https://soundcloud.com/ikjoyce/magic-number-1-of-3-disquiet0525?in=disquiet/sets/disquiet-junto-project-0525
More on this 526th weekly Disquiet Junto project — Magic Number (2 of 3) (The Assignment: Record the second third of an asynchronous trio) — at: https://disquiet.com/0526/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Crapped Up Like A Deuce (Duet with ikjoyce)disquiet0526

thanks  Encym https://soundcloud.com/encym/disquiet-junto-project-0526-magic-number-2-of-3
Daniel  Diaz   https://soundcloud.com/daniel-diaz/unfinished-disquiet0525
release date  03/02/2022

Atonal Unfinished Trio (disquiet0527)

Minimal Viable Product (MVP) is a development and commercialization practice in which a new concept is introduced to the market with basic features. The intention is to maximize the amount of learning, in order to assess product fertility, while minimizing the amount of resource investment.

The general template of an MVP consists of listing the key characteristics of the product that customers will deem essential, usually in the form of questions. These are then coupled with elements that can be designed and manufactured within aggressive time and cost guardrails. Subsequent iterations of the MVP render an offering of increasing maturity, ideally and hopefully, before it transforms the market for which it’s targeted.

Suss Müsik took an MVP approach to this week’s Junto project. The primary questions regarding viability might be interpreted as: to what extent do acoustic and electric guitar fragments, when pressurized under certain constraints, no longer render themselves as inherently musical? At what point do these fragments cease to offer acousmatic value to the listener? And to what extent would an audience be willing to subject themselves to that experience? 

The responses to these inquiries, as with all instances of MVP concept testing, are subject to input from a respective target audience. In this case, that audience is you. 

The piece is titled MVP v.1 and was recorded live to 8-track in February 2022. The image is a schematic overlay of an actual instrument prototype.

Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project – Minimally Viable Music (The Assignment: How much less is just shy of too little?) – at: https://disquiet.com/0530/ 3

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-music/

MVP v.1 [Disquiet0530]

a little noise from iVCS3
a little quanta from audiodamage
merged into aum
reverb from Eventide Blackhole

That's it

peace

not our world part I & II(disquiet0531)

capsule for red fish (disquiet0534)

This recording follows the inspiration of the Disquiet Junto Project 0537 (see below): How could a apologetic car horn sound like ?
The track presents a quiet side street, its atmosphere augmented by different musical elements. Some cars apologize for driving by and disrupting the calm by sounding their apologetic melody, and in the end this horn melody leads a life of its own.

I thank blaukreuz for providing the wonderful field-recording
https://freesound.org/people/blaukreuz/sounds/521000/
which inspired much of this track.

This project was proposed by Rob Walker.

More on this 537th weekly Disquiet Junto project – Penitent Honk (The Assignment: Do sound design for “a missing gesture” of vehicular life) – at: https://disquiet.com/0537/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0537-penitent-honk/

Apologetic Conveyance (Disquiet0537)

Made for Disquiet 0539.  The Assignment: Let your slow breathing guide a piece of music.

It's fascinating that music, like breathing, can help us into transformed states. So I loved the idea of trying to create a piece of music that begins with, and evolves from calmly breathing. I expected to make something very mellow, some low pulsing and droney pads that compliments the breath, but once I started creating, I came up with something a little different. Added a little more energy, inspired by breathing, and observing the backyard. 

I sat in the backyard, half reclined in a chair, with the Zoom recorder on my chest, breathing. As thoughts came into my head, instead of waiting for them go away and going back to breath, I vocalized the thoughts. I noticed how some birds are living in a thorny rose bush, finding safety from predators (like my cats unfortunately) in a dangerous place. I noticed a new fence in the neighbors yard to separate a wild overgrown garden from a manicured lawn. Noticed plants growing tall, spreading seeds in the spring, and I wanted to let them all grow, to stop cutting it all back. With our gardens, and with life we build some fences, but the order may be just an illusion, it's still chaos underneath, and there's a kind of peace knowing that. 

Finished song in Ableton by listening to the breathing, adding things that came to mind, lots of Hybrid Reverb. Then did my first every recording with the circuit monostation through a talkbox pedal, which became the lead  part in this. That too was an exercise in breathing, and kind of messy. Looking forward to playing with that more. 

As someone weekly beats pointed out, this song itself has a bit of illusion of order - there's some chaos bubbling around underneath some calmer vibes.

---

More on this 539th weekly Disquiet Junto project — Control Breath (The Assignment: Let your slow breathing guide a piece of music) — at: https://disquiet.com/0539/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0539-control-breath/

Illusion Of Order [disquiet0539] [Weekly Beats 17]

For Disquiet Junto 0543. The Assignment: Share a tip from your method toolbox. Also shared version of this over on Weekly Beats. 
A lot of this track was made using a technique I love: taking a piece of audio then using the Ableton Push 2 and the Simpler device to retrigger, chop manipulate and play around with the sample to create something new. There are many ways to manipulate samples, but I like this method because it's fast, I can improvise musically without a lot of fussing around, and I can do it fully on the Push hardware, no computer or mouse needed. Simpler is simple, and the 64 pads and 8 knobs on the Push 2 make playing with samples fun, fast and easy. Happy accidents occur, and things usually sound to my liking with minimal fussing about, so I can just flow and have fun.
Another attribute I like to add to songs are my own voice sounds, but heavily altered since I'm not much of a  traditional singer. Bonus points when the voice can turn into perscussion or another instrument. I often take these voice recordings and chop and play with them in Simpler as described above. The intro and middle of this song has some of my early experiments with a talkbox pedal. It's harder than it looks. And kind of a wet mess. But I'll keep playing with it. Used the Circuit Monostation as the instrument into the talkbox. So not sure if talkbox will turn into a favorite method for voice manipulation, but I know I'll keep messing around with vocals sounds.

More on this 543rd weekly Disquiet Junto project — Technique Check (The Assignment: Share a tip from your method toolbox) — at: https://disquiet.com/0543/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0543-technique-check/

feel what you - need - what you feel [disquiet0543] [Weekly Beats 19]

Composed and produced by Francesco Vitti
Registered in the studios of EKOS records (Italy)

Hysteria

HYSTERIA

More on this 569th weekly Disquiet Junto project – Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) – at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

The cover image for this project is from DALL·E 2, where “open door, party inside, digital art” was the prompt.

Particulate (disquiet0569)

A 90 second remix extracted from "The Party's Over," hidden track on the 2009 compilation 50 And Up, released on Barbelo Records. The track compiles compilation tracks into a new megamix, crushing and rendering contributions from Phil Wilson, Giant Paw, The Grand Erector, Ectogram, S/T, Faust, Traummaschine, Ronny Wærnes and, recursively, Drift of Signifieds.

The tracks was rendered to 8,000Hz 8kbps MP3 for maximum reduction in quality, bitcrushed for the CONTACT GROUP LO-BIT THREAD COMPILATION on 24 June 2012.

The Party's Over 90 second remixmixed

Drift of Signifieds