Last of the Summer Flies

At last you have left - my insecticide is spent 
Though your screw driver voice is reverberating   
Your tongue it got bent - drilling holes in my head  
Now I’m smoothing hurts by restorative ironing 
And though they must have a role in ecosystems          
I’m so glad to see the last of the summer flies           
I’m so glad to see the last of the summer flies          

I guess you’ll find a niche – with some human who can reach
To find that tiny star behind the grating
Your sun first shone so bright – enough to launch a kite
But that superficial wind was soon deflating
And though . . . .

It’s in the news each day
Insects will fade away
Unless we realise
Every living thing has a vital place

I wish you the very best – maybe both of us are blessed
We were counting down our days so surely numbered
Hey you’re not to blame – I’m dreamy and often vague 
And for the earth I’ll pray for flies now just departed

LAST OF THE SUMMER FLIES

Strong Peace

in dream world
was I laughing at a turtle?
winter seclusion
[Kobayashi Issa]
https://www.naviarrecords.com/2023/05/10/naviarhaiku488-in-dream-world/
Komposition974 Streichquartett

seclusion [naviarhaiku488]

Righting Reflex

This was one of my earliest compositions - from around 2001 - of what I would consider a 'full' song... i.e. not the usual recording of me noodling on a part to build on later and never finishing. The main chorus & verse theme are pretty straightforward and remind me a little of the 'Winter Games' theme by David Foster. But the bridge section in the middle and especially the arpeggio in the closing section are something quite different... arguably my favourite minute or so of anything I've recorded.

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

The Last Days Of November

Ragin’ Cajun

Submission for Naviar Haiku Challenge #535.

we can almost touch

We Can Almost Touch  - Naviar Haiku 535

TRAMPELFÂD
rec.name: " room 432330110 "
credit: 
date:15-05-2024
old :
https://www.youtube.com/watch?v=RjZnxSgzvxk

Percussive Street Walk

‘et lux in tenebris lucet’
Track created for the Disquiet Junto Project. http://www.disquiet.com
0647 = Day Drone. Make some daylight drones for Drone Day.

Somewhere between night and day there is dawn. And maybe that's what the drone is: a call to dawn.
Inspired by the life and work of Victor Klemperer, German writer and philologist.
https://en.wikipedia.org/wiki/Victor_Klemperer

Tools :
Nebulae v2 > Monsoon.
Pam’s > Varigate 4+ > Plaits > Fold 6 > Desmodus Versio.
Loquelic Iteritas Percido (free mode) > DSP.
Zadar, Tetrapad, Ochd, Diode Chaos, 3x MIA.
Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

****

More on this 647th Disquiet Junto project ("Day Drone. Make some daylight drones for Drone Day") at:
https://disquiet.com/0647

More on the Disquiet Junto at:
https://disquiet.com/junto/

Project discussion takes place on https://llllllll.co/

Associated image : Petrus Major.

D24 [disquiet 0647]

Two takes of acoustic guitar (Martin J-15), edited, chopped, and processed over thick layers of soundscape created by these two guitars' treatments, assorted effects and processing (like reverse delays etc.),  and other sounds and noises including radio glitches and one synthesizer. Add 4 tracks of bowed upright bass.
At the end, Ernesto "Che" Guevara and  Alfredo Palacios guests.


No, I Am Not.

maravilhosa colaboração com minha grande irmã @myrhyum
em seu vocal docemente arrebatador, fiz o instrumental em lofi style. calm flow <3 dreams on

Happy 2021
Peace, Love and Nature

We Are Moving ft. Myrh

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

No, I Am Not.

Daniel Diaz

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