A 90 second remix extracted from "The Party's Over," hidden track on the 2009 compilation 50 And Up, released on Barbelo Records. The track compiles compilation tracks into a new megamix, crushing and rendering contributions from Phil Wilson, Giant Paw, The Grand Erector, Ectogram, S/T, Faust, Traummaschine, Ronny Wærnes and, recursively, Drift of Signifieds.

The tracks was rendered to 8,000Hz 8kbps MP3 for maximum reduction in quality, bitcrushed for the CONTACT GROUP LO-BIT THREAD COMPILATION on 24 June 2012.

The Party's Over 90 second remixmixed

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CANRI is an experiment in electronic anti-music, a cipher set loose on the web to fend for itself. 

Stochastic art through intuitive manipulation of source materials and instruments is the method; the aim is random.

#studynoise #noise #antimusic #whitenoise #pinknoise# brownnoise #asmr

In his book Retromania, Simon Reynolds describes Position Normal as a progenitor of the 2000s hauntology genre, which is concerned with "lost futures" and abandoned cultural material.[5] Writer Joseph Stannard, who helped popularise the term "hauntology", included Position Normal on a 2013 compilation album based on his Brighton club night The Outer Church.[8]The two members began working together in 1986, using samplers and tape loops to fashion collagistic psychedelic pop.[2] The duo originally worked as Buggersod, supplementing their music with video projections as well as "mashed potato flung into the audience and socks hanging from the ceiling," according to writer David Stubbs.[4] Bailiff and Cushway's first release as Position Normal was the twelve-inch single "Part of the Bugger Sod Empire" (1998).[2] In 1999, they released their debut album Stop Your Nonsense in Britain through Mind Horizon. The record combined samples from children's music with psychedelic guitar work and unusual percussion, and was critically acclaimed, later ranking on several critics' year-end best albums lists.[3]

The band followed with Goodly Time (1999).[2] In a review for Uncut, Stubbs credited the album with "uncover[ing] old cardboard boxes of stuff that, even in this supposed era of kitsch, have remained repressed and untouched."[4] Following a decade-long hiatus, follow-up Position Normal was released in 2009,[2] originally only on cassette,[6] It was ranked as one of the best albums of 2009 by The Wire.[7] The group also played rare live performances in London, including at the Exotic Pylon in 2010.[2]

I am Not An Artist...I am Art - and other deep shit like that.