Bookings :
Jonathan@Warungagency.com 


Dario has been releasing music since 1999, which has seen him become a regular DJ on the Swiss underground club scene for many years. However in the past three years Dario has started to attract the attention of global audiences with the likes of Marco Carola, Åme and Dixon supporting his music.

Recent releases on Hive Audio, Noir Music, Poker Flat Recordings, Strictly Rhythm and Defected Records have catapulted Dario into the spotlight, with tracks like “The Good Old Days” being a firm Ibiza anthem. This year his remix of Soul Vision “Don’t Stop” further made an impact in clubs around the world.

2016 saw Dario embark on busy international touring schedule including dates at Watergate, Ministry of Sound, Nordsten, La Rocca, Montreaux Jazz Festival and Defected Festival in Croatia.

Alongside this growing international rise, Dario has been heavily involved with Hive Audio; leading to a residency at the legendary Zurich nightclub, HIVE.

2017 will see him push the envelope further on his productions, with original releases and remixes lined up on several high profile labels as well as a touring diary that sees Dario play across Europe and North America.

booking : ollie.seaman@teamwass.com 💫
promos : folamourpromo@gmail.com 💌

Ferris is considered one of the main pioneers of the Brazilian electronic music scene, being elected 6 times as Best Progressive House Dj  in Brazil. In  a long career, Ferris has been resident of the super club Green Valley and Ibiza Terraza, has gigs around the best clubs and festivals around the world such as  Ultra Music Festival Miami, Rock in Rio, Creamfields, Tim Festival, Brazilian Day New York, Webster Hall-NY, Sullivan Room - New York, Club Mynt – Miami, Amnesia Ibiza, Space Ibiza and Ushuaia and has played alongside legends such as Carl Cox, John Digweed, Tiesto, Paul Oakenfold, Erick Morillo, Steve Angello, Armin Van Buuren, Paul Van Dyk, Armin Van Helden , just citing a few.  

As a producer, Ferris is signed by the legendary Dutch label Black Hole Recordings (label founded by TIESTO) and has had his tracks supported by names such as Markus Schulz, Solarstone, Chicane, Martin Roth, Jerome Isma-Ae , Roger Shah, Kyau & Albert and many other greats. ferris also has had great success in Beatport , achieving TOP 100 charts in Deep House and Progressive House.

Established in London, 1999.

#HouseMusicAllLifeLong

The Classic Music Company by Luke Solomon & Derrick Carter continues to play the game under their own conditions. As a label it never died it just retreated for a while in order to come back stronger. All hail the king because the king is back. Long live Classic!

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Devise Record
It’s all about House Music.
DEVISE BLACK, DEVISE DEEP, DEVISE HOUSE MUSIC
Founded by: Fischetti, Alvz and Ferris.

Daniel Landolpho iniciou sua carreira no final dos anos 90. Músico autodidata, toca piano e violão por influência de seus pais. Com formação musical eclética, encontrou sua vocação na house music, mas o sonho de infância era outro. Durante a faculdade, se matriculou na escola de aviação civil do Aeroclube de São Paulo e se formou piloto de helicóptero profissional. Porém, em um exame médico de rotina descobriu uma doença congênita que acabaria totalmente com a audição do ouvido direito e com o sonho de voar. 
Após fazer parte da sociedade de um bar em Alphaville/SP, começou a se envolver com produção e promoção de eventos. Logo começou a flertar com o universo da música eletrônica. Em uma viagem para Santa Catarina, no começo dos anos 2000, em uma apresentação do DJ Ferris no Terraza do Ibiza de Balneário Camboriú viu de perto o estilo e a cena que mudariam sua vida para sempre. Comprou equipamentos para alugar e começou a estudar discotecagem. Mas havia um problema: como tocar com apenas um ouvido? Era algo inédito, não existiam informações sobre isso, quando conheceu o Dj Laurent F que ministrava um curso de Djs na extinta Groovearte. Matriculou-se com o intuito de poder usufruir de tempos preciosos ao lado do artista que considerava tecnicamente impecável e de repertório desbravador. Com a precisa e generosa ajuda do DJ que foi um dos responsáveis pela criação da cena em Sampa, foi então capaz de criar sua própria técnica de mixagem e começou a se apresentar em pequenas festas. Recebeu sua primeira grande oportunidade no projeto de house do lendário club Manga Rosa, para se apresentar uma única vez. Após o debut tornou-se presença constante no line up da casa, até hoje considerada um divisor de águas da cena eletrônica nacional. Após um ano dividindo cabine com aqueles que eram suas referências, foi convidado para assumir a residência aos sábados.
Atualmente apresenta um novo projeto de produção e discotecagem de house e vertentes.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

FERRIS is following