This is sooo beautiful. And I absolutely feel the slowly flowing river...

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

As was the case last week, the instructions for this week’s project are fairly detailed, so please read them at disquiet.com/0638.

Deadline: Monday, March 25, 2024, 11:59pm (that is: just before midnight) wherever you are.

Disquiet Junto Project 0638: Center (3 of 3)

Went with 337is Left, https://soundcloud.com/337is/left-1-of-3-disquiet0636?si=3a5cc8a664ec480bb174f374a8933cab&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
took my SOMA "Terra" and added the right take

Spring24(disquiet0637)

I liked this track by  he_nu_ri (@user-807707609) & mikey_a (@mikey_a)
https://soundcloud.com/mikey_a/both-sides-of-the-river-disquiet0637

I just jammed on top of it with my accordina but it was too much of the three of us, so I split the stereo original, separated he_nu_ri,  mikey_a and myself on 3 tracks (softly panned like the original with mine at centre) and made some very creative use of the delete button, as Eno used to say.

That created some space that I then filled with huge reverbs. I’m afraid I didn’t really honoured the source track on this one, but it is done so I better share it.

For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

photo by wynand uys

@disquiet

all three sides of the river [with he_nu_ri & mikey_a] disquiet0638

Krautrockish
I promise I was thinking on making this a bit Krautrock when I started, doesn’t sound like that now, I guess...

Based on rightward [disquiet0637] by LazenbeeIndustries and John Wright
https://soundcloud.com/lazenbeeindustries/rightward-feat-john-wright-disquiet0637

I just added a 808 kick and played bass. Most satisfying and less time consuming on the lot, but I don’t think it works, a 4th (soloist) part is needed IMHO.

dedicated to the guy in the photo, god bless him..

#DisquietJunto
For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

@lazenbeeindustries @disquiet @thgirwnhoj



Krautrockish (with LazenbeeIndustries and John Wright) disquiet0638

I dunno, maybe it's springtime in sunny Paris, but I felt the urge for some old disco vibes. 
So I went for the duo. Lefty Drone, Right English disquiet0637
https://soundcloud.com/skylarkduquesne/lefty-drone-right-english-disquiet0637
by skylark duquensne (David Totten)  and alanblip

I didn’t change the original tracks at all, I behaved this time.
I added a beat, for that 50 years old euro-disco vibe and then jammed on a lead synth that brought this to some sort of proto-disco-floyd.

Four on the floor man, you can’t go wrong…

It was fun.


#DisquietJunto
For this junto challenge:
https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/

@disquiet
@skylarkduquesne
@alanblip


the grounding of an english lark (with skylark duquensne and alanblip) disquiet0638 trio

I heard a lot of duets last week, a lot of good ones. In the end I went with the German Romantic and played SOMA Terra.
thanks @analo & @torsten goerke for your inspiring duet:https://soundcloud.com/analoc/right-beside-you-disquiet0637?in=disquiet/sets/disquiet-junto-project-0637&si=6ecc2889c9a2400dbeccda5796ff8c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Morning on top(disquiet0638) feat. analoc & Torsten Goerke

This is a collab with https://soundcloud.com/noodletwister/bassline-collab-disquiet0636 and https://soundcloud.com/fake-genius/disuquiet0637-egeg-modmix. It's part of Disquiet Junto Project 0638: Center. See more at https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/66559/6.

Disquiet Junto #0638

Whatever you say, Mr Spaghetti [disquiet0638]

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Disquiet0638 - Fakeg3nius+Glitcher Ftrg Samplair - EGsquared

with https://soundcloud.com/raincat-306596410/idiophones-disquiet0637-w-xhg by @xhg and @raincat-306596410

filling in imagined blanks - background field recording + sample based patch w granular processing

--

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

disquiet0638 - bells/idiophones/swells (with xhg and raincat)

sound art for disquiet0638

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

Image credits:
sky: https://soundcloud.com/user-807707609/left-and-right-mirage-disquiet0637

For more about this weeks junto challenge:
llllllll.co/t/disquiet-junto-pr…0638-center-3-of-3/

metal mirage (disquiet0638) w/ blaaroed & he_nu_ri

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

I looked in the sheet for something unused and opted for https://soundcloud.com/xhg/disquiet0637-marsh-bones-factory-with-raincat because of the sheer feeling of reality it had to me. I played different instruments but nothing worked for me. So instead I used old samples, a recording of a turnstile on a train track near Munich and a door that creaked wonderfully in the wind near Assisi, Italy. It seemed to me to fit in wonderfully with the duo's palpable spatiality.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/66559

Swamp Bone Factory Building [disquiet0638] (with Raincat & xhg)

Thank you @AlvaroDeCampos and @blisterpop. Wonderful track you gave me to work one.
As was the case last week, the instructions for this week’s project are fairly detailed, so please read them at disquiet.com/0638 15 (rather than me stuffing them into a post here).

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

You can participate in any or all three of the three projects. If you participated in last week’s project, please note these two things:

    be sure to set your track as downloadable
    to avoid bot issues on Soundcloud, make sure its license is set to allow creative reuse

Also important: In normal circumstances, Junto projects have a one-track-per-participant limit. However, as with the preceding project that led up to this one, you can contribute more than one track this week. The details on that are in Step 5 of the project instructions 9.

This post popped up at disquiet.com/0638 9 (thanks, powers of automation) shortly after 12:10am Pacific Time on Thursday, March 21. (I was asleep at the time.) The email containing those instructions went out around the same time, also automatically, via juntoletter.disquiet.com. (We recently switched over from TinyLetter, because TinyLetter was shut down by its owner, Mailchimp, at the end of last month.) Come morning, after I woke up, I posted the instructions here, and at my Mastodon account, plus Bluesky, Threads, and Instagram, etc. And if you’re on a platform, like Mastodon or Instagram, that uses hashtags, please use the #DisquietJunto tag. Much appreciated.

Six variations in a knot (with @AlvaroDeCampos and @blisterpop) - disquiet0638

Calming Gently

Dit is een architectuur voor transformatie. Dertien sonische landschappen, ontworpen om je te begeleiden door de poort van de eclipse naar een nieuw hoofdstuk.

'Here I Am' is een reis in 13 delen. Van de delicate noten van piano en viool tot de diepe, meditatieve lagen van ambient soundscapes. Elke track is zorgvuldig verweven met specifieke binaural beats en solfeggio frequenties, niet als effect, maar als fundament.

Dit album is gemaakt als een ritueel. Een soundtrack om bewust los te laten, diep te voelen en helder te kiezen wie je vanaf nu wilt zijn. Luister het van begin tot eind als een complete sessie, of kies de track die resoneert met wat je op dit moment nodig hebt.

De titel is de bestemming van elke track: een dieper besef van het hier en nu. 
*Here I Am*. 
Volledig aanwezig. Klaar voor wat komt.

Jockkie - Here I Am - 11. Wisdomtree

The Moon Square

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

all three sides of the river [with he_nu_ri & mikey_a] disquiet0638

Daniel Diaz

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