traveling along my degree of precession, sustained by sound..

DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!
JUST CLICKING THE LIKE BUTTON DOESN'T PROVE YOU LISTENED TO THE TUNE, so I only respond to actual feedback! 

ANYONE CAN CLICK THE LIKE BUTTON, AND MOST PEOPLE THAT DO IT NEVER CLICK THE PLAY BUTTON! LEAVING FEEDBACK IS WHAT WE NEED, AND THE ONLY WAY TO PROVE YOU ACTUALLY LISTENED!

a mix of stuff I just come up with. I dont have much time now. So as and when. Take it easy.

Exchanging feedback is the best way to support one another, while at the same time keeping showcase sites like Soundcloud alive; if we are not proactive these sites will eventually become inactive, impotent, leaving us with nowhere to showcase our music!

How do feel about us gathering proactive musicians, those who understand the value of swapping MEANINGFUL support, actual listens, constructive feedback, sharing posts on X, Facebook, etc., into a community called THE FEEDBACK FAMILY, which would include playlists made up of those musicians who sign on to the project—want be part of it?
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Anyone seeking authenticity, imagination & personality, in creativity should explore unsigned music; that's where my faith in the future of music lies!

UNSIGNED MUSIC isn't inferior to SIGNED by any stretch of the imagination! Look past the illusion, find out what you're missing!
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Some Soundcloud musicians receive tens of thousands of listens, and more power to them, but spare a thought for those of us who struggle to reach double figures; it isn’t always because our tunes are inferior!

Don't let the MUSIC INDUSTRY FOOL YOU, the best tunes around today are #UNSIGNED, #INDEPENDENT & #UNDERGROUND!
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UNDERGROUND MUSIC IS ABOUT DOING IT YOUR WAY!
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Don't let anyone tell you what music to make or how to make it...JUST MAKE IT! 
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Why swap support, swap genuine listens, feedback and shares?

We are all competing with tens of millions of musicians; to say it’s overcrowded out there is a huge understatement, and it’s that overcrowding that makes it so difficult to reach an audience—it’s exactly like searching for a needle in a haystack, and who has the time to do that!

That’s why the support of other musicians is so important, that’s why the respect, the hype, the acknowledgement must start with us! When we are so dismissive of each other’s talent, why should a listening audience treat us any differently!   

When we disrespect, dismiss and shun each other’s talent and music, what we are saying to the world is, we don’t waste our time listening to the tunes of unsigned and independent musicians because they are inferior to those signed, established, musicians—it’s negative advertising!

If we are to have any chance of breaking the stranglehold of a mercenary music industry, if we are to have any chance of convincing a potential audience that our music is , more than not, actually superior to signed music, more inventive, more innovative, more creative, more imaginative, and a whole lot less formulaic!

Music has come a long way, it’s never been so diverse, so it’s ridiculous that people are forced to listen to formula conveyor belt music, high on production, low on substance! Listeners have no idea they are being spoon-fed scrag ends; they belief the myth that signed means superior—well I’ve heard enough unsigned music to know that just ain’t true….but we’re never going to prove that as long as we continue to treat each other’s music as though it were worthless! @MusiciansWithVision


DON'T WAIT FOR THE MOUNTAIN TO COME TO YOU....IT DIDN'T COME TO  MUHAMMAD SO IT WON'T COME TO YOU :)

Dominique Le Bars / https://soundcloud.com/dominique-le-bars
AS Prod  https://soundcloud.com/as-prods
47✡G✡【CES✪/INCM❂】  https://soundcloud.com/ak47-agroup-incmo
RosesAreBlue https://soundcloud.com/bluecherrykiss
Sam Prock  https://soundcloud.com/samprock
Steph OUNA https://soundcloud.com/user-70495223
Lena https://soundcloud.com/user-262019520
David Charles Skinner https://soundcloud.com/davidcskinner

Robinson’s highly praised poetry books have been gifted to presenters and nominees at the Grammy® Awards, the Radio Music Awards, the American Music Awards and the Latin Grammy® Awards. 

Jimmy D Robinson ventured into the studio in 2007 and began setting his poetry to music. His debut full-length spoken-word CD was titled MIND JUICE. Robinson’s sixteen-book anthology, is a timeless collection of Robinson’s poems set to beautiful music. 

From the MIND JUICE CD sprang Robinson’s first international chart hit titled, “A Tiny Shoe.” The remix project pushed “A Tiny Shoe” to #6 on the Billboard Club Play chart and #7 on the UK Music Week chart. 

Establishing his record label, J Music Group, became the next rung on Robinson’s artistic ladder. He entered the studio with a Miami born artist  and produced several international hit dance club records with his poems “In The Night”( #4 on Billboard Club), “At Midnight” (#24 on Billboard Club) and “Lost in You” (#34 on Billboard Club). 

Soon, Robinson began working with international dance music diva Carol Jiani. Together they recorded the #2 UK Music Week Chart hit “Broken.” On his next single, Jimmy D Robinson stepped up to the microphone himself and recorded the single “One More Chance,” which features stunning vocals of music legend Melba Moore.

In 2016 Robinson founded Mind Juice Records dba Jimmyland Corporation  and began a New & Creative Spring into the Dance Music & Downtempo Deep House & Chill Music ,   and with Carol Jiani  ‘Heaven Earth Man’ rocked Billboard Dance Charts # 38 and Hit European Dance Charts Hit des Club Charts # 18 , The Buzz Charts # 3 & Music Week Charts # 9 , also in 2016 Robinson began a venture into Music with Grammy Winners 
  A FLOCK OF SEAGULLS , their first single   ‘Ageless Prince’ is rocking the Dance Charts , ‘ In The Garden ‘single  &  ‘PEDRO ‘ single also with a new downtempo & uptempo  Deep House Chill Album titled ‘  Living in Time ‘ in the works 
 
 
Working with exceptional music producing talent and stellar remixers ,  He works with some of the biggest names in dance culture including: Moto Blanco , Rare Candy , Roland Faber , Mauro Mozart , Danny Mart , Roger Grey ,  Jason Callender , RadioPunks , Daniel Slam  , Jay C & Danny Phillips  , Josh Harris , FC Nond  , Zur-Face, Edie Baez, Hoop , Jose Velez, Timothy Allan, The Perry Twins, Twisted Dee, Tracy Young, Rafael M, Josh Harris, Klubjumpers, Mark Loverush, Kinky Roland, Loverush Uk ,  Arenna , Edson Pride , Edson Pride & Erick Fabbi  . 


Jimmy D Robinson’s music is heard throughout the world. With a progressive and futuristic sound, Robinson has written and produced 47 CDs tallying 284 selections in his arsenal of music, which is available on itunes, Amazon MP3, CDBaby , Spotify and so many other outlets

basic copyright on all tracks.
all of the tracks on here are made with a 12 track boss digital recorder.      to make some sounds more spacious such as the main chords and melodies i have to use 2 tracks at the same time. this is why i try to keep my tracks short because i can only use a limited number of sounds. if i use 2 tracks for bass, drums, chords and melody it only leaves me with 4 tracks for effects and secondary melodies. i prefer to record only one sound on the channels allocated as this avoids problems with volume levels.  i'm not a great musician, but i am also not very good with computers, so this is the only way i can demonstrate my musical ideas.  a big thank you to everyone who listens and comments.........and especially those who like.

hey guys I am Dj ZoNe Dj/Producer hope you like my music :]

Dj ZoNe *X* is following

Dj ZoNe X is following