Booking/Management: butch@ensoul.de

Butch: A DJ’s DJ, A Producer’s Producer, A Electronic Music Chameleon

Some DJs chase trends. Butch sets them. With two decades in electronic music, he moves effortlessly between house, techno, and everything in between. From closing Circoloco at DC-10 to extended sets at Robert Johnson, his sound is always evolving.

Born in Mainz with Turkish roots, Butch hustled his way into the scene, earning multiple Best Producer awards and working with legends like Ricardo Villalobos, Armand van Helden, Cassius, Maceo Plex, and Keinemusik. His releases on Innervisions, Running Back, Defected, Rekids, Diynamic, and Cuttin’ Headz have shaped the underground.

2025 is set to be massive, with his remix of Duck Sauce’s “Falling In Love” already dominating dancefloors and more releases on the way. Butch doesn’t follow rules—he just makes music that moves people.

Zerb, The Chainsmokers, Ink - Addicted (Argy & Omnya Remix) 
https://found.ee/addictedremixed

Argy, TNY - DURO 👁 OUT NOW
https://newworld.lnk.to/DURO

Anyma, Argy, Son of Son - Voices In My Head 
https://anyma.lnk.to/voicesinmyhead

Argy, Omiki, Son of Son - RITMO 👁 OUT NOW
https://newworld.lnk.to/RITMO

'NEW WORLD' OUT NOW 👁 :
https://argy.lnk.to/NewWorld

IT, DJ/PRODUCER and UNCAGE label founder.
Released on Rekids, Drumcode, Filth on Acid, Ovum and more.

mene.sound@gmail.com
linktr.ee/menegoldenboy

Mene is an artist from humble beginnings, born in Serbia and residing in the capital Belgrade also known as the ‘White Fortress'. His music is a reflection of Belgrade's cosmopolitan feel, having quickly gained a reputation for his dark raw grooves packed with his own inimitable fusion of Hip Hop and House dubbed by some as 'Hip House'.
Further proof his productions are of inimitable quality are his label credentials, to date having already released on: Elrow, CUFF, Moan, Material, Roush, Sura Music.

Mene's rise in popularity has seen his music regularly supported by arguably the world's biggest current quartet of artists on the underground circuit in Jamie Jones, Loco Dice, Marco Carola and The Martinez Brothers.
Mene's DJ sets are a reflection of his productions delivering Hip Hop infused House and Techno, oozing class and swagger connecting with the dance-floor taking them on a journey. This has seen him play numerous respected events and festivals alongside heavyweights of the underground:  Fire Stage at Love Fest and Dance Arena at Exit Festival are some of the most noteworthy performances to date.
Incredibly Mene has also found time to launch his own label TOZLA, trailblazing a new musical path within the underground combining tech house, hip house, hip hop and techno with grooves at the core of the label's  identity.

BOOKINGS:
North America: rs@thebullittagency.com
South America: ian@analog-a.com
Rest of the World: n@lola-ed.com

The collaborative project formed by Romanian duo Livio & Roby, & George G, have achieved what few have attempted before - designed three unique, custom made hardware consoles consisting of parts of various machines that have been completely rewired, modified and re-patched to create extraordinary performance instruments. This absolutely one of a kind set up allows them to achieve their vision of playing without any computers and creates a live jam environment with a uniquely different performance every time they play. That is what their collaboration is about - a stand out new experience, which is already gaining accolades from many party heads, acclaimed music professionals and opinion leaders.

The name reﬂects the music: the crossing of their diverse vibrant inspirations and moods breeds a new concept of genuine, recognisable sound. As virtuoso audio engineers, they intelligently structure their (sometimes) heterogeneous ideas into powerful and dynamic compositions that catch the heart, the body and the mind of a listener. Compact “four to the ﬂoor” patterns, inspired by classic deep house and Detroit techno are switched up and deconstructed, resulting in a hypnotic brew. Driving and energetic solid grooves are fused with a plethora of colours and sonic twists, ranging from Balkan cultural heritage to surreal theatre. The unique style and zealous approach has achieved respect globally and they were placed at number 21 in the Resident Advisor “Top 40 Live Acts”. Furthermore their outstanding production has been released on inﬂuential labels such as Apollonia, Desolat, Vakant, 2020 Vision and All In.

