Unexpectedly folky and happy. Works well with the lyrics, though I have no idea about the movie / series (?)

musically and life speaking here-be like the shark-keep on moving

この曲は海をイメージして制作しています。凄くシンプルな構成曲で、ゆったりとしたテンポの穏やかな曲です。リラックスして聴いて頂けたら幸いです。

This song is made with the image of the sea. It's a very simple composition, and it's a gentle song with a relaxed tempo. I hope you can relax and listen.

YouTube☟
https://youtu.be/2mgnif6pBAA

YouTube☟ 
https://www.youtube.com/channel/UCUYRIEC77uN5JoGpK4ztCPg

soundcloud☟
https://soundcloud.com/k-yoseyo?ref=clipboard&p=i&c=1

波間より…咆哮…響いて From the waves ... roaring ... echoing

Dune

Psychobilly Blues

Listen w Headphones!

Stranger Things and Kate Bush + SC Peeps
------------------------------------------------------------------------------
Samples used

IPG1 - Play on
https://soundcloud.com/ipg1/play-on-vox-140-bpm

FRAWSTAKWA - Are y'all on board
https://soundcloud.com/tobedetermined-frawstakwa/are-yall-on-board-90bpm

Kate Bush - Running Up That Hill
https://www.youtube.com/watch?v=wp43OdtAAkM

Stranger Things - Main Theme
https://www.youtube.com/watch?v=-RcPZdihrp4

----------------------------------------------------------------------------
Other Samples

(Drum Samples)
Evans Hybrid Sensory Percussion System: New Creative Horizons
https://www.youtube.com/watch?v=xmKRa75mGLA

Omar Hakim feat Ozmosys (used in outro)
https://www.youtube.com/watch?v=OfDLZSlKJZ8
------------------------------------------------------------------------------

Remixed by LS / 2023.

Vibing Down That Hill feat Kate Bush / IPG1 & FRAWSTAKWA

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://youtu.be/SgcdXZR6GPk

The Oriental String Orchestra

Tempestad

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
  Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track.
  Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Home's Album

Tonkas and Matchbox Cars - by The Eclectic Collective

B-Die Berliner Mauer

Inspired by Wondavision, funnily enough, written right after I finished it, and is a song that hones in on denial, as it relates to grief in particular.  Could mean something else I suppose, but this song just burst from me after seeing that show in particular.   I did initially call it "I, Wonda," however that drives it away from what it's closely linked too, and too close to what it was inspired by, in a way that wouldn't mean very much to anyone that hears it.  However the character's name clearly inspired that title, only spelled differently, and for good reason. 

I Wonder

I wonder where you went
Was It pretend, do I see what I see?
I wonder if there’s any way
To mend what I came to believe

I could cry, but I could lie
Yeah, I could feel something that isn’t real
I could live, blow off the lid
Yead, could pretend that I never lost you my friend

I wonder if there’s something at the end 
That I’d come to see
I wonder if I’m pushing 
Into what might be a worthwhile belief

I’d rather lie, who cares my mind
Will come to end, might as well just pretend
Just deny, shine a dull light
Switch the reels, pick movie themes I wanna feel
Feel, I’d make a deal
I don’t really mind just some other light
Give me something that isn’t so real

I wonder how it felt 
If it’s still there or if it’s nothing at all
I wonder if it’s some kind of fall 
or like hitting a wall

I would cry, but I’ve gone dry, 
This well of denial I don’t think will fill up for a while
Won’t pinch my skin, cause that might begin
To wake me up, and rip of the seal to this cut

I wonder if there’s something at the end 
That I’d come to see
I wonder if there's something
Just something good here to believe

I’d rather lie, who cares my mind
Will come to end, might as well just pretend
Just deny, shine a dull light
Switch the reels, pick movie themes I wanna feel
Feel, I’d make a deal
I don’t really mind, speak some other line
And give me something that isn’t so real

I Wonder (2021)

While I waited 2 months without internet for my line to be repaired, I started building a live music repertoire with 2 other musicians. Also, although I appreciate the Soundcloud community which has motivated me to stay creative for the last 2 years, over the next few months I will be extending my "media break" to continue progressing. Here is an example of the repertoire currently being created...

Green Rondo À La Funk

Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

Thanks to David Sylvian, Ryuichi Sakamoto, Sui Ishida, and Yukio Mishima :)

Confessions Of A Mask

Time OF Awakening

I've been writing songs for ages and ages, because it's something I enjoy doing, and that's about it. 

I've added dates to titles, however, these aren't always dates recorded, mostly just dates written because the original offerings, back then, had little to be desired with consideration to production values and all that stuff!  For the older tracks some tracks have the old backing with a modern vocal (often with a lyric rewrite), the original vocal with a new backing (when I could work with the original vocal, but not the original backing), the original song newly recorded in all areas, and less often the original vocal and backing, but with a few additions, "No" is one such example.  Otherwise, most of it is newer stuff, post 2018, and is as is, when written and recorded.    

I've had to re-record some things on account of my abilities to record demos and all that being very limited once upon a time.  

In the early days I only had a Farfisa F1 workstation thing (it's amazing what I managed to do on that), later an Atari ST, with Cubase 2 probably, a Proteus 2000, and Fostek 8 track recorder thing, and now I've got Native Instruments 14, and Cubase 12, in what amounts to an astonishingly good set up compared to my earlier resources, for about the same money as that older rubbish was back then. 

I still use the microphone I've had since I was 18, though did just recently upgrade that as well, however still pick up and use the old one, as it's still good - a Sure SM58 with a dent in it! My upgraded mic is a Sure SM7B, which is great, and I see it all the time on TV and podcasts, so must have made a good choice! 

My musical chops are focused on the piano, my main instrument, and the ukulele, which I play a lot as well.  Not doing a lot of piano-orientated songs at the moment, but I do sometimes, and mostly try to get the best out of my Native Instruments stuff.  I'm barely scratching the surface with all of the NI stuff I've got.

I Wonder (2021)

Dirk Diamond

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