Another beautiful collab Debra and David!

Sweet son! ;) Beauty through a child's genuine heart of perception means well--So the art cover is met with endearment! The two of you are a sublimely +intoxicating combo! I'm quite enthralled with this blissful soundscape!  David's guitar is most enrapturing! Debra, your pianistic presence just adds the infinity button of ethereal essence in re of sonic aesthetics! A very grand congratulations is in order!  Encore>>

Nice piece ! I like it much ! The portrait too... just because it isn't mine !o)

Very lovely composition and performance from you two. Just the thing for a bright respite : )

The Upload

https://open.spotify.com/track/3dPaPD819h1OuFm9C5Goga?si=YXojaSYFSQSYE7lS3uG05A&utm_source=copy-link&nd=1
http://www.continental-collision.com
https://continentalcollision.bandcamp.com/track/the-route-to-tomorrow
https://www.youtube.com/watch?v=XMiidrWf6sM&list=OLAK5uy_mC-35nmJO3s19Cjj5Aet7UP0XGkLu3ido
https://www.youtube.com/watch?v=2moo0YwEYPM

Music, piano, bass, guitar solo and programming drums & synths: Rodolfo Planes (@rplanes)
Lead & backing vocals & lyrics: Mark J. Bennett
Backing vocals: Cecilia Mastropasqua: @cemastro
Rhythm guitar: Gonzalo J. Ares: @gonzalo-julian-ares

Featuring backing vocals by Cintia Galeano 

Image (view of Edinburgh from Gullane, Scotland): Courtesy of Douglas Corrance

This was my third collaborative song with Rodolfo, which we started in 2020. The original instrumental piece he gave me sounded like determined optimism and at that particular moment the pandemic made its way into anything I wrote although the beauty of the song is that anyone can bring their own interpretation to its meaning. Its original title was ‘Camino a Mañana’, that I translated as ‘The Route To Tomorrow’ - I guess I liked the alliteration - even though it was a bit of a tongue twister to sing.

I instantly loved the rhythmic punch of this track and recognised early on that it would require a punchy lyric and vocal. Initially I sung the harmony vocals that Rodolfo devised, but as we later developed into the band ‘Continental Collision’ it made sense to draw on all of the talent available in Ce and Gonza, and here introducing Cintia Galeano. Huge thanks to my wonderfully gifted collaborators, you helped make this song shine. I was stunned (as always) by Rodolfo’s attention to detail, his glorious guitar solos and particularly the drumming throughout. Although I might not add to the instrumentation personally, Rodolfo always encourages me to give him feedback. I am particularly fond of this collaboration and each time we work together I learn so much more. Hope you enjoy it too and many thanks for listening. 

Finding the way,
To get through night and day,
Is just too much.
Making your way
Once more through the fray,
Without losing touch,
Is too much,
For me, yeah.

Waiting in line, 
With no hint of a sign,
Is just too much.
Pretending I’m fine 
Knowing that you’re not mine,
It’s too, it’s just too much,
For me,
All of the time.

This is the route to tomorrow,
Beg, steal or borrow,
To getting through to the other side of all this sorrow.
This is the route to tomorrow,
That I have to follow,
To make it through to the other side of all this sorrow.

I’ll be OK, 
Whatever they say,
I can take it.
Know I can’t stay,
Gotta get me away
From here.
Before it gets too much for me, here.

I can survive,    
I might even just thrive.
If I make it.
I’m still alive,
Watch me as I arrive,
At the other side of all this pain and sorrow  

This is the route to tomorrow,
Beg, steal or borrow,
To getting through to the other side of all this sorrow.
This is the route to tomorrow,
That I have to follow,
To make it through to the other side of all this sorrow.

The Route To Tomorrow - Continental Collision (featuring Cintia Galeano)- Now on Spotify!

Well I almost scrapped this song but after 3 weeks writing words, and then realizing how fun it is to sing, i kept it. I'm trying to figure out how to add a little lightheartedness to my music, but i think this one just turned out creepy lol. NOTE:  I always felt a little uncomfortable with the words, i just really didn't like them, so I reworked the chorus and a few other lines, and rerecorded the vocals. It seems a little better now...
 

