This track was created for the Naviar Haiku group.
612
https://www.naviarrecords.com/naviarhaiku612-faring-over-the-lake/

2025-09-25

faring over the lake (Naviarhaiku 612)

NightMan - Das Ist Nur Blablabla

“After everything that's happened, how can the world still be so beautiful? Because it is.”

Atwood

- 

(early ver)

Because it is

Submission for Disquiet Junto #0720 - a combination of two cassette recordings from September 2023.

Crowded Ether (disquiet0720)

composed and produced on 19 oct. 2025 for Naviar Haiku challenge 615


reminding me not to forget
a toad goes out
to the verdant world

by: Fusae Fubasami

https://www.naviarrecords.com/naviarhaiku615-reminding-me-not-to-forget/


naviar records
https://soundcloud.com/naviar-records

Guided Levitation - connections (naviarhaiku615)

Marco Lucchi : piano and found sounds

freesound.org/people/felix.blume/sounds/779962/

Farewell

I chose 2 recent unfinished tracks, that I had considered layering prior to the disquiet prompt… so I did just that, I set up 2 channels one for each track, one slowed by 10% to roughly match the longer track, I simply adjusted levels for each and had a shared bus channel with additional eq and reverb(s), this in turn joins the originals in the master, which also has some lofi fx and more(!) reverb… recorded the output.  Thanks for listening.
////
More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Binomial - 96 bpm  - id_23 - Disquiet0720

This track was created for the Naviar Haiku group.
616
https://www.naviarrecords.com/naviarhaiku616-whenever-we-meet/

2025-10-23

whenever we meet (Naviarhaiku 616)

Brittle Signal

Disquiet Junto 0721 invited us to provide musical accompaniment to a storm. 

This one made me think of my grandmother. She and I would sit in her glassed-in porch and drink tea while the storms of the Atlantic coastal summer raged outside, wind throwing sheets of rain against the windows, the sky purple with flashes of white, the thunder making the ground shake. 

She helped me understand the difference between awe and fear.

In recording this, I tried to be respectful of the storm as it happened. I did very little editing. I tried to give the storm plenty of room to move around in, saying what I needed to say in the spaces between the peals of thunder. 

Vintage Korg M3R synth over a field recording of a storm I made here in Chicago last July.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.

Tea and Tempest (disquiet0721)

Abstract ambient instrumental with a gentle pulse — playfully shifting between major and minor moods.
Layered synthesizers (10 tracks across 6 synths), all performed in real time — no sequencing, just hands-on, old-school playing.

Inspired by this haiku:

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

— Saitō Sanki (1900–1962)

Photo by DD (Iceland, 2024)

@naviar-records

skeleton by the sea - naviarhaiku617

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

skeleton by the sea - naviarhaiku617

Daniel Diaz

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