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Bookings: tom@superunknown.co.uk

http://millionhands.net

Music’s power is in creating community, and this is the essence of Laurence Guy’s work. The London-based DJ and producer’s motto is ‘music to make you feel feelings’: whether that’s comfort, nostalgia, bittersweetness or melancholy. His sound has an unmistakable warmth while being squarely aimed at the dancefloor: samples fit into sprawling keys, and dusty drums thud under lush chords. Amid a string of EPs, Guy has released two acclaimed albums; 2017’s blissful house LP Saw You For The First Time and 2023’s Living Like There’s No Tomorrow, But Killing Yourself In The Process, gracing labels including Studio Barnhus, Ninja Tune, Shall Not Fade and more, now signed to Future Classic. He’s now armed with a stash of hip hop and filter house influenced dance tracks, like the Jamie xx-tipped ‘Hey Baby’ and the groove-laden ‘Most Perfect People (Are Mostly Not Perfect)’ that are already soundtracking people’s best life moments.

Bookings (ROW): barry@onehouse.com
Bookings (NA/SA): charlie@spinartistagency.com
Management: niko@starling.works

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Straight aus dem Niemandsland.
Deutschtrap vom Feinsten.

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