Depuis 1990, l’association Vu d’un Œuf partage avec le public un ensemble d’actions artistiques engagées et axées autour de la musique et de ses relations avec d’autres arts tels que la danse, l’image et la poésie. Le projet artistique basé sur la création contemporaine et la pratique de l’improvisation s’exprime au travers du festival Densités, d’ateliers en direction des jeunes et de publics adultes et « empêchés » et d’autres productions artistiques (expositions, résidences, disques).

AUDREY CHEN is a Chinese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic. 
Since then, using the cello, voice and occasional analog electronics, Chen’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of the homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language. 
Over the past decade plus, her predominant focus has been her solo work with the cello, voice and electronics, but she has more recently begun to shift back towards the exploration of the voice as a primary instrument. 
Recent projects, aside from performing solo, include her long running voices duo with London based artist, Phil Minton, and duos with NYC abstract turntablist, Maria Chavez, French guitarist, Jean-Yves Evrard, BEAM SPLITTER, with Norwegian trombonist, Henrik Munkeby Nørstebø, the “romantic noise duo” AFTERBURNER with Doron Sadja (electronics/light projections), with modular synth player, Richard Scott, with American percussionist, Flandrew Fleisenberg and a collaborative project with German conceptual artist, John Bock. 
Her most recent album releases (2013) include, a quartet LP with Nate Wooley, C. Spencer Yeh and Todd Carter on Monotype (Warsaw), and a duo record with Phil Minton on Subrosa (Brussels). 
Chen has performed across Europe, Russia, Ukraine, Turkey, Australia, New Zealand, China, Japan, Taiwan, Brazil, Argentina, Canada and the USA. 
In 2011, in addition to her performances, she was awarded the prestigious Mary Sawyers Baker Prize, an award that was established to support individual artists living, and working in Maryland. Since 2011, she relocated to Berlin, Germany from Baltimore, MD USA and continues to maintain an active international touring schedule.
David Harrington of the Kronos Quartet has described her work as "fascinating and gripping" and "possessing something extremely vital and vivid...." 
www.audreychen.com

The Tri-Centric Foundation is a non-profit organization which supports the work and legacy of American composer and musician Anthony Braxton. Our primary activities are preservation and dissemination of his scores, recordings, and writings, production of performances, and pedagogy. Please support Tri-Centric https://secure.givelively.org/donate/tri-centric-foundation-inc

577 Records is proud to be celebrating its 24 year anniversary.  The legendary music master Daniel Carter was one of the first people 577 cofounder Federico Ughi met soon after arriving in New York from Italy in 2000, after a brief stint in London.  It was a meeting of like minds and shortly thereafter the two started a series of house concerts at 577 Fifth Avenue in Brooklyn, the apartment where Federico was living at the time. The spontaneous nature of the concerts along with the incredible caliber of the deep downtown underground music they were able to present inspired them to bring the unique nature of what they were doing to a wider audience and they founded the label 577 Records to further that mission. 

577 Records started the New York Forward Festival in 2015 to mark the momentous occasion of Daniel Carter’s 70th birthday, now with festival editions happening in Morocco and Italy as well, and the international residency program Sounds of Freedom, in which active musicians are awarded the opportunity to develop their own sound, skills, and improvisation concept.

100% of profit from the sale of most of these albums goes to the musicians.

 

 “Guided by a mission to capture the ephemeral, to keep jazz relevant, and to foster a collaborative community of artists, the music 577 releases is timeless, masterful, and mystical.” - Bandcamp

“the music of new possibilities, full of spirituality and introspection, an alternative that did not need volume or screaming at the top of your lungs to position itself, and coupled with a deep sense of pulse and the blues.” - Free Jazz Blog

“577 Records, the musical home of the daring and the brave” - All About Jazz


577 Records
Brooklyn, New York
www.577records.com
©+℗ 2025

Bienvenue dans le Collimateur, le podcast consacré aux questions militaires et stratégiques.


Deux formats hebdomadaires animés par Alexandre Jubelin :

- Un entretien-analyse sur des questions de défense, diffusé le mardi à 7h30

- Un format court le vendredi, consacré soit à un récit d'opérations ("Dans le viseur"), soit à une analyse de film ou de série lié à la guerre ou au monde militaire ("Dans le bunker")

- Deux fois par mois, une émission consacrée à l'histoire militaire, en coproduction avec "Paroles d'histoire".


Un podcast produit et animé par Alexandre Jubelin, et édité et distribué par Binge audio.


Boutique : https://le-collimateur.myspreadshop.fr/

🎵 stream "Our  Way" with Daniel Humair and Heiri Känzig https://samuelblasermusic.ffm.to/ourway

Samuel Blaser is a Swiss trombonist and composer. 

For booking requests or any questions please email booking@samuelblaser.com

I play guitar, and compose of my own original music.

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