The theme is the end of quarantine, freedom, and new beginnings. This is our most important summer. We wanted to start with the tender energy of dawn out of a long dark night. The mid-set breakbeats represent breaking the chains of quarantine and isolation. Penultimately, Dubtribe's deeply ambivalent Do It Now still inspires a new beginning for us all, on its 20th anniversary. We hope this mix feels as liberating for you as it was for us to make. Perhaps, like birds at dawn. 

"I don't want this isolation, you see the state I'm in now... Reset myself and get back on track" - Damon Albarn.

01 - Some catchy theme..
02 - Humility - Gorillaz ft George Benson
03 - Sunshine - Flight Facilities ft Reggie Watts
04 - Siebenschlafer - Robag Wruhme
05 - Where did all the Hay go? - Will Hofbauer
06 - Pearl - David Starfire
07 - Equanimity - Aldebaran
08 - Hail Mary - Justin Martin & Ardalan
09 - Stargate - Anunaku
10 - More Cherry Pie - Curses
11 - These Notes in this Order - Claude Von Stroke
12 - Isko Isko - Nicone
13 - Let Him Go - Dionigi
14 - Lanarka - Sebastian Leger
15 - Do It Now - Dubtribe Soundsystem
16 - Bird - Time
17 - Secret Place - CloZee

Intro/Outro samples: Terrence McKenna doing his thing.

Dao & Pwny - Calling the World - FNF 2021

Been spinning a long time, 29 years, more than half my life.  Have spun nearly every genre, have vacillated between taking this very seriously and not giving a fuck.  It is more than a hobby, this is integrating an artistic conversation spanning the globe and it is my passion.  This particular conversation we’ve been having in the Deep (house/tech/breaks) arena is particularly dope, and I’m excited to be a participant by spinning & producing that which moves my ass and soul, and raises my hands to the sky.  If asked, I'll say I spin Swamp music... humid Deep House/Breaks/Tech with vivid palates. &#13;
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Mixing is my zen-state.  It isn’t an intentional act as much as it is communion with sound, with the muse.  I don’t plan Sets.  My mantra is the ‘right song at the right time’, and you’re never going to answer that question until you’re in the moment.  I kicked the vinyl habit in ‘05, but I still use CDJs..  You can hear the excitement in a live-mixed set, when there’s no net, when the DJ is a sneeze away from a trainwreck.  I like a slippery beat or two, to flash your cards, to show this is real, this is Now, and we’re deep in it, together.  I also only like to mix deep, 3 mins or so.  It isn’t deep music unless you mix it deep, over your head in sounds, dancing with them as if Tai Chi, rolling them into another as if an Akido master.  The tracks dictate how they want to be mixed, the moment dictates what energy wants to emerge next; a DJ isn’t there to be intentional, we’re supposed to be receptive.  You can hear the difference.&#13;
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Beatport DJ Page & Charts:&#13;
http://dj.beatport.com/dao&#13;
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I enjoin you to take a listen, provide feedback, rock the fuck out.If you think this is going to suit your event, booking info can be sent here: <a href="mailto:eclairville@gmail.com" rel="nofollow" target="_blank">eclairville@gmail.com</a>

Welcome to my SoundCloud page, how nice of you to stop in! 

I was born and raised in the San Francisco bay area and feel lucky to be residing in SF in an especially lush and fertile environment for electronic music culture at this moment. Lately I've been mixing deep house, tech house, minimal..... but as always, tracks are whatever I find atmospheric, well produced, and/or have a certain vibe/groove.  When I hear a track for the first time, my jaw hits the floor and I yell "WTF is THIS?!?" ...that's the track I want to play, all of the time! :-D

In 2003 I started playing vinyl with the intention of mixing and DJing.   I switched to CDJs in 2010 -  vowing never to travel to the desert with records again - which was becoming a yearly phenomenon.              
As much as I was loathe to abandon the vinyl format, the realization that vinyl is not environmentally sustainable, that I would be able to collect more music, and support more artists by moving to digital solidified my conviction.  

I always ID tracks on my mixes I post to the best of my ability, and take care to keep notes during any session - whether it's in the bedroom or playing out live - for the purpose of crediting artists and passing on the enjoyment of great music to the listener.  I hope you enjoy some of the music that moves me.   And, please, please support the artists we love by purchasing their tracks!  :)

You will find several tracks repeated in the mixes I post, which is unorthodox. I broadcast a live DJ set most Tuesday mornings ( Brunch With Pwny on www.mixlr.com/pwny ) and gig actively. I have tracks that survive the test of time and when it's the right time to use an older track, I will do so. Most mixes I post now are recordings of the live broadcast or of a gig.

For booking or correspondence you may send a message to daoandpwnybooking@gmail.com

PLURzzzz! 

~Pwny

I thank God for music. I love music. and music loves me me me 

-Kerri Chandler

MUTANT PIRATE FREAK
WDBX 91.1 Community Radio DJ
JOLLY ROGER SHIPWRECK SESSIONS



Check my reposts for a handpicked selection of full length mixes from my favorite Bay Area DJs

Love Family. Make Music. Help Others. Have fun!

Bandcamp - https://anthonyzmoda.bandcamp.com/