Beneath the Aether

feel a lot is a diary of moments, written on a journey and translated into sound. The shape lives from memories, new realities, movements, places, the present and the space which connects them all. An ode to a life in hyper sensitivity and a big ocean. The analog source for all tracks comes from an Irmler piano.

Red dust

I was asked to write some music for a documentary about the famous swimming hall in Reykjavík. It was a great experience and I'm still very happy with the outcome. This was 15years ago.

The Palace Towel - Sonic Deception

tummelplatz

Tummelplatz 14.12.18

Music, mixing and production by https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Please check on Bandcamp the full album with various  collaborations: https://peninsolar.bandcamp.com/album/in-between-obfuscate-coordinates

My sonopoem 'Coordinates' refers to the book 'Objective Becoming' by Bradford Skow, prof of Philosophy at MIT on the comparison of different theories of time, spacetime, robust passage and experiences.

'Coordinates
Time does not pass, we pass through time
In stages or blocks and become
Spatially and temporally scattered we 
Have experiences at other places
Inaccessible to us here and
At other times unavailable to us now
Yours and my P1 and P2 positions extend
How fast do we pass?
Can we reminisce about the things to come?
Flashes in between coordinates
Perhaps glitches in the protocol or
Ultra-rational diagrams
Have been and not yet spiral and interchange.
Time-biased preferences are falsifiable
One life is better than another if and only if
The total amount of pleasure minus
the total amount of pain in the first life
Is greater than the corresponding quantity
In the second one.
Can sacrifice change the perspective?
And if I live with you n latitudes and
Longitudes, simultaneous instants
Pre and post my vertebral consumption
In between we will rest
Wherever you are, whenever you happen to be
Stay put'

In Between Obfuscate Coordinates - P è n i n ș o l a r & Ilaria Boffa

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,BOSS RV-5

humid night

Picture reference: https://www.goodeveca.net/nimrod/bowden.html.

Claudio Ferrari: electronics - percussions - vocal intrusion.
Alessandro Bona: flute - bass flute - sopranino recorder - reeds - electronics - percussions - bunch of keys - tuner.

It may appear that, in trying to make machines play games, we are wasting our time. This is not true as the theory of games is extremely complex and a machine that can play a complex game can also be programmed to carry out very complex practical problems.
(From the pamphlet accompanying the Nimrod, sold to Festival of Britain attendees).

Nimrod

1st track from TRIPLE album: *TO MEGA REAKTOR* (11/20)

Altered States Ov Entropy

A recording of a car journey in the rain with the window open.. Sounds and effects added later to brighten it up!

More on this 466th weekly Disquiet Junto project, [ ] Sound Machine (The Assignment: What sort of sound does your city make?), at:

https://disquiet.com/0466/ 1

Project inspired by a December 2, 2020, tweet from George Wallace:

https://twitter.com/MrGeorgeWallace/status/1334274395938832387 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Brightening a Dark, Wet, Day (disquiet0466)

Magnetizer

Abstract Counterpoint Improvisation (disquiet0474)
Getting together through music,  in times of isolation...
I recorded here (France)upright bass over the duet by Chris Ledwidge (Ireland): piano and Michael Ash Sharbaugh (USA) synthesizers. 

I improvised over the original track twice, first take was a disaster, second was slightly better but still I couldn’t figure out what the piano was doing so my notes are bad and my timing is also bad.
 I mean, I'm following the sort of pulse but I'm not playing in the right spots, I'm afraid...


So, to save the thing from the trash lid I decided to label my ramblingness as an “abstract impro”, a tag that can excuse or justify many “out of focus” things. I added another thing that I use to bury sloppy things and pretend they are avant-garde brilliant statements: Valhalla Supermassive.
And I did a very creative use of the Delete button


DISQUIET0474 With Michael Ash Sharbaugh And Chris Ledwidge
For this late January 2021 junto:
https://llllllll.co/t/disquiet-junto-project-0474-police-action/

Original track:
https://soundcloud.com/michael-ash-sharbaugh/the-wolfs-baleen-michael-ash-sharbaugh-and-chris-ludwidge-disquiet0473-part-2-of-3

Photo by DD

@michael-ash-sharbaugh
@chrisledwidge

Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh

Daniel Diaz