house

Deep house

steve bug

Just to Groove

electronic

Deep/Jazz/Soul/Disco for the dance hall

Here's an edit from one of my favorite classics that fully represents what is house music, a rhythm, a bassline &amp; a vocal speech that turns the track in a house anthem ...&#13;
Nothing fancy some filters, a few loops and more time for the in &amp; out mix.&#13;
Hope you enjoy it !&#13;
Feel free to leave a comment&#13;
Cheers C.

<a href="https://theartistunion.com/tracks/a5fbda" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Download

BASIL HARDHAUS - MAKE ME DANCE (CEDRIC VIAN RE - EDIT) FREE DOWNLOAD

Mano Le Tough - Primative People (Tale Of Us Remix)

Tracklist: 

1.	Bas Noir – Shoo-B-Doo
2.	Terry Hunter – Jouse Scat
3.	Trouble Men feat. Jamalski – Rollin
4.	Garage Movement – Dog a Baseline
5.	1200 Beats – The Ghetto
6.	Glenn Underground – Shake it
7.	Jozana feat. Reggie Hall – The Hard Way (Blaze Remix)
8.	Undercover Agency feat. Trust – Sweetest Kind (Undercover dub)
9.	Loleatta Holloway – So Sweet
10.	Major Problems – Overdose
11.	Raze – Break 4 Love


dj myron - house classics all vinyl mix

Redsoul - Higher  (Jay Vegas Remix)

Kicking off the new year Steve Bug style – Poker Flat Recordings sets course for another year of quality house music. The label boss himself presents us with the first transmission of 2014 - and the title succinctly nails what to expect.

'Simple, Thick & Raw' contains three tracks that are simultaneously gritty, tough and highly effective. 

'The Arpeggio' contains Bug’s signature control of tension – an arpeggiated synth line bubbles along, hardly restrained, on top of a firing drum pattern, resulting in a groove wound tight and packed with suspense. 

'Thickest Bass' is also fairly self explanatory- a pitched down vocal introduces what might just be the filthiest bottom end Bug has ever produced. The track has a raw, off-kilter quality that will see it destroy many clubs when dropped at the optimum moment.

'Smoking Parrot' completes the trio, a tough yet spacey burner that builds into a indisputable floor-rocker, complete with punchy claps, descending bass-line and Bug’s well honed dynamics.

'Life in Circles'  completes the release - a tech house pearl with a touch of acid.

Simple, Thick & Raw

Steve Bug - Smoking Parrot

This set was recorded live on Saturday 01 February 2014.

--

This is a 20 minute extract of the full set which is archived exclusively for fabricfirst members. fabricfirst is fabric nightclub’s membership service. It includes a monthly music subscription, access to exclusive audio and reduced, priority entry to the club.

Full info on fabricfirst here: www.fabriclondon.com/fabricfirst
Check out the other available streams here: www.fabriclondon.com/fabricfirst/media

Stream Full Set

Steve Bug - Recorded Live 01/02/2014

Luna City Express - Mr. Jack

FEDDE LE GRAND FT. MR V - BACK & FORTH (KID KAIO BOOTLEG)

Ticon - Models On Cocaine (Weekend Heroes Remix)

Pensum - Steve Bug Mix - teaser

Jamie Jones -  Havana Good Times (unreleased)

One day while sharpening his hip-hop skills, the Prince sets up shop in his favorite studio; an oversized king bed in a pile of synthesizers, drum machines and keyboards. An abundance of classic samples overflowing with soulful fills inspired Baby Prince to record one of his most sensitive vocal messages to date. An ideas man, Baby Prince struggled to get the mix right and tight. So Lonely C swoops in, hits record and lays down the track in one clean shot. Ooohwee! ‘I Want To Squeeze You’ is born. The PillowTalk boys heard the new noise and accepted remix duties without question. Their results, The “Phat Philly Remix,” is a timeless house version with a powerful vocal addition from Sammy D himself. Lace up yer raving kicks.
OUT NOW:
http://www.beatport.com/release/i-wanna-squeeze-you-ep/936655

Baby Prince & Lonely C - I Wanna Squeeze You (PillowTalk's Phat Philly Remix)

Craig David - Hot Stuff (Cleven Eagles Remix)

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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FOLLOW: http://www.facebook.com/pokerflat.rec
FOLLOW: http://www.facebook.com/pages/steve-bug/8517364710

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

Taken From "S.E.X The Remixes" EP featuring L'Renee

Omar S feat. L'renee - S.E.X (Conant Gardens Posse Remix)

Fresh on the trail of this year’s exceptional long player ‘Noir’, Steve Bug returns with perhaps his most deep house-oriented track in a while – ‘The Long Run’.

