Just lovely. Very nice touch and appreciation for subtlety. Well done indeed.

Gorgeous playing. You are in complete control. The pace is spine-tingling, captivating.

Missed that one Deb . Beautiful touch and feel :)

Video link https://youtu.be/jLB0zbM3dBw

Each winter here in the UK, small birds enact one of natures great spectacles. Each evening flocks ranging from a few hundred to over 100,000 individual Starlings form up into a single flowing entity swirling above their communal roosting sites. 
Why they do this is not fully understood, with theories ranging from a strategy to distract predators, to a grand display designed to draw more birds to the flock for the purpose of maximising the body heat being generated by the mass of the flock in the roost. 
Whatever the purpose of this behaviour it creates a unique and magical aerial display of great beauty.

The track began with the repeating mallet sequence, then the strings and lastly the piano. I'm finding myself increasingly drawn to improvising around basic chord progressions at the moment and this is another product of this approach. I'm  resisting the temptation to quantize or mess around with the midi in post, so it's all as played and of the moment. 

Thanks for listening, it's really appreciated. 

Murmuration

Innocent Man

New video on YouTube https://youtu.be/2aUqACWrHHs

*** RISE ***

Can you see the dawn arising
Can you see the light inside your mind
Can you feel it ?
Love will never die !

Be majestic like a phoenix 
You can be as golden as the sun
You can reach it
Nothing ever really dies !

RISE 
Shine like the sun
Make real your dreams
Realize it's all just make-believe 
Take time and take space
Shape with your hands
Your life's your own
Your master plan...

The universe it has no corners
There's no boundary 
You are not alone 
Are there edges to the oceans' waves ?

So the grass it may be greener
And the rivers may run clearer
So - How'd you know -
If you can't look to the other side ?

RISE
Shine like the sun
Wishes and dreams
And watching them all come true 
You'll see
That finding your way
Is all that it takes 
If you can wait for them to be...

RISE MAJESTIC 
RISE PHOENIX
YOU CAN BELIEVE IT !

RISE 
Shine like the sun
Make real your dreams
Realize it's all just make-believe 
Take time and take space
Shape with your hands
Your life's your own
Your master plan...

Rise

Variation on the Prelude in A major, Op. 28 No. 7
Variation Sur Le 7è Prélude Op. 28 En La Majeur De Frédéric Chopin 
Composition: Jean-Pierre Dubois
Performance: Debra Buesking
I think I fell in love with this Variation by Jean-Pierre Dubois. Thank you, my friend, for allowing me to perform your work.
------
N.B. The brevity of this piece was Mr. Chopin's idea. Who are we to argue with Chopin?

Variation Sur Le 7è Prélude Op. 28 En La Majeur De Frédéric Chopin by Jean-Pierre DUBOIS

Spotify: https://open.spotify.com/intl-de/album/3ROhTHrVNxzfcoLKJvhTbY
Youtube: https://www.youtube.com/watch?v=UjIFwZ_Puog


The inspiration for this track is a vision where I am not sure whether it is a faint memory from some childhood holiday or whether I have dreamt it  :
Standing on the edge of a rocky cliff, gazing out at the tumultuous ocean below. The waves crashing against the rocks with a thunderous roar, the force of the water sending a spray of mist and foam high into the air. In the distance a lone lighthouse
overlooking the scenery. A glimps of the power and majesty of nature and our own smallness in comparison. 

Composition-wise: The piece consists of three parts (@0:01, @0:59, @1:45) that always start with the same 5 note-motive but then develop into three distinct variations with different characteristics but throughout the track there is a certain sense of dramatic scenery.
The left hand is throughout the piece mostly in octave jumps (which became quite challenging condition-wise at the end of the piece) that segment the 4/4 beat into groups of 3-3-2 (the only notable exception is the part @0:35ff with its chromatic baseline).
The right hand alternates between lyric parts such as in the beginning or @0:59ff and rhythmic syncopic parts such as @2:30ff that leads to the final where the right hand preceeds the left hand by a beat to create a sense of energy.

The track has been recorded on a Roland FP-90 and mastered in Cubase by adding compressor, reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion.

Lighthouse On The Rocks (Solo Piano)

Instrumental: Mike Polcari: https://soundcloud.com/mikepolcari
Mix: Garddwr Porffor: https://soundcloud.com/garddwrporffor
Vocals: Nadia Selvaggi

Billy Squier's The Stroke by Mike Polcari & Nadia Selvaggi

EXPEDITION
Backing Track: Paploviante & Friends
https://soundcloud.com/paploviante-and-friends/expedition-offer-open-collaboration
Vocals: www.Ghosthack.de
Lillithe : adding Vocals, Violin, Guitar ,Sound effects, Brass & Wind and Orchestra Trumpets

EXPEDITION  by Paploviante (Remix)

Music by Jussi Welin
Alto horn by georg-boehme

Anymore (Conover/Welin)

The Traveller From Nowhere.

======================

When I was a teenager I loved to write. Sometimes it was poetry, other times short stories, other times it was songs, and I even imagined their music, accepting that perhaps I would never hear them performed. Finally, he also expressed moods, experiences, concerns and desires through simple strokes.


Based on a written line, 5 years ago, I composed music about one of those texts.

Now, thanks to the collaboration of my friend Peter, his impeccable translation, diction and correction of the text, I have been able to incorporate and modify said composition, but, obviously, with text in English.

Thank you Peter, again, for your enthusiasm and help.

Lyric.

The Traveller from Nowhere

Like a whisper that drifts on the breeze. Our eyes fixed on each other,
watching time slither by. Time that ends beyond the lifespan of people and
the backdrop of their murmuring.

It seems I don't know where I'm from or where I'm going. I think and feel like
the traveller from nowhere, either crossing great distances, or, perhaps,
locked in a tiny room. Never to leave.

I imagine I am someone I am not, incarcerated and blind, ignorant of the
counting of the days, a spectator watching his own life trickle past himself,
wasted.

Thus I become a random observer from here, my place, failing to understand
with my diffuse logic all that surrounds me, and the banalities of the human
condition: evil, value, love, desires, and countless other emotions, character
traits.

Indeed, I am suffused with these emotions, emotions on which I greedily
feed, trying to comprehend, dissect and analyse the secret triggers that
generate them, all within an eternal search whose horizon is infinite. So, in
the end, when all is said and done, I realise that I know neither where I'm
from nor where I'm going... then, and only then, finally, do I grasp my destiny.

I am the one who once was somewhere, or possibly not. The one who
imagines worlds and lives but never really lives them. The nomadic one who
becomes that curious traveller from nowhere; surreal, anonymous, ethereal,
imaginary……drifting on the breeze.


====================================



13 tracks of native instruments and the Xewton forum.

4 imini Arturia tracks.

4 track flowtones synth

1 xpad track

3 tracks kv331

DAW. Music Studio 2

Hardware. ipad.

Thank you for your comments.

Paco

The Traveller From Nowhere (2023) Narrated By Peter

Nostalgic Forest #2

Music composed in 2014 only with native Music Studio 2 instruments.

Back then I only used MS2 and Alchemy.

One of the last compositions before using kv 331 and other synthesizers.

It is fully remixed and equalized.

I have 7 new tracks, but due to the covid 19, I can't edit them properly in my "sound studio", which is no other than my car.

It’s an old theme, but I will appreciate your opinions.

Take care.

The ghost kingdom (TR)

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

Variation Sur Le 7è Prélude Op. 28 En La Majeur De Frédéric Chopin by Jean-Pierre DUBOIS

Debra Buesking

Recent comments

Nadìr

Frank DANA

Peterboy

Mario Savioni

Related tracks