Beautiful Dougie! Miss those Brighton days...

Beautiful song. Your execution and subtle variations in the rhythms held my attention from beginning to end. Bravo!

Instrumental acoustic lovers, here's a playlist of my favorite fingerstyle pieces from some of my favorite SoundCloud artists. 

Keep up the amazing work SC!!
__________________________________

Thank you for listening :)

~ Steve B. (@sundaug)
__________________________________

Tracklist:
1. Jens Felger, "Wolkenlos" (@jens-felger)
2. Keisuke Yoshiura, "La duna rosa" (@keisuke-yoshiura)
3. Pete Salmond, "Sunlight" (@pete-salmond)
4. Gratton, "Highway 94" (@gratton)
5. Blue Room Green, "Train Home (On a Cold Melbourne Day)" (@blue-room-green)
6. imaginary friends feat. Western Skies Motel, "Point Judith" (@jonathan_beckenstein)
7. Atlas Cedar, "Furthur (Jerry's Blues)" (@atlascedar)
8. JimmyO'Hare, "JimmyO'Hare Studio Session" (@jimmyohare) 
9. Richard Barrett, "Darmstadtium" (@thee8liegroup)
10. Dougie Evans, "Kyo" (@dougieevans)
11. Guitar & Forest, G&F - "Pseudotsuga menziesii" (@guitar-and-forest)
12. Robert "Nithmund" Bowkett, "Talking Fingers" (@rob_bowkett)
13. Western Skies Motel, "Homesick" (@westernskiesmotel)
14. Martin Kirwan, "Waking Up." (@martin-k-g)
15. James Bartholomew, "Imagine Dragons - Radioactive - Acoustic Guitar" (@brokenstrings95)
16. Fred 'N'gofela' Herrmann, "My Third Season" (@ngofela)
17. CyberFerret, "Falling For Twelves" (@cyberferret)
18. fossil60, "Lighthouse" (@fossil60)
19. Iohannes, "Clouds" (@iohannes)
20. Sundaug, "Snowman's Waltz (@sundaug)

Fingerpickin' Good

Track from the upcoming EP "Last Outpost"
It also Ffeatures The Elephant Frame. 
Check out more of his brilliant sounds here: @the-elephant-frame

Video: https://www.youtube.com/watch?v=cTtpJrBhcx8&list=UUjjZjV7tl_SjjgXMBct4hlg

Walking Distance [Feat: The Elephant Frame]

respirate

gaps

Been working in an odd tuning again (EbADF#ADb), and been meaning to record one of my ideas properly for people to hear... Let me know if there are issues with bass, as it could be my headphones being rubbish and they can't handle it... Hope some people like it, as usual I seem to have better versions when I'm sat in the kitchen without a microphone.. But hey!

Recorded with a Zoom H1 mic and played on my Guild D55.

Picture from https://www.flickr.com/photos/pdubbs/

Sunlight

Thanks to everyone who has supported what I do in 2014. Here is a free previously unreleased track to download to show my appreciation!

Big up!

Crossed Wires (Free Xmas 2014 Download)

Go only as far as you want with only who wants to go with you. 

Single

And Thomas and Rea

Somewhere Someday

Closer

Purchase

july 27, 2016

Will Samson - You Are An Ocean (feat. Benoit Pioulard)

Chaos Theory Remixed

Hokkaido (Lorn Remix)

From the debut album For a Wandering Beam of Sun. Vinyl available at http://solidarityhymn.bandcamp.com

Death Was Between Us

Played on a capoed 12-string, this was kind of inspired by the spirit of an epic journey. My wife and I took a road trip out West in our old Saturn the first year we were dating and really had an unforgettable and amazing two weeks together, journeying through mainly Montana and Washington. The start of that journey was on Highway 94...

Open D tuning: D-A-D-F#-A-D, capo VII

Check out the album:
https://gratton.bandcamp.com/album/gratton

(c) 2005

Highway 94

Free download: http://innerworksrecords.bandcamp.com/album/empire-ants

Empire Ants EP

R.A.B.N.

Kyo (preview)

Written and produced by Greig Baird 
Layout and design by 扎克 
-- 
© Healing Sound Propagandist 
HSP-05 | MMXIX 
pastinsidethepresent.com/hsp 
healingsoundpropagandist.bandcamp.com
license
all rights reserved

In the Summer of 2019 Greig Baird and his family moved home and into a new area of a city they have lived for many years. 

The layers and layers of history in this new locale were palpable and inspired Baird to create this small collection of music, ‘Once Hallowed’. 

This new area was home to a Franciscan Friary established in the 13th century and later home to a church, Allhallows-on-the-Wall built in the 19th century. This church was later a corset factory, then later a parachute factory during war time. The last burials in this place were conducted in secrecy by the light of a midnight moon during the cholera epidemic of 1832. The wall outside Baird’s home dates to Roman times and was once the south-western city limit. 

The burial grounds now deconsecrated and long abandoned are also home to the catacombs of the city. Again abandoned long ago, bodies long removed, tales of stolen skulls and grave robbing, and the stone of which they are built are all that remains. The areas wildlife, dog walkers, children playing, students hanging around, drunks falling asleep on abandoned tombs and the city’s drug dealers plying trade all make the place what it is. Often beautiful as the light changes and Falcons fly above, the sounds of the day city form into the nocturnal; sometimes sad as the desperation of people’s modern situations becomes abundantly clear. 

The relics of the past experienced in our present creates something else. Something deeply inspiring, creating an atmosphere deeply felt and not entirely understood.

Once Hallowed

'Waiting (In The Shadow Of The Holy Ghost)' - Once Hallowed - [Healing Sound Propagandist, 2019]

This Song Brings to Mind being on Some kind of a Train journey. 

Composed/Produced by A.Hallam  2013
Mastered by: http://www.xarcmastering.com
   

 

Train Home

It's a funky piece for my children. It based on a melody they had sung while playing in the garden.
from the album "2 Days & a Year"

Wolkenlos

La duna rosa

Thanks for stopping by!

My third album, "To Bloom, To Wither," recently hit the iTunes music store. Download here: https://itunes.apple.com/us/album/to-bloom-to-wither/id1208748145

Additionally, "Nocturnality" and "Empyrean Fantasy" are both available for streaming on Pandora: https://www.pandora.com/artist/sundaug/AR6X2trV74mVdrV

Enough self-promotion. I'm a guitarist, pianist, and producer from Philly, who studied music at the University of Virginia. Hard to peg my music to one genre; for better or worse, my sound is always changing.

All in all, thrilled to have the opportunity to create something worth listening to. Hope you enjoy!

I encourage you to leave any comments on my music, inbox me, etc. and I will always do my best to respond in kind.

Music, improvisations, found sounds, and guitar tracks

Kyo (preview)

Dougie Evans

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