selective memory / perception is an hour long piece consisting of classical instrumentation and orchestral arrangements using cello, violin and piano, plus recordings of wind, broken urban creatures, intimate situations, insect and amphibian sounds and mutations thereof, transmogrified balloons, unconscious voices and more. 

it addresses sensorial overstimulation and subsequent confusion, memory infiltration, selective realities, selective selves, suicidal conclusions and more. based on a personal experience.

available as CD released by noise below and fréquences critiques 
https://dave-phillips.bandcamp.com/album/selective-memory-perception

selective memory / perception - excerpt 2 - around minute 22

Psychoanalytic Soundtracking Rendering Sonorities From Form To Subject To Oscillation

https://www.instagram.com/ping_pong_pung/

sound as communication in direct and primal form, a language, a tool of metaphysics, a conscience, a consciousness. works that oppose the omnipresent restriction and reduction of life, to activate primordial shared emotions otherwise hidden under the debris of this crumbling civilisation. inviting rumination, encouraging intervention, endorsing catharsis & environmental e/quality, touching sentience, cleansing. audio de/construction, psycho-acoustics, sound rituals, sonic activism, humanimalism; ritual protest music to heal homo sapiens out of its infancy.

solo works since 1987. 
part of SCHIMPFLUCH-GRUPPE (with Rudolf Eb.er, Joke Lanz, Marc Zeier, Daniel Löwenbrück etc.) since 1991.

projects present and past include OHNE, dead peni, perverts in white shirts, PK, ketsu no ana, fear of god & more;  collaborations with G*Park, Francisco Meirino, Randy Yau, Hiroshi Hasegawa, GX Jupitter-Larsen, Chris Galarreta, Masonna & more; ScHimpfluch Associates label with Rudolf Eb.er etc blablabla

contact/booking dp@tochnit-aleph.com

Psych-drone, electromagnetic paranoia, nightmare scree... etc.

Sound artist, experimental musician and designer based in London, Uk.

Stauffer´s music  is designed for live act, always based on own samples from working machines  or industrial process, emptyness from silence to silence, kind of frequencies, manufacturing,  the loop of production, chatarra no feelings. At all, personal recordings of poor quality but high emotional content at least for him. POLYGON LIVING eXPERIENCE last 4 years.... Bellvitge inacabable. Cold forcefulness in order to generate a ritual ceremony of industrial reminiscence, power electronics, drone or experimental.
Definitely Blues-Industrial. Since he started playing live acts, he never used same setup, promise.
Moments are always gone, so.

Finally, the performance treated as an exorcism, the final outcome of this deep insight musical practice is the liberation against the continuous violence that surrounds us, a particular landscape of sounds.


His first physical references are a C40 tape entitled "RITUAL NADA" for LENDT record label based in Madrid and three songs included in "A Nøvak Product 3", CD compilation of Nøvak recs Barcelona´s label.

At bandcamp you will find other songs, treated individually.

LINKS:
http://stauffer.bandcamp.com
vimeo.com/staufferidr

CONTACT:
imperioderuido@gmail.com

Gracias, Pablo.

New EMAZTEGAIAK release (2025)
https://deathbedtapes.bandcamp.com/album/abismuen-errota

New TUBE TENTACLES solo release (2024)
https://deathbedtapes.bandcamp.com/album/thanatophobia

New Release in Pure Reactive Records:
TUBE TENTACLES split ROHCO feat. extremeOBSN
https://www.facebook.com/TubeTentacles

New Release in Pure Reactive Records:
GOVERNMENT ALPHA split TUBE TENTACLES
https://www.facebook.com/TubeTentacles

New Release:
TUBE TENTACLES split WITCHES OF MALIBU
https://www.facebook.com/TubeTentacles

New Release in Ex-Nihilo / Mattoid: 
TUBE TENTACLES / GUILTY C. 
http://www.exnihilo-records.com/mattoid/mr-015-tube-tentaclesgilty-c-split/

Tube Tentacles "The Invocation" new album
https://www.facebook.com/TubeTentacles

selective memory / perception - excerpt 2 - around minute 22

dave phillips