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From A Veil Of Water's debut "Reminder", set for release late Fall, 2012. 

Estrela

from the 2002 album ( )
http://www.sigur-ros.co.uk/band/disco/parenth.php

sigur rós - untitled 6 (e-bow)

Full Circle by Half Moon Run
http://halfmoonrun.bandcamp.com

Half Moon Run - Full Circle

Buy it now: http://smarturl.it/AnAwesomeWave

An Awesome Wave

Dissolve Me

Bloodflood

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Symptoms



From the album Stories From Elsewhere. Out on LOOP/Darla/Preco

BANDCAMP: rhiansheehan.bandcamp.com/album/storie…om-elsewhere
FACEBOOK: www.facebook.com/pages/Rhian-Sheehan/15584763065

Buy from Darla: darla.com/index.php?fuseaction…mp;item_cat_id=41705
www.loop.co.nz
www.rhiansheehan.com


Rhian Sheehan - La boîte à Musique

We are very excited to announce that a Muse song, Survival, has been selected by the London Olympic committee to be the main official song for the London 2012 Olympic Games.  Matt wrote the song with the Olympics in mind. It's about total conviction and pure determination to win. 

The song will be played throughout the Games including when athletes enter the stadium, in the lead up to the medal ceremony and also as the theme for all international TV coverage. The worldwide radio exclusive will be tonight on BBC Radio 1 around 19:30 and will be available to buy on iTunes and in the muse.mu store immediately afterwards. 

We are honoured that the Olympics have chosen our song to officially represent the London 2012 Olympic Games across the globe.

Muse's forthcoming album, The 2nd Law will be out worldwide 10/2!  Pre-order the album now: http://smarturl.it/the2ndlawstore

http://muse.mu
http://facebook.com/muse

Survival

iTunes

Muse - Survival

"Procellous" appears on Caspian's forthcoming full length album, Waking Season, in stores September 25th on Triple Crown Records and September 21st in GAS on Make My Day Records.

Pre-order Waking Season & Visit Caspian Online: http://www.caspianmusic.net

Procellous

Fire Made Flesh

From "Everything in Colour" available here: http://bit.ly/EverythinginColour

Facebook: https://www.facebook.com/WiredToFollow
Twitter: https://twitter.com/WiredtoFollow
Youtube: https://www.youtube.com/user/WiredtoFollow

Contact:
info_@_wiredtofollow.co.uk (remove underscores)

Download

I Wish I Could Talk in Technicolor

Mastered by Matt Sepanic (Sound Farm, Sonic Factory)

Phantom Trails

This is track 12 of my new project, Aural Method's freshman release: "When I Drifted I Heard a Faint Melody".

If you like this perhaps you may enjoy the rest of the record. You can find it at http://www.auralmethod.com

Aural Method - Then I Heard A Voice Like Thunder, "COME AND SEE THE FINAL WONDER."

First full length album by City of the Lost. 
Released 7 Desember 2013

Free downloads:
Links for free mp3’s (320kbps) City of the Lost – At the Edge (2013) 
http://www.mediafire.com/?jvup1u8x1d3t19z

If you want to download this album in better quality, check out our http://cityofthelost.bandcamp.com

Official Home Page
http://cityofthelostband.com

Basilisk

Off new LP Bonfire

Media inquiries: Bill@teamclermont dot com

Bio, images, and press materials here: 
http://teamclermont.com/
http://Facebook.com/grayyoungmusic

http://Twitter.com/gray_young

-------

Raleigh, NC’s Gray Young is the ultimate musical paradox. Somewhere in between soaring, atmospheric riffs and nuanced, delicate melodies, the band navigates extremes like a weathered mountain climber. Gray Young’s songs seethe with intensity and susceptibility, emerging in Technicolor, wielding energetic bass lines and intricate chord progressions that flow seamlessly. Unlike artists whose instrumentals are merely bolsters between hooks, Gray Young’s are a constant push and pull between calm and chaos, and every climactic swell bears the power of a riptide.

With the release of their first album, Firmament, in 2009, the band quickly became known for the roiling tension of their musical creations, delivering build-and-release epics in three to four minute sprints rather than marathons. Their second release, 2010’s staysail, was a departure from their previous effort, reigning in some of the band’s melodic squall and allowing the vocals to play a more prominent role.

The secret to the band’s sound can be found in the delicate balance struck between its parts. Singer/guitarist Chas McKeown’s shimmering guitar and haunting vocals wrap around bassist Dan Grinder’s melodic, driving basslines, while the propulsive attack of drummer Jeff Dopko lays a foundation upon which to build. Gray Young’s songs are created as a unit – each member’s contribution equally vital to the atmosphere the band creates.

With its new album, Bonfire, Gray Young is at its fullest and most focused, returning to the mostly instrumental mesh of mood and melody that made the band’s early work so promising. But this is no retread. This is the sound of a band moving ahead into exciting territory with an assured sense of what they are capable of. Bonfire, with its nimble balance of U2 structure and Explosions In The Sky ambiance, is a dynamic effort that highlights the band’s ability to create a mood and expose all of the complexities within. This is Gray Young at their best.

Gray Young - "Canopy Reflected"

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- http://bit.ly/W8yTQS
iTunes - http://www.smarturl.it/atlas
Facebook- http://facebook.com/atlasgenius
Twitter- http://twitter.com/atlasgenius
Tour Dates- http://atlasgenius.com/tour

About @AtlasGenius -
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls.  Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide. 

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them. 

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.  

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision. 

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year.  Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.   

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

Centred on You

From the upcoming City and Colour album, The Hurry and The Harm, available June 4, 2013 on Dine Alone Records.

Download "of space and time" for FREE: http://bit.ly/ofspaceandtimedl

Pre-order now: http://smarturl.it/TheHurryAndTheHarm

Visit www.cityandcolour.ca for more info.


The Hurry and the Harm

Of Space and Time

Pre-order Now!

From the Album “Awakening”.
Written and Recorded By The Nocturne Project 
Mixed and Mastered By Maryana Records
Photo by Paul Benzi Florendo

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Dasha T