Do You(studio version)

here's that electronic version, similar arrangement to the other one, just kind of has more blips

Yamantaka // Sonic Titan - Hoshi Neko Remix Electronic Version

Jason Urick is Portland based and he has released his last 3 albums on Thrill Jockey.
Oma333 is honored to play host to his latest release "The Day" recorded just after his last album "I Love You" came out in 2012. 
It's a stunning collection of dark electronics.  
Artwork by Peter Larsson. Black body printing on military grey cassettes. 
Edition of 133. Teaser videos by Kevin Luna 
http://vimeo.com/105284889

Released on the same day; "Golden Oldies" a split tape by Chicagojazzen 
http://vimeo.com/103902765 and Dammit I'm Mad http://vimeo.com/103902930

Sold out
http://oma333.com
http://oma333.tictail.com
facebook.com/oma333tapes


"Whoever You Are" by Jason Urick from "The Day" on Oma333

Minus

Digi + vinyl available to buy:
https://ellll.bandcamp.com/music

ROMANCE

ROMANCE EP

NOT WAVING — ANIMALS [DIAG025]

2LP / CD / DIGITAL

Pre-order: https://geo.itunes.apple.com/gb/album/animals/id1072925077

Animals harnesses the wanderlust of Natalizia's spate of self-released albums and records for Ecstatic and Emotional Response but dials up the wildness, spitting out a careering sequence of tracks that feel as warped, deep-raved and giddy as a night out in the city they were forged. These are tunes — no, songs — for post-work smash-ups, weekenders and sore commutes. And make no mistake, although Animals occasionally bites hard at the business end of the ‘floor, this is Diagonal’s most POP record yet, with Natalizia’s songwriting sensibility conjuring moments of tenderness and beauty to offset the manic strobe lighting and drippin’ sweat. 

DIAG025 Not Waving '24'

Remix of the GGD song "Chinese High" by the amazing amazing LA duo Nguzunguzu

Nguzunguzu x Gang Gang Dance "Chinese High" Remix

Track 9 from Endless Transmission LP Pre-order: https://blackacre.databeats.com/vinyl/acrelp010

Parabola

http://boomkat.com/vinyl/572440-andy-stott-luxury-problems

Andy Stott - Sleepless

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

06-Luxury problems

An addendum of sorts to his recent 'Faint Hearted' album, Miles' returns with a half-hour EP more squarely aimed at the floor with four darkened, robust variants. 'Blatant Statement' is up first, slowly emerging from a rough alignment of metallic percussion and abrasive stabs not a million miles removed from the kind of racket you'd most likely associate with Vatican Shadow, before the almost-clipped rub of those super-warm bass stabs shifts the perspective to a different kind of environment altogether. 'Technocracy' delivers an oozing House deconstruction, slowed down and inebriated, while 'Infinite Jest' revolves around an industrial cacophony harnessed into a rhythmic anomaly situated somewhere between a technofied Pete Swanson and a sweaty Kassem Mosse. 'Plutocracy' ends the set with a bleached-out warehouse chug, slowed down and menacing, surrounded by a submerged choral arrangement and more of that toughened hammered-metal sound that runs through the EP.

DIAG025 Not Waving '24'

DIAGONAL