I am the bassist in the AGES Band,  We play covers:
https://soundcloud.com/ages-band
https://www.youtube.com/@AGESBand

I would greatly appreciate your support on my Patreon page:  https://www.patreon.com/user?u=59878068&fan_landing=true

Pakicetus

Dan Lockhart

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