Abstract Counterpoint Improvisation (disquiet0474)
Getting together through music,  in times of isolation...
I recorded here (France)upright bass over the duet by Chris Ledwidge (Ireland): piano and Michael Ash Sharbaugh (USA) synthesizers. 

I improvised over the original track twice, first take was a disaster, second was slightly better but still I couldn’t figure out what the piano was doing so my notes are bad and my timing is also bad.
 I mean, I'm following the sort of pulse but I'm not playing in the right spots, I'm afraid...


So, to save the thing from the trash lid I decided to label my ramblingness as an “abstract impro”, a tag that can excuse or justify many “out of focus” things. I added another thing that I use to bury sloppy things and pretend they are avant-garde brilliant statements: Valhalla Supermassive.
And I did a very creative use of the Delete button


DISQUIET0474 With Michael Ash Sharbaugh And Chris Ledwidge
For this late January 2021 junto:
https://llllllll.co/t/disquiet-junto-project-0474-police-action/

Original track:
https://soundcloud.com/michael-ash-sharbaugh/the-wolfs-baleen-michael-ash-sharbaugh-and-chris-ludwidge-disquiet0473-part-2-of-3

Photo by DD

@michael-ash-sharbaugh
@chrisledwidge

Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh


https://youtube.com/channel/UC31KkSTtwTle-NVKQ2DTUFg
Música instrumental, geográfica, world, soundtrack, ambient. 
Muestras de algunas grabaciones hechas en "home studio" . 
Música compuesta y grabada por Juan Camilo Correa.

Finding freedom and peace is what i seek through music.
Visions and soundscapes from the cordillera is what i try to create and recreate with my music. Acoustic sounds, nylon, folk and electric guitars, mandolin, tiple, cuatro, bass, midi instruments and programation are in my arsenal of sounds. 





Creating the sonic platform for your intimate experiences, bold adventures, and bountiful lifestyle.

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Thanks for lending an ear.

for different sounds see also:
https://soundcloud.com/delichtmorbidebrigade
https://soundcloud.com/thefactsoffiction
https://soundcloud.com/bint-4
https://soundcloud.com/rgmb-1

Atushiko Cook, known by the predominant moniker "Modern Music for Funerals”, amongst others, is an innovative and boundary-pushing music producer based in the UK. Under this alias, Atushiko has garnered widespread recognition for his genre-defying compositions, which span modern electronica, ambient soundscapes, cinematic arrangements, and dance music. With a career rooted in a rich and varied musical journey, Atushiko has continuously challenged conventions, forging a distinct sonic identity that captivates and resonates with audiences worldwide.

Atushiko Cook's musical odyssey began in the dynamic and transformative era of the 1990s and early 2000s, where he was known in the electronic music scene as Alan Cook. As a DJ, Alan traversed the UK's musical landscape, leaving an indelible mark with his eclectic and dynamic performances. From the high-energy pulse of hardstyle techno to the soul-stirring rhythms of deep house, Alan's sets captivated audiences, showcasing his versatility and intuitive understanding of diverse musical genres.

During the vibrant and formative years of the early 90s, Alan was an integral part of the rave scene, where he harnessed the explosive energy of the era to create immersive and unforgettable experiences for his audiences. His ability to craft transcendent sonic journeys earned him a dedicated following and solidified his reputation as a trailblazer within the electronic music community.

Beyond the pulsating energy of live performances, Alan's influence extended to the pirate and legal radio waves, where he further connected with audiences, sharing his passion for electronic music and serving as a beacon for musical discovery. His contributions to the airwaves and live streams showcased his keen insight and innate ability to curate compelling and diverse musical experiences, further solidifying his status as a tastemaker and influential figure in the evolution of electronic music in the UK.

In 2010, a pivotal moment prompted a significant shift in Alan's life. With the arrival of his second daughter, Alan, alongside his wife, made the decision to relocate from Amsterdam back to the UK, settling in the Midlands to create a nurturing and inspiring environment for their growing family. As a devoted father of two remarkable girls and a loving husband, Alan draws deep inspiration from his family, infusing his music with a profound depth of emotion and a rich tapestry of human experience.

Under the alias Atushiko Cook, Modern Music for Funerals, Alan has continued to evolve as an experimental music producer, seamlessly integrating his vast musical influences into his work. His compositions are marked by their ability to transcend traditional boundaries, transporting listeners to ethereal landscapes and evoking a spectrum of emotions through meticulously crafted soundscapes.

Today, Atushiko Cook, Modern Music for Funerals, stands as a visionary artist within the global music community, captivating audiences with evocative compositions and pushing the frontiers of sonic innovation. His dedication to his craft, coupled with his unwavering commitment to artistic exploration, positions him as a trailblazer whose influence extends far beyond the confines of any single genre. As Atushiko Cook continues to carve out new sonic territories and inspire listeners around the world, his impact on the music industry remains profound and enduring.

home studio works. Equipped with Logic Pro X and mainly sound libraries from Vienna Symphonic Libraries. Double bass and a modified Fender fretless precision bass '63. website: www.k-u-r-c.be


Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh

Daniel Diaz