This is a two-guitar version of a song I wrote for my 2nd daughter, Joanna and collaborated with Curtis Gremmel who takes the lead.  His playing adds a whole other dimension to the track. For those curious; Curtis' ten fingers are left center in the mix, my ten fingers are right center.

Bossanana(with Curtis Gremmel)

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

Bigfoot is a friend of mine. We like to make music and share it with our friends. See our YouTube channel and A Journal of Nonsense for more fun.

I am a finger-style guitarist living on the Texas high plains.  At the core of my music is melody that is inspired and informed by my Christian faith, family, friends, and countless influences through the years from the great composers, to jazz, folk, rock, Latin, Celtic, and the many fine musicians I have come to love on the Cloud, some I have been privileged to collaborate with.  Thanks for stopping by to have a listen. Comments are always welcome. Feel free to click on the picture of any track to learn more about it.

Hello my friends, welcome to my SC music wonderland..Many thanks for Your great support ! I'm very impressed about the great number of followers !
I don't play music, I play with sounds
Best audio experience you get by using headphones

Hello, welcome to my page.

I've been making music since 1972. At the time, with Pedro Castro, we created the alternative rock band Petrus Castrus. 

The music I'm placing here is mostly from the home recordings of my ongoing projects and ideas. I created a few playlists (Inéditos) according to language (PO - Portuguese; EN - English; SP - Spanish; FR - French; IT - Italian), and also for concept albums (Três Jardins). There are two long tracks (Mediterrâneo and Isaías) for full concept albums, and corresponding playlists that gather some of their individual tracks. A playlist called Synergies gathers the collaboration projects with other musicians in the fantastic SoundCloud community

Petrus Castrus edited records can be found on Spotify and Soundcloud. See the Facebook Petrus Castrus page for more details, including comments about the recordings uploaded here. 

We are both amateur musicians, i.e. music lovers. As for me, I'm just an electrical engineer with a master in AI that really loves creating music and use it to share ideas. That is why all tracks include lyrics or texts.

By the way I'm not interested in third-party offers to boost the number of plays. I like it as it is, and I've always declined such offers. Thanks anyway. 

I don't repost much, just some tracks that I find outstanding and with very few plays, so I can help them to get better known. I believe that repost parsimony also makes life easier for those who follow me.

Enjoy!

*** UPDATE May 2025. Good news. The SC contractual terms have now been corrected, and our music will no longer be used for AI training. NOTE April 2025: It just came to my attention that, unless we do a separate contract, all our uploaded music in SC can be freely used for AI training. This is written down in the legal section, under the licensing paragraphs. What can (should) we do to change that? *** 

*** Note Dec 2024: Alas, AI generated content that is not disclosed as such is now being posted at an alarming rate, sometimes multiple tracks in a single day from fake artists that even write down fake introductions, saying how much they love music that comes from the heart. Please avoid reposting these deceptions, it only adds to the confusion.  And it encourages the algorithms to give them preference. ***

*** NOTE June 2024: Generative AI is becoming amazingly powerful. Nothing against it. Just to avoid the confusion and embarrassment of finding ourselves praising and encouraging mindless algorithms, I believe it would be nice for us to always disclose its usage in our tracks. What do you think?  ***

I'm a French composer based in Lyon 

My YT channel : https://www.youtube.com/channel/UCQqhqMJKGhKvj1V4Z6h8yNw

Instagram : https://www.instagram.com/frankdana34/?hl=fr

frankdana.bandcamp.com

Original compositions played upon various acoustic instruments. 

At the moment, the majority of music I record is original folk tunes. Most of these tunes arise whilst out in natural ecosystems or shortly after visiting a natural ecosystem. The titles often reflect an aspect of the ecosystem I had noticed while the tune came about. Lately this is usually a species of bird.

Tin whistles and flutes appear the most often in my recordings; though mandolin, tenor guitar, lyre harp, jaw harp, dulcitar, and a handful of other instruments show up fairly often as well.

And here's some more music I've made along with my friend Dan Jones:
https://soundcloud.com/user-453898279

You only live once, but if you do it right, 
once is enough.

Choose the right promotion 
bit.ly/boostyourtracks

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

By popular demand (well, actually just my daughter’s — she insists it’s the “cooler” platform), I’ve finally started putting some of my music on Spotify too...

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/

Some support for your fine stuff 🍀
stay rockin' n' creative Worldfriends!

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Submit your music here ☛ bit.ly/boostyourtracks

Bossanana(with Curtis Gremmel)

David Dunham