Teaming up with US house legend Mr. V, who inititally donated vocals only, the collaboration brought up Mr V‘s own interpretation of Bug‘s track. This release is as delicious a serving of classic New York deep house as you will hear all year – or any year.

Dessous’ main man is at the controls, riding out a sumptuous, Rhodes-driven groove that references golden era Kerri Chandler and friends, but remains completely rooted in 2012. Mr V’s spoken word vocal lays out the manifesto for these two house pioneers – both are committed to quality music, made with passion and respect.

Next stop on ‘The Long Run’ is Mr. V’s stunning take on the same track. Ratcheting up the percussive elements, the New York native injects hints of the Latin rhythms that define many of his productions, making this into a stone-cold club banger whatever the party.

Both tracks come with corresponding instrumental versions for the DJs, rounding out this irresistible release that continues Dessous’ outstanding run of releases this year.

The Long Run

Steve Bug & Mr. V - The Long Run (Steve Bug's Vocal Mix)

Afrojack & Steve Aoki - No Beef feat. Miss Palmer

Glimpse - True South - Aus (sample)

Homage (pron.: /ˈhɒmɨdʒ/ or /ˈɒmɨdʒ/) is a show or demonstration of respect or dedication to someone or something

Keysound Recordings will release Keysound Allstars Vol 2 on 12″ and digital on May 27.

@WaltonMCR 
Bookings: danny@elasticatists.net 
Remixes: sam_walton@me.com

LDN037 A2 - WALTON - HOMAGE

(be Aware) Nothing For Free (Original Mix) - Eddie C

Juju & Jordash | A Stab In The Dark

From the upcoming new release from Terrence Parker!

Finally (Louie Vega Dance Ritual Mix)

10 short years ago, a series of mysterious 12inch bomb-grade jack tracks began. Released under the moniker Traffic Signs, the releases appeared yearly from 2003 with very little hype or fuss – but went on to smash up dancefloors across the world in the hands of in-the-know DJs.  

Eventually it slipped out that the tracks were the work of Poker Flat head Steve Bug – a conduit for playful, upfront house with a tongue in cheek attitude. Now the cat is well and truly out of the bag, Poker Flat have graciously complied this stunning collection of all the Traffic Sign releases - with the cherry on top being one devastating lost track and an exclusive re-edit of a classic. 

'I Like Your Booty' and 'The Big Fake' originally kicked off the series, and still sound massive today – rough and raw rhythms that have proved their worth over the years, and still remain in many discerning DJ’s boxes.  

Also here is the mighty, mind-scrambling 'VCM Nation', and its original flip side 'Work Yeah'. Both remain as prime an example of how to jack a dancefloor to within an inch of its collective life as you are likely to come across. 

'Been in Glue' from 2005 pursues a more minimal funk route, highly charged and restless house music that will worm its way into your brain, as will the cheekily named 'Back on Crack'’s narcotic charms. 

'Noize Alarm' is the exclusive lost track here – and what a treat it is. Mr Bug switches easily back into his Traffic Signs persona to produce yet another driving, hypnotic workout for the mind and body – its sly nod to French Kiss proving this is an alter ego the label boss can really have some fun with. This one will blow up big, mark our words. 

Elsewhere, Marc Ashken’s previously unreleased re-edit of 'I Like Your Booty' is another one for the collectors – stripped down ass-shaking electronic funk that serves as a perfect companion piece to the remix he conducted with DJ T – also included here. 

Partly remastered where needed, Steve Bug presents Traffic Signs marks a welcome return for this project – and the perfect chance for those that might have missed them the first time round to pick up some true underground classics. 

presents Traffic Signs

Traffic Signs - I Like Your Booty

Bei uns darf jeder seine eigene Suppe kochen.

Von Mama weiß man: die Suppe ist das Maß aller Dinge, da gibt es mehr Rezepte als Sterne am Himmel, von bauernschlau bis ganz shishi. Aber immer ist sie total herzerfrischend. Freude am Tanzen hat sich diese Erkenntnis schon vor Jahren ganz weit oben ins Label-Büro gehängt, daheim im lauschigen Jena. 

Freude Am Tanzen 5zig

Haftbolle

Robag Wruhme - Haftbolle

Dessous Recordings was founded in 1998 by Berlin based DJ and producer Steve Bug as a home for deep- and vocal house oriented dance music.
Currently not releasing new material or looking for new signings.

Get the vinyl: https://linktr.ee/dessous_recordings