During everyday studio sessions of experimenting and ﬁtting the pieces of their imaginary worlds together, computers with straightforward and intuitive software are a necessary tool. But the digital environment is not enough for expressing all those subtle feelings and stories they want to tell. Essential tools for this transmission are music instruments; they are vital for the articulation of emotions, and sharing it with the audience. That is why Livio, Roby and George decided to leave the virtual world aside and create a real, analogue environment for their live performances.

The concept was launched at Time Warp Lab in Mannheim. The guys presented their machines at the workshop "Premiesku analogue sound“, explaining the new way of playing using the examples from their debut album “Indirect” which was released on Desolat in September 2012.

Since the conception they have gone on to exhibit their dynamic performance at some the world’s most renowned clubs and festivals such as Amesia in Ibiza, Fabric in London, Time Warp in Mannheim, Watergate in Berlin, Rex Club in Paris, Sunwaves Festival in Romania and MDNRTY. Looking forward their tour diary is set to take them to every corner of the globe alongside a seriously anticipated string of releases on highly esteemed labels, nothing seems to stop the rise of the Romanian trio.

Having grown up in the U.S., the Amason was a Volvo model that passed me by, but in Scandinavia, it was a popular car in the 1960s. Named after the fierce female warriors of Greek mythology, Volvo adopted a Swedish spelling for its design, and the band has followed suit. Perhaps the spirit of a female warrior coupled with the liberatingly swinging ‘60s is a suitable description of this five-piece band of Swedish-born and based touring musicians. Or perhaps their name, chosen spontaneously by Pontus Winnberg of Miike Snow, is just one aspect of this multi-talented, musically minded group of friends that first came together in 2012.  

The security and strength offered in Amanda Bergman’s vocals is reminiscent of a warrior, but the whole picture of Amason carries much more depth than a single simplicity can encompass. The story of Amason begins with brothers Pontus and Petter Winnberg, whose father was a music teacher and classical musician. When Petter was 16, he studied at a jazz music school, where he met Nils Törnqvist, and from then on the two have played together in a multitude of musical constellations, including Little Majorette. In 2008, Nils saw Amanda playing a gig in Gothenburg with her band Hajen, and was so blown away by the power of her performance that he just had to tell Petter and Pontus about her. Pontus contacted Amanda through Myspace, and the two recorded a few tracks together. A few years later, Pontus met Gustav Ejstes of Dungen through Stockholm-based music collective INGRID. Within this open setting, they started speaking about making music together. When Pontus played Gustav a tape of him and Amanda, who currently writes under the name Idiot Wind, as she howled along to a drunken piano, Gustav also was blown away by Amanda’s voice, her way of expressing herself, and began thinking, “Let’s make something together.” Which is precisely what Pontus posed once the tape had finished. At the tail end of 2012, these five finally arrived in a musical space together.

Having arrived in a collective sonic space, they all hopped aboard a vehicle, with their past paths and divergent musical tastes thrown into the mix, and found this was more than enough to fuel Amason forwards. A sound created out of collaboration, with each member inhabiting an equally important space. Be it Nils on drums, Gustav on organ, guitar, and vocals, Pontus on piano and pedals, Petter on bass and vocals, or Amanda on synth and vocals, these simpatico souls share the creative ground as Scandinavians share their land. Everything is everyone’s. And the music is all the greater for it.

When Pontus first booked time in the studio and miraculously managed to get all five of them there during that time, the rest clicked into place. They started out by putting an idea on the drawing board, thrashing it out on their instruments, recording the tracks, writing a melody and lyrics, and swiftly had some finished songs to present. The first song to hit the Swedish airwaves, “Margins,” was soon followed by a self-entitled EP released in August 2013 on Stockholm-based INGRID, complete with single ”Went to War.” In February 2014, Amason released “Ålen” (The Eel), and on October 28th, 2014 they will release their single “Duvan” (The Dove) worldwide on Fairfax Recordings and INGRID. Their debut album, Sky City, is due for worldwide release in early 2015. 

