Introducing pasca aka Dileta (@diletamtl) straight from Montreal's heart. 

Big fan of her music selection and curation. First mix of the year and definitely one of the most intenses we had. She'll take you through lots of technoish tribal, industrial influences, and hidden breakbeat gems. 

Enjoy***

TOMBOLOMIXX 067 - Dileta

Heaven is in You began as an intent based project in wide ranging exploration of the world and our own being. Now defunct, ADAB once curated the Cleveland based Heaven is In You parties alongside colleague Eric Sarley (Ghost Noises) for what became locally known as a labor of love in sonic variety. The sentiment finds itself resurrected here for ADAB's monthly transmissions.

https://www.nts.live/shows/adab/episodes/adab-15th-july-2022

Heaven Is In You W ADAB 150722

Nick Boyd (@nickboydnyc) is a dancefloor staple in NYC, and there's good reason for his omnipresence: everything he does, he explains, is centered around the dancefloor and the dancers who spend time there. Whether he's running @sorry-records, DJing at beloved local haunts like The Lot Radio, Bossa Nova Civic Club, and Nowadays (where this mix was recorded), or giving advice to friends, his ethos always comes back to the dancefloor. Grounded by an encyclopedic knowledge of dance music history and generous sharing of that knowledge, Nick and Sorry Records are beacons of integrity and openness in today's dance music community. 

This is part 1 of a 2 part mini-series with Sorry Records.

Read the interview + see a tracklist:
https://spontaneous.zone/047-nick-boyd

Mix mastered by @drvmmy.

"This mix is a recording of my first time playing at Nowadays, a club that has been incredibly influential and important to my life and my friends' lives. When I first started deejaying, my only goals really were to play on The Lot Radio and play Nowadays.

When they asked me, I was very surprised, legit like fall on my bathroom floor crying type situation 😂 😭. I’m a sappy nerd and had loads of nerves but I was lucky to be able to do it for the first time alongside my friend and collaborator Khadijah/DJ Delish and also have the time to just completely over-prepare for like three months ahead of time.

I spent a lot of time thinking about what I wanted to do with the space, both extensively over the years keeping a running “Nowadays Wishlist” playlist and in the three months leading up to the party. I eventually came to the conclusion that I wanted to tell a story with what I played, in the tradition dictated by the New York dancefloor. A story about myself and my friends and the scene here as I’ve seen it both good and bad. A story about the Nowadays dancefloor itself and what that space means to me, but in turn also what dance music spaces and community mean period; how they function and the double-edged sword of trying to be good when it comes to those things.

I also wanted to play tracks by my friends that I knew were going to be there. The people I love who I dance alongside there frequently. I wanted to play tracks that were silly too! Tried to give a sense of levity to a pretty emotional thing. I mean, I got into dance music in large part because of the work that Justin (Carter) and Eamon (Harkin) had done through Mister Sunday into Nowadays, and I'd been going to the space since before it was open indoors. I’m there most every week and have put a lot on that floor…

In the weeks following, I finally got myself to listen to it. At first, I was like, there's so many bits in here where I remember not being able to hear myself or hear the cue. It's my first time playing in a big loud club besides like, Bossa. I considered making all these edits to it…

But then kinda just got to the point where I was like — look at the process of the mix, the ethos behind it… it's more about letting go and natural joy and glee than it is about anything else. So I decided to share it unedited, except for a little audio sample I added at the beginning that I didn't get on the recording. There’s a lot of other very concrete lyrical content included — always with purpose and intention but not always lyrics that I believe in personally."

@nickboydnyc / @sorry-records

Interview + Tracklist

Spontaneous Affinity #047: Nick Boyd

This mix was inspired by the people I love in my life and the countless hours we have had eating on my living room floor around my circular table. The mix is silly and the style is in what I can only describe as clown techno. It serves as a form of escapism and hopefully conveys the feeling you have when you are with those loves in your life whom you can be your freak self. 

To be honest, I don't cook... except during covid I learned how to cook Korean food, and I love it. I would definitely pair this mix with Japchae (잡채) which means in Korean "mixed vegetables". It is a dish that was first created for royalty in the 17th century, and remains one of the most popular dishes today in Korea. I love it, because it consists of glass noodles and whatever veggies or meat you want to combine it with. It is colorful and flavorful and I love to cook it for group gatherings and hangs. 

Ingredients:

- 8oz Glass noodles/Korean Starch Noodles
- 2 egg fried over hard
- Splashes of sesame oil
- Splashes of soy sauce low sodium (coconut aminos)
- Splashes of white Vinegar
- 3 cloves of garlic
- 2 tsp of sesame seeds
*can add meat or tofu to it


Variety of veggies 
CHOOSE SOME OR ALL OR YOUR OWN!