I've seen my own worst enemy
Every night just staring back at me
Through the mirror with such animosity
And baby, it drives me crazy
I don’t understand what’s with this guy,
He don’t know that he’s alive
He combs his hair on the wrong side

I don’t expect you to understand,
But I’ve got these hammers for my hands
I like to start with everything
and smash away what I don’t need
and scattered all around are the pieces off of me
oh baby can’t you see what this done has to me

It’s a strange strange situation 
I need a little information
If it’s real or just imagination
Don’t say it’s so, I can’t believe 
Its down to you and me again
Up against the world my friend
Who can say   how this will end
 
It’s 3am and you’re slamming doors
Cause ‘I don’t speak your language anymore’
While I’m on my knees picking pieces
Of me up off the floor, 
I can’t lose much more, these pieces could be the last of me,
I wish I could see the way you see
is there anything left in this debris

Hammer Hands

Lest go for a walk along a beautiful Beach, surf running, birds singing, feel the cold sand beneath your feet, feel the freedom hear the world as it really is. Come walk with me on a beautiful beach in County Wexford, Ireland. Feel the freedom that only nature offers. 
Written and performed by: Johnny Mc Farlane 2022

Walk Along The Seashore

Stephanie Barbutova:  Vocals
Ben Juul:  Drums, Mixing & Mastering at Tone Hill, NY
Dirk Taubenheim:  Guitars, Bass, Vocals at Vestervang, DK

This is the story of an elderly gentleman who succumbed to the charms of a beautiful young woman and was only used by her for her own ends.

S U G A R   D A D D Y

Such a big disappointment
I feel like I´m being used
as I´m sitting here in silence
just hurt and so confused

I wasn´t     much more than     your stepping stone
a stupid     sugar daddy     who paid it all alone

you made me     think we were     more than just friends
you took all     that I had     every song, every cent

INTRO

Such a great enchantment
your voice can make tough men cry
once you get the attention
your beauty blinds the guys

BRIDGE    ohohoho

CHORUS

INTRO

Such a huge illusion
all the promises you broke
among all guys you´ve been foolin'
I was just another bloke

BRIDGE   ohoho

Everything Must Go

Sugar Daddy  (Bye-Bye Paris Girl)

Isn’t it amazing how a lifetime passes by – you are a father now and once you were a son
And everyone who knew you then still think they know you now – judge you for all you did not what you've done
I’d like to think I’m drifting on a cloud and looking out upon the souls that I have touched along the way
And like to think their looking back and as they smile they say – Hey man you know what you were okay
And when I feel I’m going nowhere – I’m going nowhere fast I look into your eyes once again
And when I feel I’m going nowhere – I’m going nowhere fast I realize that you're my one true friend
Isn’t it amazing how a lifetime passes by – you were a warrior and you still are now – and everyone who knew you then still think they know you now but because of you I made it through somehow
I’d like to think I’m drifting on a cloud and looking out upon the souls that I have touched along the way
And like to think their looking back and as they smile they say – hey man – you know what you were ok
And when I feel I’m going nowhere – I’m going nowhere fast I look into your eyes once again
And when I feel I’m going nowhere going nowhere fast I realize that you're my one true friend
Isn’t it amazing how a lifetime passes by kids have grown they got their own lives to live
I thank the lord they see me now same way they saw me then but to go back twenty years what I wouldn’t give
I like to think I’m drifting on a cloud and looking out upon my kids who understand my forte
And like to think their looking back and as they smile they say you know what – Dad you were okay

Eric Festa's Album

Nowhere Fast

About the Title: David and I were discussing the title of our piece and I mentioned that it didn't matter to me.  "I am easy to please. Unless I'm not".  And thus, our title. Thank you, @david-dunhamuser589535203 ! 

About the Artwork: This little beauty is a portrait of me drawn by my son at the age of 7 (many years ago!). Please note the happy mother caring for her children.  This is a detail from his whole family portrait in which small characters float around a huge virago-type mother.  My son was the only person smiling in his rendering of our family.  I suppose he was able to look past his plight and smile.
My self-esteem hasn't quite recovered.

Easy To Please (Unless I'm Not!)  David Dunham; classical guitar, Debra Buesking; piano

Poppy Seed 00:00
Bikini-clad Ice Maiden 05:44

Poppy Seed/Bikini-clad Ice Maiden

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Latin, literally ‘not having control of one's mind’.

If there was ever a time in my life when I questioned the sanity of the world, this would be it. So many things are not working; and so many people in power seem to want to keep it that way. How does one maintain hope (and provide others hopeful ideas), when the daily news tells such a different story? At what point do the hopeful messages just feel out of touch, rather than helpful?

Bo Burnham’s comedy special ‘Inside’ (on Netflix, but you can find several skits on YouTube as well) should be recommended viewing for all human beings right now. It’s a brilliantly insightful and snarky view of the world we live in, and a candid peek into his struggles facing that world. Half charming, half alarming… he is unapologetic and razor sharp in how he interprets the modern age. Here’s a line from one of the opening songs that really hit home for me:

"The more I look, the more I see nothing to joke about. Is comedy over? Should I leave you alone? Cause really who's gonna go for joking at a time like this? Should I be joking at a time like this? I wanna help to leave this world better than I found it. And I fear that comedy won't help, and the fear is not unfounded."

