BOOKINGS: Bookingsbratkilla@gmail.com

Raising Carnage since 2006

FACEBOOK PAGE:
/bratkillaofficial

AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

//_ROBOTIC_SOUND_EXPLORATION
//_BOOKINGS: REKOIL.OFFICIAL@GMAIL.COM

Zomboy came crashing head first into 2016 with the game changing single ‘Like A B*tch'. Taken from his hotly anticipated Neon Grave EP, the track became the go-to set opener for the likes of Skrillex, DJ Snake and almost every bass DJ at Ultra 2016.  

While the EP Crushed the charts, the 'Neon Grave' tour saw Zomboy sell out venues all over North America and has set the tone for an incredible 2016 for the producer.
 
Never one for slowing down, he's since remixed the Chainsmokers' huge crossover hit ‘Don’t Let Me Down’, and has embarked on his annual festival run, destroying crowds one by one with his inimitable energy and stage presence

BOOKING INFO

North America booking - 
Alex@abtouring.com
Brian@abtouring.com

Europe/UK booking -
juliencorre.paris@gmail.com

Figure has been a household name in bass music since its American adaptation , with a catalog that spans over 15 years , more than 14 albums , and hundreds of songs. He's best known for his signature, aggressive sounds mixed with horror themes. Figure continues to release new music with various labels, friends and peers in the bass community. A touring machine, Figure feels at home on the road .. he's been around the globe many times over and recently celebrated the 14th anniversary of his Monsters series of albums and a regular contributor for Universal's Halloween Horror Nights theme parks.

2009 was the birth year for interdimensional label Betamorph Recordings. To our friends in China it may have been the year of the Ox, but in the Dubstep calendar it was the year of the ALIEN. Growing from the bass heavy fruit of veteran DJ's and producers Dylan James (aka Deej) and  Chris McCahill (aka Megatron), Betamorph has been pummeling the scene with a twisted series of epic soundscapes and dirty symphonies. Nominated in the Best New Label category of the Dubstep Forum Awards in 2009, Betamorph is now ready to conquer the world with their unparalleled brand of subterranean sci-fi beats.
Taking the visceral edge of Deej’s roots in the early nineties Los Angeles rave scene and combining it with Megatron’s seminal graphic imagery, visions of a galactic future have helped Betamorph to create a rare coalition between art and music. The science fiction imagery synonymous with every Betamorph release is symbolic of the ethos that Dubstep’s lack of boundaries epitomize the innovation capable in a digital age. The Betamorph symbol not only represents a futuristically styled archive of groundbreaking music, but a fair deal for the artist, a perspective that many currently see as alien.
This has allowed Betamorph to build a prolific catalog and extend their reach worldwide. The artist roster not only includes insane talent from Tim Ismag, Point.Blank, Hulk, D-Jahsta, Filth Collins, Balkansky and Mark Instinct but also releases from legends like DZ, Barbarix and 12th Planet. Already positioned at the forefront of the Dubstep revolution, Betamorph have also been picked up by Symphonic Distribution and featured as their label of the month more than once. Although based stateside, Betamorph has also been harboring talent from around the globe. A partnership with mastering engineer Rick Simons aka SymbL and British journalist Simon Fogg has helped ensure that the label’s output will always match the quality of the imagery and the beats in professionalism, but also in never becoming predictable. Betamorph conquers across all platforms. Since the label’s inception, the Betamorph journey has been unreal. This is the future of Bass Music: a genre currently undergoing Betamorphosis. http://betamorphrecordings.com

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