With lyrics in both their native Swedish and the Swedish musical language of choice, English, Amason create in the moment, record almost instantaneously, and soon after scan the horizons for a stage, where the music truly comes alive, where they can share their collected collective moments. They fill their together time with sound, with music-making, with production and lyric-crafting and the joy of the song. Not to say that they don’t have to work to create what they get. Bringing five busy people together and getting crafted songs down in a state of permanence is a mammoth undertaking in and of itself. But as the old adage goes, where there is a will, there is a way. And the Amason will, the Amason way, is celebrated and magnified and revolves around the power of music. While the classic Volvo Amason still motors onwards in its intention to take people places, so too will a pure love of music drive Amason the band far into the future.

BOOKINGS:
ROTW - n@lola-ed.com
USA - melissa@armige.com
SA - jean@themothershipagency.com

Deep in the Romanian wilderness, beyond the foggy wastelands and the drab greyness of the metropolitan district you can find the base of two musical wizards who invoke the spirit of the past to transmit a very modern interpretation of their nation's musical traditions.

They are known as Livio & Roby and they have been putting their own supernatural twist on house and techno for the past 10 years. Their connection with the global electronic music movement has been channeled via highly influential outlets such as Desolat, VIVa, Saved and Fumakilla. While their physical presence has been felt in a myriad of venues from Buenos Aires to Detroit, and across much of Europe. From dynamic DJ sets and innovative live performances to album projects and a constant flow of cutting edge, dancefloor-based productions the duo remain one of their nation's leading lights in the field.

The tribal rhythms, inspired by Romania's colourful history, penetrate your psyche: the organic instrumentation lifts your spirit; flutes and vocals combine with delicate chimes, while groovy basslines and solemn melodies create a magical concoction. It's a formula that caught the ears of their early supporters, Steve Lawler signed them up to VIVa Music and Berlin stalwart Woody introduced them to the city's music scene via his highly-respected Fumakilla label.

These early connections helped to spread Livio & Roby's unique blueprint throughout Europe, enchanting more and more influential figures. Next to fall under their spell was Loco Dice, who signed them to his Artist Alife agency and promptly released the seminal 'Mistique' – a track created in collaboration with the third member of this spellbinding outfit, George G, with whom they form Premiesku. Just like their unique partnership, Premiesku operates within its own confines – their live show is built around hardware that has been customised and reconfigured for their own use, without any computers involved. This gives them total freedom in their performances and allows them to express their own distinctive style.

Thanks to the consistently high quality of their output, Livio & Roby have been in constant demand around the globe, sharing the spirit of Romania with the clientele of clubs and festivals across North and South America, Europe and further afield. Today, their endless travels continue, as does their entrancing musical output, from EPs with labels such as Vakant, One Records and Cecille through to their debut Premiesku album, 'Indirect', which came via Desolat. Moving forward in their career saw further adventures around the planet: Premiesku reformed with new music and hit the road with their dazzling live act. Livio & Roby released their own concept album, titled 'Phantom Circle' on Desolat. The duo co-produced each track on Phantom Circle with one of ten different artists: Enzo Siragusa, Martin Buttrich, Guti, Julian Perez, Hector, Ryan Crosson, Cesar Merveille, Andrea Oliva and Premiesku. The album received wide media coverage, adoration from fans and praise from various music press outlets. Livio & Roby are only building on their momentum. Forthcoming releases on Vatos Locos and Mulen Records will bring their unique and evolving sound to more and more ears. With shows at legendary venues such as Printworks London already under their belts this year the story continues as the duo continue to innovate and carry on the legacy of their ancestors.

Not so long ago two great friends left the country where they lived and moved to Brooklyn, NY. There they re-builded their studio, produced new tracks far away from day-in day-out madness of the life they left behind for a while.
In this creative and intimate isolation the idea of the label came up – just like the next step to be taken in their intense relation. In July 2007 this idea became reality when Desolat was born.

Desolat is now a Düsseldorf-based label founded by Loco Dice and Martin Buttrich. Both Dice and Buttrich had a long-standing artistic career in music before they decided to take a challenge and create a platform to release music they like independently and fast.

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Desolat Music Group is following