ATMOSPHERIC STUTTERING ARE JUST A PARABLE   6

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

The Fear of Muzak originate from the UK and were active in the early 1990s gigging mostly in London. More recently they have been recording new music which has been released on the Beauty and Disgust net label as an album entitled 'After Faze Hokum' on 5th December 2022.

We have a wide range of influences that include new wave, indie, shoegaze, pop, avant-garde, gothic, rock, funk and electronic.

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Granular -Unpredictability -Aleatoric-Music -Avoid AI

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

kontakt@ulrich-langenbach.de / Siegen, Germany,

Ulrich Langenbach is a German artist and composer, improviser, artist and sound researcher / e-cello, viola, guitar

Ulrich Langenbach is a visual artist and improvisational musician whose work is characterised by a continuous investigation of unintentional aesthetics and interdisciplinary approaches. His artistic practice includes installations, texts and performances, which invite the viewer into an immediate and impartial confrontation with space, material and sound.

At the centre of his visual art are extensive installations that challenge your perception with minimalist forms, materials and structures.

His text works combine literary precision with visual openness and often pose questions around the meaning and function of language.

As an improvisational musician, Langenbach is devoted to non-idiomatic music, a way of playing that moves beyond established styles and focuses on the moment of sound occurring. His performances emerge in the space between intention-free experimentation and intuitive expression, and lead to unique soundscapes that deliberately leave behind traditional genre boundaries.

His multi-award-winning work, which has been shown in numerous international galleries and museums, throws new light on the disciplines of art and music and offers pioneering impulses. It stands for the power of having no intention and for liberation from conventional expectations. It invites you to experience space, sound and text in a new dimension.




collaborations with: marc schaffroth // markus reineke // kersten ginsberg // martin hoggeboom // trampelfäd // aoki satoru // paul mimlitsch // darren bourne  // michael banabila // woodwo // lijel // michael göring // barbara weiss // stefan strasser // Conradusz

troksnis ir patvērums no pasaules kņadas.
noise is the shelter from tumult of the world.
-----------------------------
marginal electronics since 1996.
antireality since 1999.
ambientoid and visionary noise, abstract soundscapes, drone meditation.
using feedbacks, vintage tone generators, acoustic objects, field recordings, tape manipulations and some modulars lately.
there are/were several sideprojects and kollaborations - an, syndrome, surreogate, i.m.plant, b.r.a.k.e., stalkspace, logos 29.11., jaunā vienmuļība, shamanorgru.
-----------------------------
perpendikulāri visam.
omniperpendicular.

.
music & dance,
for the emancipation of the human spirit
.
for those with religious tendencies this could be called emancipation theology, a sort of liberation theology for the mind instead of the land
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

I started out in the Polish cassette underground in 1998. I've been recording tapes with simple folk/punk/blues/psychedelic songs, inspired by Syd Barrett, Velvet Underground, Monster Magnet, Woody Guthrie, Sawyer Brown, and Captain Beefheart. Those are the influences I remember today. I was using a pseudonym back then, Adam Sandosa, taken from the first Amon Duul LP, "Psychedelic Underground".

I never stopped making art, so here we are in the future.

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

ATMOSPHERIC STUTTERING ARE JUST A PARABLE 6

Dror Elimelech