149 - Quiet Solace

432 HZ — ROOT OF STILLNESS

De muziek voor de podcast serie: Hitlers Meisjesschool

Aflevering 5 - compilatie

Interim Guidance
sonopoem by https://soundcloud.com/ilaria_boffa
background reading: WHO advice, 5th June 2020 interim guidance
pic: sundial hole, detail

'filtration requires understanding 
a certain waste knowledge, responsive empathy 
the advocacy of compliance entitles
the ban on direct intimacy, social asepticity
and it grows from the insides
kilometres as the crow flies
Toccami  / It hurts, touch me
recordings to explain e invece it would be
human to lean my head against your chest
and trust it’s worth it 

when you say interim
the globe goes transitory. It digs a hole
and plants a seed. It expects leakages
non-standard parameters, shared requirements
and breathability. Corporeal continuity 
if only we could stand on a vent
I would show you the origin
we might justify our burns and wrap
the strain in the steam/avvolgere 
la fatica get closer'

Interim Guidance

Another collaboration with @peteswinton. Pete are working on album together where we are reworking/remixing each others tracks.

This piece manipulates an original piece from Pete that he called "Rice Paddis  of Jawa". I took this track and placed into into an app called Borderlands (which is a wonderful granular synth app - of sorts). I then added a some drone using called Hillman but also making use of a hardware synth called King Drone Synth. A couple of Eventide Delay and Reverb effects were added to the mix as well.

Wave Talkers of Jawa (with Pete Swinton)

Disquiet Junto Project 0465: You Thank. The Assignment: Make a piece of music for someone or something toward which you feel thankful.

The idea was to do something simple, that constantly changes between traditional and modern. It’s made with Caustic for Android (mix & fx in reaper) and some orchestral SF2 files, I think sonatina. I just liked the trombone…

And I would like to thank Marc Weidenbaum for his generosity with his time and creativity.

Follow me on Bandcamp: https://krakenkraft.bandcamp.com/

More on this 465th weekly Disquiet Junto project, You Thank (The Assignment: Make a piece of music for someone or something toward which you feel thankful), at:
https://disquiet.com/0465/
https://llllllll.co/t/disquiet-junto-project-0465-you-thank/

Thanks, Marc! [disquiet0465]

Panned version of https://soundcloud.com/winterer/semi-safe-approach-disquiet0473-jamtime2

Semi-safe Approach [disquiet0473] PANNED

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Sand Blasted / collaboration with Ryan Scott Mattingly(disquiet0473)

Abstract Counterpoint Improvisation (disquiet0474)
Getting together through music,  in times of isolation...
I recorded here (France)upright bass over the duet by Chris Ledwidge (Ireland): piano and Michael Ash Sharbaugh (USA) synthesizers. 

I improvised over the original track twice, first take was a disaster, second was slightly better but still I couldn’t figure out what the piano was doing so my notes are bad and my timing is also bad.
 I mean, I'm following the sort of pulse but I'm not playing in the right spots, I'm afraid...


So, to save the thing from the trash lid I decided to label my ramblingness as an “abstract impro”, a tag that can excuse or justify many “out of focus” things. I added another thing that I use to bury sloppy things and pretend they are avant-garde brilliant statements: Valhalla Supermassive.
And I did a very creative use of the Delete button


DISQUIET0474 With Michael Ash Sharbaugh And Chris Ledwidge
For this late January 2021 junto:
https://llllllll.co/t/disquiet-junto-project-0474-police-action/

Original track:
https://soundcloud.com/michael-ash-sharbaugh/the-wolfs-baleen-michael-ash-sharbaugh-and-chris-ludwidge-disquiet0473-part-2-of-3

Photo by DD

@michael-ash-sharbaugh
@chrisledwidge

Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh

This is the last part of an asynchronous jam with halF unusuaL and Lake Forest Sound Machine.  I recorded some guitar melodies to https://soundcloud.com/half-unusual/half-robodub-disquiet0473-with-lake-forest-sound-machine

...which was a duet with https://soundcloud.com/lakeforestsoundmachine/robodub-disquiet0472

The original track was pretty tonally chaotic. I picked out a few frequencies and from that chose to jam (for the most part) in B melodic minor/harmonic minor but there's a lot of fourths which gives it kind of a goofy feel. There's also some chromatic moments.

More on this 474th weekly Disquiet Junto project — Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians — at:

https://disquiet.com/0474/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0474-police-action/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by orangechallenger, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/cGSjx7

https://creativecommons.org/licenses/by-nc-sa/2.0/

Robodubdub (disquiet0474 w/ halF unusuaL and Lake Forest Sound Machine)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Abstract Counterpoint Improvisation (disquiet0474) with Chris Ledwidge and Michael Ash Sharbaugh

Daniel Diaz