Electronic Mix of Mine Plus Re-Ex 97

Electronic Mix of Mine Plus Re-Ex 98

Good 80s I Found

Good Classical I Found 9

Good Classical I Found 8

Naděžnъ / Nadezhn

Electronic Mix Of Mine Plus Re-Ex 99

Electronic Mix Of Mine Plus Re-Ex 100

Pure Piano/Jazz of Mine Plus Re-Ex 14

Jazz Fusion I Found

Mixed and mastered by A7 Recording Studio (@a7-recording-studio) 
Produced by Blaž Pavšič

Taking the risk to repeat myself, I am always amazed about the roots and triggers of inspiration in general and in music for me. Sometimes, it’s obvious, sometimes, it’s a mix of a thousands things. In any case, it’s not always easy to identify, but usually funny to recognize! For this song, here are some hints...

Of course, as you can guess from its name, first is the city of Montreux itself… beautifully nestled between steep Alps hills and peaceful lakeside of Lac Leman: local, exotic, relaxing and creative all together.

Then, still talking about this town, less about its landscape and more about its world famous July's Montreux Jazz Festival, it leads to the second inspiration: Deep Purple' Smoke on the Water. Yes, sure, you know the story. If not, you should!

Also, the style of this track has been greatly shaped upon the influence of fabulous @AcuteInflections: yes, I like that "velvety mix of Erykah Badu & Billie Holiday paired with the cool grooves of her 007 on bass" of those 2 New Yorkers!

And finally, regarding 18:20? I'm sure you will figure it out by yourself...

But, still, the path from the initial idea to the song you can hear now was long. The few basic tones crystallized from a small game I do play to warm up my fingers on the guitar, moving it from warming-guitar-tone-exercise to piano/contrabass based track was pretty fun, but it wasn’t enough. Something was missing and there I got help from Blaž Pavšič, who produced the final version of the track, supplementing it with awesome percussion.

Hope you will find the outcome of this collaboration as nice as I do. You better do, as I can promise it's won’t be the only one ;-)

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

Montreux 18:20

Melody composed by Jah-Femi Telewa
Track produced by Lindenbeat

Moorish Plunk (from Electro Stunner album out soon)

On several occasions, throughout various compositions of mine, I’ve emphasized how a melody or theme was based on something I wrote long ago, during my teenage years.
In this instance, the main theme is probably one of the very first things I ever composed—likely my first 'Eureka' moment, when I first gained some clarity about my musical gifts. Needless to say, this melody holds immense personal significance.
After all this time, I’ve finally decided to properly honor it by writing a set of variations.

Ode For Piano, A Minor, No. 2

Alison Theme [ Orchestral ]

On all platforms now - Find this song on Spotify & More - https://ffm.bio/altspacebeats

Factions

06  - FRONTAL

Bass Drops Bodies Move (Korgie Cut)

"'Spring Waltz' is a gentle and luminous invitation to renewal. On a hushed piano, each note dances lightly, evoking the first days of spring. Between neoclassical and emotional minimalism, this piece captures the freshness of the season and the awakening of feelings. Ideal for accompanying your moments of reflection, study, or relaxation."

Spring waltz

MUSIC FOR CONTENT CREATORS!

***
🎵 Title: Spring Awakening
🎼 Music by Michael Herter
🎻 Genre: Classical, Soundtrack, Cinematic
🎬 Video: 

Immerse yourself in the vibrant essence of spring with "Spring Awakening", a symphonic masterpiece that breathes life into the season's renewal. This orchestral journey harmoniously blends the rich timbres of strings, the expressive voices of woodwinds, the bold resonance of brass, and the subtle accents of percussion. Each movement paints a vivid soundscape, evoking blooming landscapes, gentle breezes, and the joyful awakening of nature. Let "Spring Awakening" rejuvenate your spirit and transport you to a world where music blossoms with the promise of new beginnings.

🎼 Key: Es-Dur | Time Signature: 3/4 | Tempo: 95 BPM

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Spring Awakening

Endless Road

Endless Road (Remix)

Epic Vibes.
Epic Sound. 
Epic View. 
Epic Club.

