Soundscape Compositions

A Flood Of Bees

Location: Hinksey Meadows, Dean's Ham, Oxford, UK
Recorder: Sony PCM-A10, Olympus LS-5
Microphone: Custom 8 capsule rig (4 + 4 Clippy EM272 capsules wired in parallel), JrF C-series contact microphones, JrF electromagnetic coil pick-ups
Stereo technique: Baffled omnis (foam baffles on stereo bar)

Pylon

The European fire-bellied toad is, in fact, a frog. (No fire, either.) However, this is more than compensated by its satisfyingly fun-to-say Latin name: Bombina bombina. They also produce antimicrobial peptides in their skin secretions – the even more fun-to-say ‘bombinins’. 

Native to eastern mainland Europe – recorded here in the protected land of Poland’s Barycz Valley Landscape Park – they use their internal vocal sacs to produce their “whoop” call: the mournful, slow-motion honk immortalized here. Imagine the sound that clowns might make when they cry and you won’t be far off.

Bombina bombina mysterious call

Recorded on the land of the Peramangk people.
Deep, slow, careful listening required.
Read the Playlist description for more information: https://soundcloud.com/hearingbeings/sets/2023-iron-curtain-autumn-and-summer

2023.03.16 Iron Curtain. Early Autumn.

An hour before sunrise in a secluded valley mire in Dartmoor National Park. Snipe (Gallinago gallinago) are performing their "winnowing" courtship display, flying up and diving downwards so their tail feathers vibrate with a distinctive thrumming sound. Tawny Owls and Cuckoo call across the valley.

Recorded on 1st May 2023 with 2 x AT4022 microphones in an Olson stereo array (www.trackseventeen.com/mic_rigs.html) and a Sound Devices 722 recorder.

May Day Snipe

This is a very high-gain recording, the forests are so quiet in this part of Sweden, I like the idea of really opening up the gain.  MixPre3 the gain set to 74db, with a pair of Lewitt 440's.  Recording 4000.

Stream (1) -  12 May 23 - 11am - Dalsvallen

At the crossroads of day and night, diurnal birds meet nocturnal animals for a precious hour. Thus the black-crowned night herons, doves, ducks meet the roar of the deer, the fleeting bats and the tawny owl, in a unique and precious soundscape in the heart of the forest of Orléans, the biggest forest in France

Crépuscule Automnal À L'étang Du Ravoir (Automn Nightfall At Ravoir's Pound)

Recording I made while waiting in a parking lot to get out until the rain shower was over.

Rain on the roof of a car - interior

PodCast

Rain on the roof of my car - interior (September 21st, 2023)

ST_amb_usineVallorbe

A Days Walking in the Hills North of Innerleithen Scottish Borders Summer 2024

A lone Golden Plover vocalises near the southwestern top of Windlestraw Law. 

 7th July 2024. 

EM272 pair + Sony A10

Windlestraw Law

amb_st_reveil_naples_2

There's two old empty oil storage tanks beside Tahkoluoto harbor. The tanks are closed, but have one open maintenance hatch through I put the microphones inside. I waited for a stormy day to do that, and so it sounds. Headphones recommended! 

http://www.rupuranta.net/weblog/filet/180922/

(MKH8020 ab50cm, SD702, nothing done in edit, 24/48 flac)

Jan Eerala Finland

The Black Hole - 22/9/2018 - Tahkoluoto Finland

A montage of recordings made whilst staying in a cottage in the Tatras, where my partner used to stay every summer as a child. We hear Bela, the river that runs through the area and is always audible from a distance as a continuous rush of white noise; a small stream near to a natural spring (the cleanest water I have ever tasted), cicadas in the mountain meadows, and finally some chat around the fire in the cottage.

Everything was recorded on the internal microphones of the Zoom H4n Pro and edited together in Reaper.

Slovakia 2017

A little sonic postcard from a trip to Sicily in 2019.

Sicily 2019

Untitled

Stereo soundscape recordings. Sometime nature, sometimes people, sometimes machinery. Sometimes quiet things like a single branch creaking in the wind on Dartmoor, sometimes odd moments in the city. Mostly local, but sometimes travelling. 

Slovakia 2017

Douglas Langley

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