Amazing use of space and deep layers, my favorite off your new EP!

When the Dust Takes Over

A single take of an eurorack patch using Mutable Tides v2 in chord mode, through filters and to the LyraFX delay. Added the looping bass note and background field recordings in Ableton

open sky

Survival

Midvinter

240131 - Listening To The F Word

Introspection

To My Lost Memories

Naviar Haiku 527

ore train
bright colors
passing quickly
 
Jerome Berglund has worked as everything from dishwasher to paralegal, night watchman to assembler of heart valves.

Many haiku, haiga and haibun he’s written have been exhibited or are forthcoming online and in print, most recently in bottle rockets, Frogpond, and Modern Haiku. His first full-length collections of poetry Bathtub Poems and Funny Pages were just released by Setu and Meat For Tea press, and a mixed media chapbook showcasing his fine art photography is available now from Yavanika.
 
Haiku by Jerome Berglund

Picture by CHUTTERSNAP

The Blue Rail

The Blue Rail (NaviarHaiku527)

Really Reality

2024-07-29

Sleep Is Coming

Midnight Edition

Lumière Privée

The roots gently swirl among invisible currents, tracing ancient patterns into modern echoes. The melodies flow like an orbital memory, spiraling inward, blossoming outward; each rhythm is a conversation between gravity and grace. In this silent architecture of movement, thought transforms into form, and form dissolves into listening.

Between the Symbols

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Introspection

Derk Bell

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