JOGA @ SAVAYA (Bali) - Full Moon

Release date : 18 July 2025

Fragus is a 29-year-old self-taught French bedroom producer who started creating music in 2017, initially as a hobby, but over the years it has transformed into a means of expression and infinite creativity. My musical style is diverse because I draw inspiration from different styles: from house to jazz or even disco to urban rhythms (Latin, African, Caribbean, and hip hop). Every song I listen to is a source of inspiration both in its structure and in the emotion it expresses. My new track "Lovin You", with an AfroHouse tendency, is inspired by all these musical genres. This music invites the listener to surprise and creativity through the omnipresence of different vocal chops expressing different feelings, which will be accentuated by the different rhythms. With the different synth melodies and groovy bass, it is a perfect balance between the calm and energetic side. Ideal for getting into the mood during these approaching holidays.

This track contains royalty-free samples, loops (Cymatics, Function Loops, Samplefocus).

Fragus - Lovin You

This song was heavily inspired and sampled from the epic medieval-era film "The Kingdom Of Heaven". I always enjoyed the philosophical and ethical content of this film, finding it resonated with my own personal journey with religion. 

Support: https://culplex.bandcamp.com/track/crusader
Artwork: Culplex

Culplex - Crusader

"Alone at the Window" is an immersion into a suspended moment — somewhere between solitude, introspection, and soft light. With delicate piano, this track paints an intimate sonic landscape, like a quiet breath between two silences.

Let yourself drift through this contemplative piece — perfect for sleepless nights or foggy mornings.

Alone At The Window

A raw and powerful fusion of Ukrainian folk and hardstyle. "Pliès" is a journey into ancient tradition, reimagined with a high-energy, pounding hardstyle sound. This track is a tribute to roots and a signal for the future.

Plies

BOOMBOX NOIR
~~~~~~~~~~~~
Memoria in fide revertetur

No matter what I try I can't help but make music like this.
She echo's in the chorus of my mind...
~~~~~~~~~~~~
[Intro]
She vanished in the static...
But the beat remembers.
Boombox noir...

[Verse 1]
Neon blur on a one-way ride
Your ghost still rides in the passenger side
Cassette dreams melt into chrome and wine
I see your face in every exit sign

[Chorus]
Boombox noir, you left your love inside the speakers
Fading stars, the night keeps playing you on loop
Boombox noir, I press rewind but you’re not nearer
Just static hearts, in synth pursuit

[Verse 2]
Skyscraper lights cut your silhouette
Dial tones hum with old regret
You said forever in a velvet tone
But this city won’t let me sleep alone

[Pre-Chorus]
Vapor trails and cherry lips
We danced through glitches, lost our scripts
You ran through wires, past my reach
Now your name is all I teach

[Chorus – repeat]
Boombox noir, you left your love inside the speakers
Fading stars, the night keeps playing you on loop
Boombox noir, I press rewind but you’re not nearer
Just static hearts, in synth pursuit

[Bridge]
Are you real, or just a mixdown I can’t fix?
You echo in the chorus like a ghost in 6/8 kicks
You shimmered, and glitched, and kissed, then dipped
I play it back again... and skip...

[Final Chorus]
Boombox noir, you left your love inside the speakers
Fading stars, the night keeps playing you on loop
Boombox noir, I press rewind but you’re not nearer
Just static hearts, in synth pursuit
Just static hearts

[Outro]
Just static hearts…
In synth pursuit...
~~~~~~~~~~~~
An experimental venture into emotional motion.

A# Blues clashes against D# Major like longing against memory.
Galloping basslines.
Hard futuristic hyperbass.
Synthwave carved from neon tears.

D# Major isn’t supposed to cry.
But under these hands?
It does.

It's weird... When I was polishing this mix I noticed that this track and my previous 2 releases all clock in at 3:43 long. I didn't plan that, it just kind of happened. It reminds me of 343 Guilty Spark. An AI guardian who witnessed the destruction of entire civilizations, still haunted by echoes of what was lost. A synthetic guardian. A keeper of memory. A being caught between logic and emotion. In numerology the number 3 is creativity, expression, and communication. The number 4 is stability, foundation, and structure. There's fire department symbolism as well. In the U.S., 343 firefighters died on 9/11. Because of this, 343 has become a symbol of sacrifice, heroism, and remembrance. Heavy resonance for a number that just keeps showing up in my tracks about longing, memory, and emotional fire.

The universe works in strange ways...

Maybe the universe has been speaking in 3:43 this whole time. I’m just finally learning how to listen.
~~~~~~~~~~~~

BOOMBOX NOIR

As the leaves fall and the evenings grow quiet, I Left My Shadow brings a sense of bittersweet calm. This lofi chillhop beat, crafted in collaboration with the brilliant Quicknap, captures that feeling of walking away from something — or someone — and leaving a part of yourself behind.

