With their subfrequency engines run hot, Green Lake Project recently made a stop at a certain pub at the outermost corner of the galaxy. Coincidentally, they met a time-travelling singer / groovewriter named Andy’s Echo who was passing through from some place in the future. The rest of that night became a spectacle of truly cosmic dimensions... Here’s a rare recording of that event, making it accessible through terrestrial ears: The Breach is heaving Space Techno with the emotive soul of a voice dancing on its liquid surface. This memorable dancefloor event is complemented by a masterfully crafted remix from DJ and producer veteran D-Nox. Also, GLP shared with us a hyperreal simulation named Storm At The Moon. A melody spreads through the human mind like some kind of technicoloured star dust, and the human body control surrenders ever so imperceptibly to the hypnotic functionality of the tight rhythm.

Mit heiß gelaufenen Tieffrequenz-Triebwerken ist das Green Lake Project neulich an einer gewissen Bar am Rande der Galaxie gelandet. Wie es der Zufall wollte sind sie dort einem zeitreisenden Sänger und Groovemacher namens Andy's Echo aus der Zukunft begegnet. Der Rest jenes Abends ist seither Teil von Legenden, und hier gibt es einen heiß gehandelten Mitschnitt davon für irdische Ohren: The Breach ist rollender Weltraum Techno, auf dessen flüssiger Oberfläche die Seele einer Stimme tanzt. Ergänzt wird dieses denkwürdige Dancefloor-Ereignis von einem meisterlich geschliffenen und polierten Remix aus der Hand von DJ- und Produzenten-Veteran D-Nox. Außerdem teilen GLP die lebensechte Simulation von Storm At The Moon mit uns. Eine Melodie breitet sich im menschlichen Denkapparat aus wie das Programmiercode-Fragment einer künstlichen Intelligenz, und die Körperkontrolle gibt sich unbemerkt dem auf hypnotische Funktionalität optimierten Rhythmus hin.

The Breach

Green Lake Project - The Breach feat. Andy's Echo (D-Nox Remix)

[EN]

To say Stephan Zovsky's career started in 2019 would be wrong. It would omit any mention of the two decades of DJing he’s got under his belt already, with countless gigs all over the place. It would omit any mention of his 2010 album ‘The Village’, produced with long-year musical partner Sandro Schäufler. It would omit any mention of his first set as Green Lake Project in 2016. No, to say his career started in 2019 would be plain out wrong.

Yet 2019 is a milestone year in the life of this prolific creative from Mecklenburg Vorpommern, that rural North-Eastern corner of Germany. It's the year his ‘Connect EP’ is out on 3000Grad Records, the first of a perpetual string of releases. It's the year Stephan Zovsky starts his own label Sueslide, a launching pad for his growing musical output that finally meets his notoriously high quality standards towards himself. It's also the year ‘GLP’ drops - the debut album of Green Lake Project, his successful joint venture with Mollono.Bass.

His ever increasing skill level as a DJ and producer resonates intensely with the scene and its dancefloors: His tracks rank high in prestigious charts. His inbox is flooded with remix requests, some even from rather remote music scenes like Indie or Trance. He is invited to perform his Stephan Zovsky liveact at Fusion Festival's famous Turmbühne in 2021.

His diverse background and tireless productivity make it impossible to pin Stephan Zovsky down to a particular genre. Anyway, mentioning his name in one breath with the term ‘Melodic Techno’ doesn't make him frown; the terms ‘tool-like’, ‘DJ-oriented’ or ‘club-ready’ make him smile. You won't hear him playing obvious bawl-along hits, but neither will you hear him playing nerdy, overly intellectual tunes. His understated, functional style sits comfortably in the middle, making him the perfect prime time artist for those moments when it's all about no-frills, strictly-thrills dancefloor ecstasy.

[DE]

Es wäre falsch zu behaupten, die Geschichte von Stephan Zovsky hätte 2019 ihren Anfang. Das würde verschweigen, dass er an diesem Punkt schon auf zwei Jahrzehnte als DJ zurückblickt, auf unzählige Auftritte an ebenso vielen Orten. Es würde sein 2010 erschienenes Album ‘The Village’ unerwähnt lassen, das zusammen mit seinem langjährigen Musik-Partner Sandro Schäufler entstanden ist. Es würde sein erstes Green Lake Projekt Set im Jahre 2016 unterschlagen. Nein, es wäre wirklich falsch zu behaupten, diese Geschichte hätte 2019 ihren Anfang.

Und doch ist 2019 ein entscheidendes Jahr für diesen umtriebigen und ideenreichen Charakter aus Mecklenburg-Vorpommern. Es ist das Jahr, in dem seine ‘Connect EP’ auf 3000Grad Records erscheint, und mit ihr beginnt ein kontinuierlicher Strom von Veröffentlichungen, der seither nicht mehr abreißt. Es ist das Jahr, in dem Stephan Zovsky sein eigenes Label Sueslide startet, als unabhängige Veröffentlichungsplattform für seine immer zahlreicher werdenden Produktionen, die nun endlich seinem äußerst selbstkritischen Qualitätsanspruch gerecht werden. Es ist das Jahr, in dem 'GLP' erscheint, das erste Album von Green Lake Project, seinem erfolgreichen Gemeinschaftsprojekt mit Mollono.Bass.

Seine beständig wachsende Kunstfertigkeit hinterlässt in der Szene und auf ihren Dancefloors einen deutlich spürbaren Eindruck: Seine Tracks tauchen regelmäßig in viel beachteten Charts auf. Ihn erreichen immer mehr Anfragen für Remixes, sogar aus recht weit entfernten Szenen wie etwa dem Indie- oder Trance-Umfeld. Er wird mit seinem Stephan Zovsky Liveact auf die sagenumwobene Turmbühne des Fusion Festivals 2021 eingeladen.

