Born and raised in the Bronx, NY, The Martinez Brothers are two of the most consistent and recognizable names in the world of house.  Stevie and Chris continue to push themselves creatively in the studio collaborating with global and Latinx artists such as Rauw Alejandro, Fuego, Rema and Tokischa. 

In 2023, we find The Martinez Brothers in a moment of creative renewal, kicking off an exciting new chapter in their illustrious career. They continue to cast a wide net with their collaborations, stepping into the studio with a new generation of artists like Eliza Rose, Tommy Genesis and Mochakk.  

The brothers are furthering their love affair with Ibiza in their second year residency at Hï Ibiza voted #1 Club in the World, after 10 years as residents at Circoloco, Ibiza. Paying homage to the isle that catapulted them to stardom, it was in Ibiza that they met Riccardo Tisci who brought them in to do the music design for his iconic years at Givenchy (2014-2015). 

Last year, the brothers headlined London’s hottest show of the year at Beams warehouse alongside Skepta, who debuted his first house music DJ set in his hometown.  Alongside this, they played the Met Gala afterparty hosted by Dua Lipa and at LOEWE’s Paula’s Ibiza pop up at the Sheats-Goldstein home in LA. 

In 2023 stage hosts include Kappa Futur Festival in Turin, Italy, Panorama Festival in Southern Italy, Eastern Electrics, London, Fabrik, Madrid, Audio Obscura at Amsterdam Dance Event and III Points Festival, Miami. 

The duo are avid sneaker collectors and vinyl record collectors, from all eras of Latin salsa, disco, funk, soul, jazz house and techno.

Bookings: 
katherineodwyer89@gmail.com

Demos & contact:
persie.edits@gmail.com
toppocketrecs@gmail.com

Mailing List: eepurl.com/cmRZ_f


___

Living for the night. 

Contact: md@prime-culture.com

Peach Discs / Idle Hands 
Bookings: Kim@poly.am
Noth & South America: Katharine@liaisonartists.com
Management: s@sandy-m.com emily@charm-artists.com

GIDEÖN
HOMO-CENTRIC RECORDS / NYC DOWNLOW / ADONIS / R3 SOUNDSYSTEM / BLOCK9

GIDEÖN has a background in music spanning 33 years. In addition to his studio practice as a recording artist, his work as a creative director, stage designer and curator, he is also a touring DJ and an avid collector of vinyl. Since his first set of turntables in 1990, GIDEÖN has devoted his life to collecting vinyl from the US, Jamaica, Latin America, Africa, and the UK. He specialises in Northern Soul, Latin, Reggae, Gospel, and Disco rarities. House Music, above all else, is his first and greatest love. 

He is currently Creative Director of a new opera being developed in partnership with English National Opera. He has a degree in Music with Visual Practice (BA Hons) and was guest Creative Director of Music for London Borough of Culture 2022. Recent projects have seen Gideon head up Creative Direction for Dua Lipa’s record breaking Studio 2054, winning the MVA’s Music Video of The Year award. He was production designer for lead artists at Live at Worthy Farm, Glastonbury’s virtual festival livestream. 

As a curator, he programmed two events for Chaka Khan’s Meltdown Festival in summer 2024 and is currently Head of Music at The Roof Gardens in London. Other projects include work with Anohni, Banksy, Imperial War Museum, Finnish Opera House, Hercules & Love Affair, Lana Del Ray, Skrillex, Brian Eno, Roisin Murphey, The Blessed Madonna, Honey Dijon, and Jorja Smith.

GIDEÖN co-founded, co-directs and curates Block9’s festival nightlife institutions The NYC Downlow, Genosys, Maceo’s and IICON at Glastonbury Festival. He is also resident and co-booker at London’s hottest queer club night Adonis. As a radio DJ, GIDEÖN has been actively involved in broadcasting for over three decades. Since cutting his teeth on London’s pirate stations in the late nineties, he hosted a weekly show on London’s Soho Radio for 3 years. Recent guest appearances include New York’s Beats In Space, London’s Rinse FM, NTS Radio and BBC 6 Music. He recently held a residency at BBC Radio 1.

GIDEÖN has been involved in political activism his entire life and is now increasingly focussed on organising hybrid cultural-political events partnering music and protest, often under the banner of R3 Soundsystem. Together with charities Love Music Hate Racism & Stand Up To Racism, GIDEÖN has organised major sound system interventions on many of the Stop Brexit and Stop Trump and Anti-Fascism protests. He is actively involved with fundraising for several LGBTQ+, human rights and social justice organisations including AllOut, Medical Aid For Palestinians, Prepster, Human Dignity Trust and Refugee Community Kitchen. GIDEÖN sits on the advisory committee for The Right to Dance, part of War Child’s NGO Network.

R3 Soundsystem is a consortium of DJs, musicians, producers, record labels, festivals, nightclubs, sound systems, activists, and cultural organisations, all united by love of music and the rejection of right-wing nationalist values. R3’s three Rs stand for RESIST/REJECT/REVOLT.

GIDEÖN’s House Music label HOMO-CENTRIC RECORDS launched to showcase both his solo productions and collaborations with close queer comrades. The label focusses on the LGBTQ+ heritage of House and attempts to pay homage to its lost heroes. Its manifesto states the intent to re-establish the lines of queer musical tradition at the heart of House, lost to AIDS and the capitalist desecration of dance music itself.

Downloads: https://good2groove.squarespace.com/blog/?p

Wayne Houghton (Good2Groove) – A Master of Disco & House

With over 25 years in the game, Wayne Houghton—better known as Good2Groove—is a powerhouse DJ from Halifax whose passion for disco and house music runs deep. His journey, which began in the mid-90s, has seen him share the decks with some of the biggest names in the industry, including Joey Negro, E Smoove, Graeme Park, CJ Mackintosh, Groove Assassin, Ron Basejam, Victor Simonelli, Inland Knights, Saison, Ron Carroll, Terry Farley, Lenny Fontana, Bobby & Steve, Dennis Ferrer, Lisa Loud, Danny Rampling and Richard Earnshaw, to name just a few.

A Pioneer in the Scene

Wayne’s love for soulful, deep groove sounds led him to co-found the Sneaky Disco podcast, a platform that has exploded in popularity, racking up over 500,000 plays and earning the respect of heavyweight DJs and producers worldwide.

Not content with just curating sounds online, he took things to the dancefloor by co-founding The Get Up, a highly acclaimed house music night that has become a staple in Sowerby Bridge and recently expanded to Dean Clough. Known for its electric atmosphere and top-tier music selection, The Get Up has firmly established itself as one of Yorkshire’s go-to house music events.

Re-Groove – Pushing the Scene Forward

Wayne’s latest venture, Re-Groove, is rapidly making waves. Built on a foundation of quality house music, the event not only showcases international talent but also strongly supports local DJs and up-and-coming artists, proving Wayne’s dedication to growing the scene from the ground up.

A DJ That Delivers

Whether he’s setting the mood with deep house warm-ups or taking the crowd on a journey through soulful and disco-infused sets, Good2Groove always delivers. His ability to read the room, craft unforgettable musical experiences, and keep dancefloors moving has made him one of the most respected names in the house music scene.

And with his ever-growing influence, Wayne Houghton isn’t just playing music—he’s shaping the future of house and disco.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

bookings // jw@constellatetalent.com
management // j@fusion-am.co
@contactmusic

contact // fuse // up the stuss // constant sound // semi delicious // homegrown

@perspectivelabel

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