Loving this western movie atmosphere, I am waiting for the bad guy to appear for the final shoot out

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

All submissions to Haiku 310:

https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #310: One push of the door, a single step

Part of the Naviar Records Haiku-Challenge:
https://www.naviarrecords.com/naviarhaiku606-slightly-faint/

YT Short: https://youtube.com/shorts/T_rcCwfJNVw?feature=share

slightly faint-naviarhaiku606

Roland JX 3P and acoustic guitar.
Mooer Ocean Machine

Made for the haiku challenge n. 606 https://www.naviarrecords.com/naviarhaiku606-slightly-faint/

hi-res download

slightly faint, yet clear (naviarhaiku606)

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Moiré Patterns Music  "

credit :plugdata ,ipad 9

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 22.08.2025
Video Link :
https://www.youtube.com/watch?v=WrgfeTpd978

great Milton Babbitt
https://www.youtube.com/watch?v=FfA470WVHws

LCEEM Sound Moiré Patterns  Synthesizer

Made for the haiku challenge 607 of Naviar records.

Winter waterfall a rock untouched by sunrise or sunset

by: Setsuko Nozawa

Setsuko Nozawa (1920–1995) was a poet from Yokohama. Inspired by the works of Bashō and Rinka Ōno, she started writing haiku in the 1930s, joined the magazine Shakunagein 1939, and later moved to Hama in 1946. Later in life, she dedicated herself fully to poetry and ikebana, and in 1971 she founded the haiku magazine Ran, later directed by Kōzaburō Wada.

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Winter waterfall (naviarhaiku607)

young grasses -
not yet bent
in any direction

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

Haiku by Kaga no Chiyo

Picture by Kateryna Viderska

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 118 - NaviarHaiku608 - Young Grasses

Kleines Gitarrentrio – für Kinder und Jugendliche, 2016

Uraufführung: Birkenwerder, Evangelische Kirche; gespielt von Lehrern der Musikschule Hohenneuendorf 2016

Kleines Gitarrentrio – für Kinder und Jugendliche

Made for the haiku challenge 609 of Naviar records.

revealing in the dark the sadness of things a fisherman's torch

by: Tagami Kikusha

Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Thank you Marco!

A fisherman's torch (naviarhaiku609)

revealing in the dark
the sadness of things
a fisherman's torch

by: Tagami Kikusha

609
Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

Haiku by Tagami Kikusha

Picture by Michael Shannon

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

For information on how to make a submission, visit the Naviar Haiku Music Challenge page.
https://www.naviarrecords.com/haiku-music-challenge/

SONG 119 - NaviarHaiku609 - Revealing in the Dark

Made for Naviar Records' 609th Haiku Challenge

A torch in the dark [naviar609]

revealing in the dark
the sadness of things
a fisherman's torch
 

Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

Haiku by Tagami Kikusha

Picture by Michael Shannon

fisherman's sadness_naviarhaiku609

This track was created for the Naviar Haiku group.
310 week haiku
naviarlab.tumblr.com/

2019-12-12

One push of the door, a single step ( Naviarhaiku 310 )

12Dec19

My naviarhaiku310 submission
https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
:D

As far as the eye can see [naviarhaiku310]

Panoramic neoclassical-world experimental instrumental, composed an performed by DD in Paris, France, December 12th and 13th 2019.
Ronroco, picked piano, brass samples, synthesizers, electric guitar 

Inspired by this haiku:
"One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see."

Porm by Takuboku Ishikawa
Photo by Yang Shuo

https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
@naviar-records

Streaming and download:
https://ffm.to/asfaras

As Far As The Eye Can See (Naviarhaiku310)

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.
---
My contribution to edition 310 of the weekly Naviar Haiku challenge, driven by the amazing Naviar Records.
More organelle and effects processed on dictaphone then recorded onto a 4-track, with field recordings on top.

Hope you like it!
---
Naviar Haiku challenge #310: https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
Poem: Takuboku Ishikawa
Picture: Mukund Nair https://unsplash.com/@m_k_nd

Corridor (naviarhaiku310)

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Takuboku Ishikawa is best remembered for his emphatic and introspective tanka: his poems were accepted by the one of the most important tanka journals of the early 20th century, “Myojo”, when he was only 16.
Takuboku Ishikawa’s two major collections of tanka, “Ichiaku no Suna” (“A Handful of Sand”) and “Kanashiki Gangu” (“Sad Toys”), came out in 1910 and 1912. “Sad Toys” was published posthumously in June 1912, two months after he died of tubercolosis at the age of 26.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th December 2019

haiku by Takuboku Ishikawa https://www.poetryfoundation.org/poets/takuboku-ishikawa

picture by Mukund Nair https://unsplash.com/@m_k_nd

Door Ajar [naviarhaiku310 - One Push of The Door, a Single Step]

Naviar records haiku music challenge # 310

Featured in https://soundcloud.com/resonance-extra/naviar-broadcast-95-one-push

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Halls of Akasha (naviarhaiku310)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

As Far As The Eye Can See (Naviarhaiku310)

Daniel Diaz

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