Fleck

We know that I have never been quite screwed on tightly
It does not help that you make me hate myself nightly

You make me feel badly about myself
Just when I think I have the time to heal
You make me feel badly about myself
When you tell me what we have is real

Every door I try to lock up
Seems to open on its own
So now I carry salt inside my pocket
To help ward off the ghosts

You make me feel badly about myself
though I know you’re just trying to help
 
We both knew it would never last that long, my sweet
It does not help that I made you hate yourself like me

you should not have to worry that these doors are closing
I have found that the ghosts are quite as friendly, you’ll see

You Make Me Feel Badly About Myself

716 - Mind Drift

#acousmatic;  #electroacoustic; #musiqueconcrete; #electronic

Pictured Remnants

Beat by @47gaaara

Something real, raw, and uncut from me to you.

Sounds Like Mortal Kombat (prod. Gaaara)

w/ viren - motivation

POLO G X JUICE WRLD Type Beat "AFTER ALL" prod. by MONOLITH

stay up 

bandcamp:  https://free316.bandcamp.com/album/see-it-thru
youtube: https://youtu.be/hsvX6FM98P0
beatstars: https://www.beatstars.com/freewingzzz/

all of it

David Quang-Minh Nguyen is an audio engineer, sound designer/re-recording mixer, and composer of concert music. His current interests lie in composing acousmatic works that explore multi-channel loudspeaker expansion, various types of sound spatialization, and immersive audio.

Recognized nationally and internationally, David has had his works presented at the June in Buffalo New Music Festival, where he received individual master classes with Harvey Sollberger, Martin Bresnick, Roger Reynolds, and Brian Ferneyhough. He was an active participant in the Festival DME under the direction of Åke Parmerud, Musique & Recherches Académie d'été de composition électroacoustique under the direction of Annette Vande Gorne and João Pedro Oliveira, and the Sounds Around Me Festival under Thomas Gorbach. He was also selected by Master Artist Robert Normandeau for a residency at the Atlantic Center for the Arts.

His works have been presented at more than fifty national and international events, and he is a laureate or finalist in numerous competitions.  He has been published on ABLAZE Records' Electronic Masters Vol. 7 and received an honorable mention at the XII° Destellos Electroacoustic Competition 2019 for his work Misprints.  He also placed 2nd in the XIII° Destellos competition for Adumbrations, was a finalist for the PRIX CIME 2019, and won 2nd place for the ASCAP/SEAMUS Award for his work Weight Stranding. In 2021, his SEAMUS-commissioned piece Whale Song Stranding was selected for presentation on the SEAMUS 31 CD and received the Ars Electronica Forum Wallis selection.  David was awarded the Prix CIME 2023 Residency Award for Whale Song Stranding.  His work Texture Arc the Points won 1st place in the ULJUS Međunarodno Pijanističko Takmičenje Smederevo Competition and 2nd place in the prestigious Concours Biennal de Composition Acousmatique Métamorphoses.

David Q. Nguyen holds a BM from Old Dominion University, where he studied with Andrey R. Kasparov and Mark Chambers.  He also graduated at the top of his class from The Omega Studios School of Applied Recording Arts & Sciences with a focus on Audio Engineering in the Music Industry and Film/Television.  He has received his Master's degree and is currently pursuing a Doctor of Musical Arts degree at the University of Illinois Urbana-Champaign, where his primary teachers are Reynold Tharp, Erik Lund, Eli Fieldsteel, Sever Tipei, and Scott A. Wyatt.

Pictured Remnants

David Quang-Minh Nguyen

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