Mit Blick auf seinen vielfältigen Hintergrund und seine unermüdliche Produktivität ist es schlichtweg unmöglich, Stephan Zovsky einem bestimmten Genre zuzuordnen. Wenn wir ihn in einem Atemzug mit dem Begriff 'Melodic Techno' erwähnen, dann runzelt er zumindest nicht die Stirn; wenn wir Begriffe wie 'toolartig', 'DJ-tauglich' oder 'tanzflächenkompatibel’' verwenden, dann schmunzelt er. Vorhersehbare Mitgröhl-Hits gibt es von ihm ebenso wenig zu hören wie allzu verkopften Frickel-Sound. Mit seinen funktionalen und doch subtilen Sets passt er ideal in jene Art von Spitzenzeit, in der es ganz ohne Hype und Schnickschnack einfach nur gediegen zur Sache gehen soll.

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D-Nox (born 06 December 1975) is a German DJ/producer and 1 time DJ Awards winner whose career in electronic music spans well over 25 years. Everything started for him with the electronic scene in his hometown of Düsseldorf in the early 90ties, branding his mark in the music community by also being a part of the duo D-Nox & Beckers who are responsible for various club hits since 2004 and are still currently releasing 16 years later on prestigious labels such as Bedrock, Suara and Sudbeat to name a few, as well as through D-Nox’s own record label Sprout Music. 
D-Nox has brought his sound all around the world with his international bookings as a DJ, keeping him constantly on the move with his travels every weekend, through Europe, down to Australia, across the Americas, and around Asia and Africa. D-Nox has an exceptionally outstanding career in Brazil where he has his biggest fan community.
D-Nox was born in East Germany, but his family escaped to the West of Germany before the wall went down in 1989. As a young boy, he fed his interest in music by recording music on cassette tapes, as there was no way to buy records in East Germany. It was only in the time that he and his family moved to the West, that he got access to all the music which he had been recording on tapes and this is when his real passion for collecting music was born. In the early 90ties he started to go out and meet people from the nightlife scene of his new hometown Düsseldorf. Düsseldorf has always played an important role in the underground music scene. Many important bands such as Kraftwerk come from Düsseldorf.
With the first money that D-Nox made after he had left school, he was able to buy himself all of the important equipment needed to start the art of mixing vinyl records.
Around 1992 was the first time he got booked to play in a nightclub and by 1993 he became a professional DJ. These early years made D-Nox one of the most booked DJs in his region, with numerous gigs in his hometown and other cities near by. In 2001 he started to work as A&R for the record label Tatsu. This job taught him even more about the music scene and inspired him to start his own record label Sprout Music in 2003.
In 2004 he met Beckers and both started the form the famous duo D-Nox & Beckers which was responsible for many underground club hits such as „Jetlag Slave“, „Memory Cell“, „Seven Hours“ and many others. In 2007 the duo D-Nox & Beckers won the price for best selling progressive house artist in Beatport.com and in 2010 the duo won the DJ award for best progressive house artist. 
D-Nox & Beckers have released 3 albums; in 2007 “Left Behind”, in 2009 “Big City Lights” and in 2011 “Distance”. Since 2004 the duo have released more than 50 EPs and made over 70 remixes. Until today, D-Nox & Beckers still receive a lot of recognition and respect, and continue to play shows all around the world together.  But due D-Nox’s change of location in 2016 when he moved to South America, he is now focusing again on his solo gigs, with current shows booked in Germany, Belgium, Japan, Turkey, Israel, Australia, Russia, Poland, Costa Rica, Hungary, Brazil, Canada, Mexico, Argentina and many more to follow.  
Along with D-Nox’s change of location from Germany to South America, a few new collaboration partnerships in the studio were formed. One of them together with Victor Ruiz, one of the most demanded DJs of today.  Together Victor and D-Nox produced ‘Arise’ which was released on Sudbeat Recordings in 2016, the label belonging to Hernan Cattaneo. This track became one of the most played tracks in sets of DJ’s all around the world. They followed up this release, with a second best seller in 2017 on Sudbeat from Victor Ruiz and D-Nox, called ‚Pure’. Another new collaboration made with Stereo Underground, a very well respect producer from Israel „Dolby“ has reached number 1 in Beatport, the world wide leading digital store for DJs and was holding the top position for over 3 month. The pandemic month have d-nox become way more creative in his studio than he ever was before and his discography has just grown bigger and bigger. Its is now over 20 years that D-Nox is traveling all around the world and keeps on moving the dance floors.
D-Nox came out quite strong of the pandemic years and all the time he had spent well during those month off brought more shows and new fans. The years 2022/23 sent to to over 20 countries and his single „Dolby“ with Stereo Underground managed to stay 3 month on top 1 of the Beatport sale charts.
In 2023 D-Nox is celebrating his 30 years as a professional dj and he keeps touring the world. 
By now, D-Nox and/or D-Nox & Beckers have played many mayor festivals such as Rainbow Serpent, Ozora, Fusion, Tribe, Boom,  ADE, Love Parade, Tomorrowland, Lollapaloza, Loveland, Extrema to name a few and  many important clubs around the world, such as Stereo, Womb, the Bow, Dedge, Pacha, The Block, Warung, Ame, and so on, stoking up gigs in over 70 countries, this duo belongs to the most important underground dance music products from Germany.

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Green Lake Project - The Breach feat. Andy's Echo (D-Nox Remix)

Underground Deep-Tech STATION