Rerecording of my set at the Cosmic Gathering in Chemnitz august 2021

Nixxon - Cosmic Gathering 2021

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The train is well and truly back on the rails, so let’s keep the energy rolling and treat those ears to a dose of pure sonic liberation. This brain-bending, neck-snapping, foot-burning mix comes courtesy of local legend Walter Majik, aka Jimmy Pham.

A masterful curation of all things mystical, this is a downtempo odyssey and an electrifying ride for the listener. Spanning every known dimension and beyond, this three-hour voyage elevates you into a higher state of consciousness, weaving together deep cuts from across the ages. Expect the finest in street soul, visionary alt-pop gems, 8-bit psychedelia, couch-core oddities, and so much more. It’s all about the journey—where you’ll end up is anyone’s guess.

This is Cafe-del-MORE!

Tune in, Drop out.

his sounds >>>> https://soundcloud.com/waxflowerbar

FHUO # 96 // Walter Majik

Odd, trippy, multifaced. 

That’s how Andys — our next soulspa guest — sums up this mix. 
We’re pushing boundaries and heading east, continuing our journey all the way to Moscow, his home base and the place where this bold new episode took shape.

This new mix drifts away from the expected, mirroring the many states our minds can pass through — from moments of clarity to waves of confusion, from elevation to descent. It unfolds through layered textures and emotional shifts, drawing a sonic landscape that is both intimate and expansive — blurring the lines between rhythm and stillness, light and shadow.

Big thanks to him for letting us in. Now it’s your turn to dive.

A bit about him:
Andys is a Moscow-based musician, producer, and DJ with 16 years of experience. He’s also a seasoned sound designer and composer for film, theatre, advertising, and experimental art. Recently, he’s been diving into live performance — from high-energy solo sets to minimal-ambient collaborations with instrumentalists. He keeps spinning weekly and stays immersed in music-driven projects that keep things moving.

In short, a talent to follow closely.

Artwork - « Composition in Yellow and Black »Pablo Palazuelo, 1959, color lithograph, 25 3/16 x 16 9/16" image size

soulspa.06 I dive:in Andys

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

www.openlab.fm | 106.4FM in Ibiza & Formentera

Zlata returns to OpenLab with Diemo, this time featuring a two hour mix from Ukrainian DJ and Artist from Kyiv Sasha Ushenko, don't miss it!

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid


Diemo 24 - Zlata [with Sasha Ushenko]

New recording session from the Meyzieu Studio. An improvised mix/selecta, progressing from downtempo-ambient to techno, fast house, with everything in between. Enjoy the listenning ;)

New unrealeased Mix series #7 : Summer 2025

Buy / Stream

Will You - Dustin

Producer DJ and dweller behind the counter at Phonica, Ysanne makes Mondays ok. "If you're not excited about life you should probably make some changes"

Full interview and tracklisting here: https://www.theransomnote.com/music/mixes/ysanne-the-monday-is-ok-mixtape/

Ysanne - The Monday Is OK Ransom Note mix

Low, slow and sleazy sounds with babyschön, in the studio for the early afternoon shift...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-babyschon/episodes/soup-to-nuts-babyschon-31st-july-2025

Soup To Nuts w/ babyschön 310725

Nawako Redemption (Live Extract V.15867)

Techno 23

Sonic sculptures - woven visions 

based in Paris, but our work knows no borders

Our mission : to build bridges between disciplines and knowledge, offering a space where emerging and established talents share their voice.

Musical range : from downtempo to trip-hop, dub techno, acid/electro/nu jazz, leftfield, deep house, deep tech, and jazzy liquid dnb.

Series /
• volume — night events
• divan — daytime lounge sessions
• soulspa — homy podcasts

Got ideas ? Let’s connect.