This so accurately summarizes how I feel right now. Is what I’m doing helping? Or does (you pick the hot topic driving you nuts at the moment) seem so out of control, that I seem out of touch with reality… trumpeting loving and hopeful messages in the face of the chaos? 

In the end, I feel there are only two paths available to us at any given time; activity and inactivity. I don’t know that the specific activity matters as much as the drive and purpose behind that activity. I suspect the point is simply to do anything positive that tells the universe where your heart and intent are focused. The alternative… inactivity probably looks a lot like freezing in your tracks, getting lost in fear (or anger, which I consider a sub-category of fear)… and refusing to (or feeling like you can’t) move forward. It’s pretty easy to imagine how that energy won’t be helping anyone… especially you.

So maybe it’s as simple as just doing something that seems meaningful to you. Maybe that means protesting. Or donating to causes that align with your values. It might be conserving water, limiting waste, and recycling. Perhaps it’s providing your services and skills to someone in need; or simply smiling at someone as you pass them on the street. And it can also take the form of artistic and creative expression; a valuable offering for people in need of evocative images, sounds and ideas. All of these things hold power. And all are important in my mind. So rather than questioning whether we’re doing the right things, or enough of the right things… maybe we just need to follow our hearts (not our minds), and see where that leads us. Our hearts already seem to know us better than we know ourselves anyway. Let’s try trusting that little fellow, and see where it takes us.

I hope you enjoy my latest sonic adventure, ‘Non Compos Mentis’. :)

WTF! The Musical

Non Compos Mentis

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

The King and Queen are now finally walking down the elegant-extravagant Red Carpet to officialize the vital ties, the surrounding connections, the obligatory motions here-on from this day forward...and all eyes indeed are on them...a splendid celebrity high-fine, status-star-procession...it carries on, as today is the day of all days, it's the marriage day, the match of all astral matches...sacred vows fully embraced, a majestic unforgetable soul to soul, now about to be etched in stone, for all near and far to realize...yes, this couple destined to be, from the very start, will rule like good royal nobles do...only to execute their eminent duties for the good of their people. Hope you all enjoy this heart to heart Red Carpet Procession my lovely distinguished guests of honour XOXOXO-REKHA

Music Performed & Recorded, Composed & Produced, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA


M: RCP Procession BU 2

Trailokya

RED CARPET PROCESSION

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

This track is built on top of a sequence that I produced with the microfreak sequencer which I was quite happy with. The drum track was created in Korg Gadget and many of the added synth lines are from the minilogue.

"A cascading failure is a failure in a system of interconnected parts in which the failure of one or few parts leads to the failure of other parts, growing progressively as a result of positive feedback." - Wikipedia

Cascading Error

My new song with piano, electric piano, bass, drums, koto, synths and vocals! 😊🎶❤️🎹🎤

Thank you to my lovely bf Sander for this gorgeous master. @wane-of-summer 😊❤️

PERMISSION

i wrote this one with an old friend in mind who left me much too soon...............cheers for having a listen

You Know What I Mean

Firstly a big thanks to Shane of Harmful If Swallowed for agreeing to do do this male duet. It’s a first for me and probably for him, so a very interesting concept. It’s been a song that’s been hanging around a while just waiting for the right type of vocalist to agree. I am a great admirer of Shane’s work because of his fine lyrics and interpretations of real life. 
The song Elephant In The Room was wrote over five years ago with my son Owen  who would of been around 18 at the time. He had got into playing guitar and dabbling in song writing so my role was helping him with melody and lyrics. 
It’s a song I always thought had great potential and as I wasn’t that active in music myself at the time only a raw acoustic version existed.
This version is what we used as a sketch and Noobly transformed it into a full blown production. Seriously Noobly is a real talent and absolute pleasure to work with so respect to him.
There as been slight lyric changes but the melody is the same.
The song is about to close friends sitting in one of their living rooms in silence. There is an elephant in the room for both of them because a serious matter is not being discussed and neither of them are opening the conversation. The one  as done something really bad to the other so use your imagination.
The conversation is only happening inside their heads so hence a male duet of thoughts.
Hope you enjoy the song as much as we did creating it.

Elephant In The Room  -  Conscience of Kings feat Harmful If Swallowed

This folk-fusion piece weaves acoustic strings and organic rhythms with subtle electronic textures, blurring the line between earthy and ethereal. Orchestral swells and ambient layers create a soundscape that feels both intimate and cinematic.

Lacks Creek

Daydream Vol 5

Galazio

German Girl Looking Like A Pearl

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Easy To Please (Unless I'm Not!) David Dunham; classical guitar, Debra Buesking; piano

Debra Buesking

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