Soft percussion, faded chords, and textured atmosphere all melt together into a track that feels like an autumn evening wrapped in headphones.

🍁 Feel: reflective, calm, nostalgic, slightly melancholic
🎧 Perfect for journaling, walking through golden leaves, or staring out the window in thought.

💬 Let us know: what did you leave behind this season?

I Left My Shadow

Website

Dallar Sunstar ft Quicknap - I Left My Shadow (Mr Silky's LoFi Beats)

Obsidian Reflections for Small Orchestra - Marco Polo Orchestra (Live World Premiere)

During my teenage years, I composed quite diligently, creating many themes and tracks for my own enjoyment on my old Yamaha keyboard. However, that ended abruptly when I reached my twenties. I bought a new keyboard (the old one had broken down — a very sad moment), more advanced and expensive, but somehow I wasn’t able to do much with it, almost as if the magic was lost. That hiatus lasted a decade.
It was not a wasted decade, though, because I plunged deeply into listening to 18th- and 19th-century classical music, refining my taste and shaping my own musical identity.
The main theme of this Rondo somehow heralded a new era of composing. During a boring meeting with some association committee 7-8 years ago, my mind drifted far away, and the theme just appeared out of nowhere, almost completely fleshed out.
It was then that I became certain it was time to return to music.  Last month I've finally felt obliged to do a proper honour to the melody and to build a piece around it.

Rondo for Piano, G Minor

Don't wake me. From dreaming.
Don't wake me. From dreaming.
Don't wake me. From dreaming.
Don't wake me. From dreaming.

You are, you are, you are.
My dream come true.
Yeah. Don't wake me.
From dreaming. Don't wake me. 
From dreaming.
Don't wake me. 
Don't wake me.

Premiere / From Dream

A romantic comet from my universe ✨🔭☄️

Cosmic Ballad 

I wanna hold your hands
And take you with me 
When I see your eyes 
I feel like I’m free 
Why don’t you come ride with me? 
Let’s show you the universe 
Oh… 

I like to skate in Saturn rings when I’m bored 
I like to play with its moons like its golf 
And when I hit the asteroids hard enough
We’ll get some meteors… 
Oh…
Let’s show you the universe 
Oh…
Let’s show you the universe… 

I wanna hold your hands 
And fuse you with me (Like two galaxies)
And when I see your eyes 
It’s just celestial bliss 
Why don’t you come ride with me 
Let’s make this our universe… 
Oh…

Cosmic Ballad

Premiere / Deep Skinny's - One on

Parasite

I’m excited to present my latest synthwave track, inspired by Creatures of Pillars. Pulsing synths, nostalgic melodies, and ethereal atmosphere.

You can already listen to and purchase it on your favourite platform:
Spotify: https://open.spotify.com/album/6OGs9qpoBgNoZVHie1CSQb
AppleMusic: https://music.apple.com/us/album/cosmic-pillars-feat-tfm85-single/1839732449
Bandcamp: https://tfm85.bandcamp.com/track/cosmic-pillars

Cosmic Pillars

Wound Up/Unwind - Unwind for String Quartet and Hand Pan
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Unwind for String Quartet and Hand Pan

Wound Up/Unwind - Wound Up for String Quartet and Cajón
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Wound Up for String Quartet and Cajón

Faixa antissistema! Barulho torto contra o fascismo!

Invasão Comunista

TATE SEDAR - "breakDOWN" OUT NOW on DIM MAK NEW NOISE

- www.instagram.com/tatesedarmusic

TATE SEDAR - breakDOWN

Hot and Heavy (Ft. Harper)

BBE BOOTY

SO YOU'RE...
Music by Overdrive

No Suno or other AI music generation platform was used in the creation of this track.

So You're...

Hole In My Heart 2.0

The perfect warm up for a summer house party? Its part two of my Funky Epic mix. I hope you enjoy and please remember to Like and Share if you do. Thanks for stopping by.

Radio Benwax Ep. 13 - Funky Epic Pt. 2

submission for Weekly Note Composing Jam #36 hosted by emscottish for Itch.IO October 2025

Helluin's Abyss

submission for Impressions Vignette #1 hosted by KaleOverlord for Itch.IO October 2025

Spring's Promise

submission for Composer Weekend Jam #5 hosted by Joe Chris (ScoringTech.NET) for Itch.IO October 2025

This was a rather complex idea, I noodled a main backbone in piano, then copied that backbone to 2 songs internally to the FA-08 then gave them 2 different studio sets of instruments.
Then back on the laptop with the Midi of both I built an equally long combined Midi and set those to Mixcraft-only instruments for essentially quadruple the length of the original backbone piece, with a linking bridge and an outro.

