The first street dj in Morocco.
Essaouira based

figura amoris </3
all inquiries : lilgucciflips@gmail.com

MGMT: peter@ambushartists.com
Bookings: ben.hogan@unitedtalent.com
Shows & merch: https://avellomusic.com

I had my first introduction to electronic music with the release of Odesza's album "In Return" in 2014. I was instantly obsessed, and since then I have always had a passion for edm. During my senior year of high school (2017-2018) Illenium's album "Awake" was released, and it completely changed my perspective of what electronic music could be. The vocals, production, and emotion of those tracks were unlike anything I had ever heard. That album got me through some very hard times, and I wanted to do the same for someone else through music. Towards the end of senior year I downloaded Ableton (a popular program for music production). I was incredibly overwhelmed. I had no prior musical knowledge or experience, and Ableton is extremely difficult to jump into. I learned quickly that it takes a tremendous amount of knowledge, creativity, and hard work to produce music. This was a discouraging revelation. Every few months I would sit down, produce a terrible track, close my laptop and move on thinking "this just isn't for me". Then around December of freshman year of college, a switch flipped in my mind. I decided that I was not going to stop until I learned music production. That was about six years ago, and I'm still working hard to produce music with emotion, something people can connect with. I truly believe that no heart makes dreams work and time can't match.

Doing this because I love it. Thanks for reading, and thanks for listening.

-AVELLO

See You Again
https://ffm.to/km074

Follow the Keinemusik ‚The Party is Over‘ playlist on Spotify
https://open.spotify.com/playlist/3U9lafWEnb3uP6JFbI65uq?si=389a03657fd3472e

From 2009 on, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja. 

Besides, he’s got an array of other collaborations and releases under his belt, put out on imprints like Circoloco, Innervisions, Diynamic, Afterlife, Cocoon, Ninja Tunes / Counter Records, Strictly Rhythm, Kompakt, 2020 Vision, Freerange, Bpitch Control, Defected or Crosstown Rebels.

The events of the last few years have seen Rampa focussing more and more on the production side of things, be it studio time or the inauguration of the TEILE project – his own company to produce and distribute analogue effects, custom built for DJ-purposes. Certainly also an outlet for a slight nerdism, that includes not only studio gear, but instruments in general. When it comes to DJing itself, he is going for a less is more approach these days, choosing bookings and playing more consciously.

I make bass music. 140 / 90 BPM
MGMT: jared@mammothmusicgroup.com

KM074 is out now
https://ffm.to/km074

Keinemusik is a network with the label as the pulse pumping centre. Driven particularly by the spirit that moves the collective behind the imprint. The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path. Be it within their own tracks, within productions of other sorts or DJ-sets. The spirit of recall value within record- and flyer-artworks and everything intermediate in word and image surrounding releases and parties. And the spirit of diversification – Rampa’s effect-gadget-venture TEILE being one example. Keinemusik’s own booking department ‘Worldwide Dancing Club’, established in 2018, being another.

Keinemusik has been around since 2009. It has been naming an existing friendship and linked interests of the four members – &ME, Adam Port, Rampa and Reznik. A more or less constant count of five releases per year have been released ever since, solely laid down by members of the crew. And a considerable count of label-parties went down, not only in Berlin, but around all international focal points for electronic music. And surely, there’s plenty more where those came from. So see you soon in a record store or on a dancefloor in your area!

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

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