Instrumental produced, composed, performed & written 
by Lewis Addison Rudd

Falling

Ambient Bite 49

Persistently I stare
At the moon
Still I cannot hear

https://www.naviarrecords.com/2020/07/29/naviarhaiku343-persistently-i-stare/

Samples from Reel Feels by Jogging House: https://jogginghouse.bandcamp.com/album/reel-feels-sound-pack

Photo by Vlad Bagacian: https://unsplash.com/photos/dw3BjNPOKsU

Burnt cicadas

Burnt cicadas (naviarhaiku343)

Composed and performed by DD, July 2020.
Classical guitar
Uillean Pipes
Harmoniumn
Glockenspiel
String orchestra


Music for this hauku:

a cathedral of pines
rising into light
echoes of birdsong

Poem by Ian Turner
Image by Wahyu Priantara

https://www.naviarrecords.com/2020/08/12/naviarhaiku345-a-cathedral-of-pines/

Rising Into Light (naviarhaiku345)

“For a word to be spoken, there must be silence. Before, and after.” 
An Improvised piece with a new DIY instrument inspired by reading about Hugh Davies and featuring silence and piano.

More on this 451st weekly Disquiet Junto project, Ursula’s Silences (The Assignment: Make music inspired by a line from A Wizard of Earthsea ), at:

https://disquiet.com/0451/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0451-ursulas-silences/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

3 Whiskered (disquiet0451)

Solo violin
Solo cello
Field recordings (treated)
delays and reverbs

Music inspired by this sentence by  Ursula K. Le Guin: 

“For a word to be spoken, there must be silence. Before, and after.” 

Created by DD in Greece on Friday 21st August 2020

for this junto challenge:
Disquiet Junto Project 0451: Ursula’s Silences
The Assignment: Make music inspired by a line from A Wizard of Earthsea .

Photo by DD, Kamari, Greece, Aug 2020.

@disquiet

Surrounding Silences (disquiet0451 )

LFO 20 - 2

Live improvisation by
Daniel Diaz, electric bass
André Charlier, drums

For this Haiku:
"two voices that sound alike
make their way...
clouds of blossoms"

Haiku by Kobayashi Issa
Photo by Igor Karimov

Two Voices On The Wild Side (naviarhaiku347)

Buried in ice is an empty room
There lies a king in his frozen tomb
He'll rise no more from his bed of snow
His breath is as still as the ice below

No spring will come, no bird will sing
No one will kiss him, no bells will ring
He's forgotten the years of love and light
He rests in eternal cold and night
LYRICS

His breath is as still as the ice below
He'll rise no more from his bed of snow
Here lies a king in his frozen tomb
Inside his heart is an empty room

Waltz Of The Winter King

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

a rework from Mean Flow of a previous track by Marco Lucchi
https://marcolucchi.bandcamp.com/album/bedroom-music

gennaio 2021

Marco Lucchi & Mean Flow - bedroom music n°2

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.