Inspired by the scene in A Barnstormer In Oz by Philip Jose Farmer where they find the abandoned doll-factory of the Long Gones and these little armless dolls have been coming out about one per minute like clockwork for ten thousand years.  Their mysterious civilization was pivotal to the status quo which later made the Land of Oz the way it was when Hank Stover arrives.

March Of The Long-Gones

A little something about 'cumulative disruption'

Lyrics:

You know
Just because you have a freedom
You don't have to exercise it 
Every given moment of everyday you know
Well I'm rather more interested in
What happens when I run out of embarrassment

And he went on to say
Hey look, not everyone's xenocidal galactic socialistic theocracy 
Is perfect okay


Just about everyone agrees
It's tough being a lady's warder
Sex for a man
Because you know we aim to please
Is like trying to solve a rubik's cube
With an anxiety disorder
While trying not to sneeze

They've altered the terminology for festive occasions
And so for Fourth of July we're going to be setting off
Fire-Caucasians

There was an auspicious southerly breeze
On the day we unburdened ourselves from the Queen of Pinot Gris

The government was saying in a particularly rude way
That just because you have a freedom
You don't need to use it at every moment of every day
And I thought why would they feel the need to be free to say that
At this particular moment anyway

One thing seems to be incontrovertibly true
In Soviet Britain, social media posts you

They went on that governance has to be done steadily
And without stumbling upon regret
Like performing a minuet
Or making a smashing omelet
Not to dirty some egg yolks
But anyway so yeah we coerced some folks

As the thought of trying to obliterate me was tightening their rectum
The painted sybil was strumming her plectrum
The Greek chorus decried equal amounts of economic illiteracy 
On either side of the spectrum
And then his backing singers really went to town
Like crabs in a bucket clawing each other down

And then my traveling companion
Had had enough of being restrained
And complained a very millennial complaint
That now it takes four singing fish to be entertained

The high court jester 
Concluded with a pretty shrewd remark
As he was busy collecting the necessaries
The key to isolating his mark
And causing things to fester
Was to forget a man's ancestors
Hide his descendants
And separate his contemporaries

In the ultramarine dark
He was caparisoned as if strolling on a lark
Resembling a tasseled wobbegong carpet shark

She was quite a debutante for a start
And hard to hate for anyone with half a heart
An epitome of discernment
Like the connoisseur of detournement

We were bantering the specifics to and fro
And even though I was doing it a little bit slow
It had been a pleasant trip so to speak

After a long time of being on the shelf
As poignantly as having a sword run through
If something seems painfully obvious to you
But obvious to no one else 
That fact is more real than reality itself

Every Given Moment / Chnospinci

submission for Weekly Note Composing Jam #37 hosted by emscottish for Itch.IO October 2025

It's maybe messed up a little by the MixCraft 10.6 global effect i chose at the very last minute with like 20 minutes to go: but just approach it like "We're in the late 70's at a Jarre concert in France and we're way at the farthest worst seating in the venue and theres crappy echo on everything. LFG!"  Approached in that way and now after a few hearings I am starting to be more forgiving of it.

Ferromagnetic Frolic submission for Weekly Note Composing Jam #37 hosted by emscottish October 2025

Carefully done timing remaster to one of my very best instrumentals in the 3 1/2 years to date.  There was an alternate shorter version of this which ended up being a vocal track.

I Understood You To Have No Further Use For Me (Instrumental Alpha)

Telling Lies



🚨SUBSCRIBE🚨

Instagram:   / rabbitholeden  

Tik Tok:   / rabbitholeden  

SoundCloud:   / rabbitholeden  

Website: https://rabbitholemusic.uk

Community Through Escapism 🐇🕳️

Flying Free

Slinkin Around

submission for Weekly Note Composing Jam #38 hosted by emscottish for Itch.IO October 2025 inspired by "The Turn Of A Friendly Card" by The Alan Parsons Project

The Yearn Of A Camelopard / The Turn Of An Ambiguous Trick

Albums on Spotify

Severance

Traveling Throw The Unmastered Partitures

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

The Yearn Of A Camelopard / The Turn Of An Ambiguous Trick

Doug Stoothoff