Stones 

See her I've been dreaming of her but soon she'll make me rise
Nightmares pass but this one seems to last, she's a curse but one I swear by

She could be the death of me, I knew it even from the start
God forbid she's proves to be, least I'm leaving with an angel's heart

Stones, boulders holding me down
But I'm not struggling
No I'm not struggling out
When you come you lift them

A crown of thorns, a silence in the storms, she's out of reach or so it seems
Warms my should, the chill inside my bones, she's moving through my bloodstream

She could be the death of me, I knew it even from the start
But God forbid, her demons win, least I'm leaving with an angel's heart




Recorded, mixed and produced by Declan Legge at Big Space Studios
www.bigspacestudios.co.uk
Mastered by Pete Maher at Topfloor productions, London
www.petemaher.com

Stones

not the end

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Breakfast At Tiffany's

"Selfishly, I want to leave a little before you, maybe when I'm 82". . .

The opening lines strike a deep chord. "Want It All Back" is a nostalgic anthem of longing to relive cherished moments with a loved one. Selfishly, the lover doesn’t want to be the one left at the end remembering, wondering, and mourning. This song captures the bittersweet beauty of love's enduring impact and the desire to rewind time.

Want It All Back

The Meter

The title track from The Wild Winds EP, released 7 April 2017.
Written by Harry Pane
Produced by Dani Castelar

The Wild Winds

www.plasimusic.com

Lyrics:

I might be far from shining
Not always clear
The streets are dark and frightening
But you are there

Our words are still not speaking
I’m not afraid
The road that we are walking
Is still the same

All in all, all in all
I’ll be there and I will call
And all in all, all in all
There’s no writing on the wall
But I'll be there, for you and me
We'll be free
We’ll be free
We’ll be free, eeee, eeee, eeee

You might think I’ve been doubting
At times I’m scared
All days that we’ve been counting
Are those I feared 

My tears are rarely falling
When yours are there
The way our thoughts are calling
Is still the same

All in all, all in all
I’ll be there and I will call
And all in all, all in all
There’s no writing on the wall
But I'll be there, for you and me
We'll be free
We’ll be free
We’ll be free, eeee, eeee, eeee

We’ll be free
We’ll be free
We’ll be free, eeee, eeee

All in all, all in all
There’s no writing on that wall
And all in all, all in all
There’s no writing on the wall
And I’ll be there, for you and me
We’ll be free

Free

► Spotify

If Worse Comes To Worst

06. Maybe They Will Sing For Us Tomorrow

Understand 👌
Stream: https://open.spotify.com/track/6mUco1O62XKYLlq3Nj3p28
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💬 If you do not conquer self, you will be conquered by self.
-Napoleon Hill

🧡 Anna Naklab
https://www.facebook.com/AnnaNaklabOfficial
https://open.spotify.com/artist/6vNe5MINTo5QZyR08sBOBA?si=q0iRdxycRkyPDekf0Skvuw

🧡 Karl Thesing
https://www.facebook.com/KarlThesing
https://www.instagram.com/karlthesing
https://open.spotify.com/artist/1f68oHMFSknD2n84d367KK?si=SWO-ZlKxTJy7Fp8g2J37TA

🧡 Tinush Salehi
https://www.facebook.com/tinush.berlin/
https://www.instagram.com/tinush_official/
https://open.spotify.com/artist/3F2GB8NvUnHMsdCB16hGgB?si=ZjnPdF_BReWTK3Th6BQ94w

💿 Suggested track: https://youtu.be/OE_8tMR7FQY

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Stream

Anna Naklab, Karl Thesing, Tinush Salehi - Understand

From the Garden - EP

We Can Find a Place

The simplest pleasures matter the most. Whether it be the dawn breaking, pouring the first cup of coffee, or enjoying a tree as it sways in the wind, the little things distinguish one day from the next. The day derives color, personality, and even magic from these nuances. Davis John Patton most certainly treasures such details. In similar fashion, his songwriting bears the eloquence of a novelist, allowing the smallest moments to leave big impressions. On his 2020 Poetry EP [Nettwerk], the troubadour uses acoustic instrumentation and atmospheric production to translate life’s idiosyncrasies into five introspective and engaging folk anthems.

“I like to find people where they are and help them see the beauty in those moments,” he says. “I’m trying to highlight the profound things happening day-to-day. We can always use more inspiration and peace.”

Born and raised in the Midwest, Davis found himself drawn to music at a young age. Mom enrolled him in piano lessons during first grade. Three years later, he picked up guitar. In between choir at church and school, he discovered Bon Iver’s For Emma, Forever Ago and embraced acoustic folk. While in college, he independently wrote and recorded the 2018 Forest Park EP, followed by 2019’s From the Garden EP [Nettwerk], which received praise from the likes of American Songwriter, Atwood Magazine and more. Even in the midst of a prolific few years, he still found the time to recognize peace around him.

We Can Find a Place

Davis John Patton

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