- 1/4 of a yellow onion
- 1/2 of a red pepper sliced into small strips 
- 2 carrots sliced into strips
- 2c of spinach sauteed 
- 2 stalks of green onion chopped 

Method: 

1. Save your noodles for cooking last as they will come 2gether quickly-!
Cook egg over hard in a pan. When finished, let cool and slice into thin slices. 
2. Heat pan over medium high and some sesame oil and add the onions. Cook for about  2min
3. Add the garlic and then red pepper and carrotsCareful! Do not overcook them! You want them to be slightly crunchy. Set them aside when you are done.
Add some more oil to the pan and saute the spinach until it starts to wilt and add a pinch of salt. 
4. Cook the glass noodles according to your package directions. 
5. Toss in the veggies and egg
6. Add in soy sauce and sesame oil and white vinegar to taste
7. Add sesame seeds and green onion as a garnish on top!
8. These can be served hot or cold If you refrigerate, due to the sesame oil, eat within 3 days of making it!

Secret Sauce 10 - Grymnk

Squish Radio with Livwutang b2b Wonja | August 25, 2022

Some minor hiccups with the recording so my first track is missing. Thanks to everyone who made this such a great lodge.
Thanks to Alex for the mastering help and Markel for the photo!

Live from Morning @ The Lodge 2022

Your past, present, and future lives are all happening at once.

This mix is a sonic map for the time travelers crossing many realms and universes on a voyage to find inner peace, safety, and most importantly love. 

Remember everything will be alright. You have already returned to your home planet and you haven't even left yet...we missed you, welcome home!!

Seattle’s IVVY, aka Madi Levine (they/them), is a purveyor of tracks for the heaviest of dance floors. Squelching synths and dissonant pads shape into a body of disfigured techno with distorted kick drums for a heart. IVVY’s productions and live sets are a maturation of an adolescence spent at renegade warehouse parties in the Midwest: relentless energy that infects the body with a need for freedom.

Constant touring has earned IVVY features supporting regional and int’l touring DJs and live acts for parties such 
as Hot Mass (PGH), Surface Tension (SF), Fine Time (LA), High+Tight (SEA), secondnature (SEA), In Training (PGH), and On Earth (Toronto). They have also 

taught workshops on production and studio management at events such as Kremfest 2019 and ITWxW (hosted by gfx, PGH).

Distant Signals 004: IVVY

Tony G (@t_o_n_y_g) produces, DJs, co-runs @sorry-records, and enthusiastically supports a broad range of music on NYC's dancefloors. In addition to his own DJing and releasing tracks on Sorry, Eto Ano, Toucan Sounds, and more, he has organized ambient, experimental, and leftfield parties as Giambrone & Co at Brooklyn venues like Jupiter Disco and Mansions. Like his close collaborator, Sorry Records' @nickboydnyc, Tony brings an expansive knowledge of the context of dance music and an energetic attitude to each release and dancefloor. This is part 2 of a 2 part mini-series with Sorry Records.

This is part 2 of a 2 part mini-series with Sorry Records.

Read the interview + see a tracklist:
spontaneous.zone/048-tony-g

"This mix was a re-creation of a set I did at the Stream Informer Glen Falls House party this past June. I recorded the live set and was hoping to release that, but I was redlining a little too hard, and the recording came out hopelessly distorted. I was really proud of the mix and put a lot of work into it, so 3 months after the fact I decided to revisit it.

In preparing the set initially I decided to pretend I was playing to the sunrise even though the set ended at 4AM. Sunrise for me means… trance, I guess. It was a really cute party and lots of friends (Alyce included!) were there providing tons of warm and wiggly energy. I remember looking out and seeing someone twerking on the subwoofer at one point. My summer was kind of up and down after that, so it was a really positive memory to revisit.

I did this incarnation of the mix in my living room with 2 old CDJ 2000s, one XDJ 700 that I borrowed from my friend Danny, and my Mastersound 4 rotary mixer. I spent one day practicing, then did two full takes over the next two evenings. The take you’re hearing right now was the last one that I recorded. Looking back at the tracklist, one thing that stands out is how much new music I played, which is pretty rare for me. You’re not usually gonna see this much music from 2020 and beyond in a Tony G tracklist."

@t_o_n_y_g / @sorry-records

Spontaneous Affinity #048: Tony G

live recording by @tiffwanee from LAVA02 at Mansions on 10/19/22 in Queens, NYC

LAVA02-T.Wan

Image: https://www.saatchiart.com/en-fi/art/Painting-Entropy/1863107/8780071/view

entropy

Echoes in Rust 852 Hz [Dark Nature Concept]

Received transmissions from the outer reaches of an exquisite corpse universe

Distant Signals 004: IVVY

DISTANT SIGNALS

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