I made Groove La Chord and then things went south.

I LIKE LOTS OF THINGS, BUT THERE'RE THREE THINGS I LIKE MOST...MUSIC, MUSIC AND MUSIC!

Lizards used to be known as considerate, versatile creatures able to turn their hand (claw) to any task for the good of all life, until one day around 1825 it was revealed that a shady gecko named Gordon had been hatching a plan to bankrupt the bank of England whilst making lots of money exchanging currencies and inflating the value of goods through exploitative methods.  It was at this point that he was able to finance the bank of england who nearly went into liquidation.  Gordon now had his sticky claws and beady eyes on every institution present and set about continuing to create new economies, convincing people to buy things they don't need, spreading fear, creating division and dominating policymakers decisions.  
It seemed that humanity was doomed, but then technology came along.  
Now there is a new battle... for technological innovation supremacy.  
Anyway... that was the dream I had.  When I'm awake I write music.


Absolute - Release date 21st January 2017.

bookings: john.qujunktions@googlemail.com
all other inquiries: spencer@visiblecloaks.com

Sidney Charles has mastered the art of high impact house music that comes with a signature sense of depth, melody and groove. That unique style has made the Hamburg-born DJ, producer and label boss one of the underground's most prominent names: last year was his busiest ever with multiple chart-topping releases, high profile support from Radio 1 and standout gigs across the world. In 2023, the proven tastemaker will focus on his already influential Heavy House Society label and launch its new residency at Watergate in Berlin.
The last year has seen Sidney make an indelible mark on the scene. He played in Ibiza at the likes of Amnesia, DC10 and Cova Santa. He played to large crowds across several South American countries and all over the US from Miami to Las Vegas to New York and LA. He played in key Spanish cities at Input, Fabrik Madrid, Weekend Beach Festival, frequently visited Italy, played in the Netherlands multiple times a month and cemented his close relationship at UK hotbeds like Manchester's Warehouse Project and Leeds' Mint Warehouse.
Whether playing to a close and compact crowd in a small basement or tearing up a vast festival main stage, Sidney knows how to join the dots between the past and the present. He manages to open up new house worlds with his educated selections but never forgets to blow up the dance floor in the process. Just like his productions, his DJ sets are full of surprises, twists and turns but also rooted in physical grooves. His love of jazz, hip hop and funk and his vast knowledge of the 90s sounds always shine through with plenty of heavy bass which makes the Sidney Sound so irresistible.
Years after his first breakout hit, Sidney continues to hit the top of the charts with his newest creations. In 2022 there were three separate number ones on three different labels in Beatport's genre charts. They came on his own label, Eastenderz and Hot Creations, while he has also signed to the likes of No Art, Locus, PIV and Do Not Sleep amongst many more.
Sidney's Heavy House Society is already a respected go-to outlet for solid and innovative house music. It mixes up releases from top-tier artists and well curated new school talents such as Kolter (aka Djoko), Luuk Van Dijk, Locklead, Madvilla, Luca Donzelli, M-High and many more. As well as a collab EP with Kolter in 2023, Sidney will also head up the label nights, Heavy House Society, under the famous LED ceiling of Berlin's cult club Watergate. He has solo EPs in the works for the label as well as Cécille Records, MicroHertz and PIV; and will get in the studio with East End Dubs. All this is proof that Sidney Charles is at the top of his game.

A duo of prolific writing madmen, who devoted their lives to help bring moments of euphoria to those who are subjected to their DJ sets and productions. It’s all about sharing spaces together where we hold no boundaries. No language, religion, racism, just pure unity. 
Music is the purest form of communication, we thrive on projecting positivity. 

Our mission is to encourage smiles upon faces.

Demo Submissions only via: https://www.labelradar.com/labels/getphysical/portal

A lot has happened in the last 20 years of dance music, but one constant has been Get Physical right at the sharp end of the scene. The label has become a globally recognised symbol of quality, renowned for its always varied and vital house output. Forming the backbone of the label's vast catalogue is the influential in-house DJ mix series, Body Language. It is a snapshot of exactly where the underground is at and has been assembled by tastemakers such as Azari & III, Catz ‘N Dogz, Dixon, DJ Hell, Francesco Tristano, Nôze and of course label-founders Booka Shade, DJ T., and M.A.N.D.Y..

Next to that there has been a constant stream of innovative, dance-floor ready singles, crossover club classics, seminal remixes and a number of standout artist albums. The label has always stayed true to its house roots, but with a rich array of influences taken from the worlds of disco, deep, tech and melodic house. Along the way, Get Physical´s core artists have been joined by red hot new talents including Alinka, Thandi Draai, PAUZA, Yulia Niko, Birds Of Mind, CIOZ and Monkey Safari. There have also been carefully considered forays into thriving house music scenes in Africa, Brazil, Cuba, Croatia and India: dedicated compilations and EPs have highlighted those region's most exciting new talents and given them a global platform. 

The name says it all: Get Physical tracks could hardly be more moving and corporeal. It was true in 2002, and it will be true in 2025 and beyond.

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

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