Ice Age caves near Worksop, Nottinghamshire.

Pictones & Venicones

Creswell Crags

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

MY NAME IS:
JAKE
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'IT KEEPS MY HANDS BUSY'

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.

A couple of tunes recorded by Steve. ,played by Padraig ,Martin and Tony.

Follow me at bandcamp for news, official releases, merch,... 

http://thenextommuter.bandcamp.com

I create ambient music, drones, and soundscapes that invite deep listening.

Recorded with guitar, pedals, and laptop in my small one-man studio.

Hey there! Welcome to my page of musical wonders. :)


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Amomus means love for music. Also: 

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ׂ╰┈➤ I dwell in exploratory kind of music. I explore musical places that may have their origins in some dreamworld, one or another. When I find a feeling, I follow it - sometimes this even leads to a completed new track. It can be a chaotic process. I like it very much. 

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ˏˋ°•*⁀➷ I'm all about allowing yourself to explore your own creativity - even through most amateurish ways. As long as there's that passion for music that drives you - it can be an exciting adventure. Just follow your .....((..(...heart...)..)).....

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˚₊· ͟͟͞͞➳❥ My passion for music is endless and goes a long way. While it is a subjective thing, I'm all about digging for gems on Soundcloud. It's something you can look for in my periodical repost playlists. There is a chance you could find my selection alluring and wonder-inducing. And perhaps always a chance to find someone new worth following. 

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⋆.ೃ࿔*:･ Music is free. Make it free. If you've made some music, let it have a life in as many ears as possible. Let them explore their own relation to it. Freedom of art is universal. I love Soundcloud, because anyone who thinks they created something valuable - can give others the opportunity to find their own reflection of that value. It's a mystery of life.

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.•*¨*•.¸¸♪ Soundcloud is a world of many interesting artists and creators. Once you start following them, you quickly realise that you will never be able to see all their latest uploads... because of the badly implemented repost syste... ://BOOM!//: Tuesday, APRIL 8TH 2025// I NOTICED THE ACTUAL Repost Toggle Button SLIDER// ON YOUR OWN FEED PAGE// After 10+ YEARS// MIRACLES ARE POSSIBLE// ((if you give them enough time)) :)))
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Cheers!

Musique faite à la main (à 97 %). Mon répertoire ici comprend des pièces et des chansons des groupes Le Feu d’en face ou L Jazz ainsi que des pièces enregistrées seul ou avec Francis Lahaie, Philippe LeBel, Normand Bouchard, Michel Martineau ou Doddy Dorlette.
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Mes premières expériences de la scène remontent au début des années 1970 à Sherbrooke, puis en Abitibi-Témiscamingue. Voici quelques artistes avec qui j'ai enregistré de la musique ou joué en public ou dont j'ai fait la première partie, ce qui comprend des soirées-bénéfices et la première Fête nationale à Amos en 1977 : Jim Corcoran, Jim et Bertrand, Raôul Duguay, Francis Lahaie, Philippe LeBel, Mary-Eve Martel, Yves Martel, Justin St-Pierre, Michel Martineau, Normand Bouchard, Robert Leblond, Charlie Cover, Doddy Dorlette, Soir de Semaine, François Brazeau, Benoît Auclair, Réjean Daoust, Jasmin Martel, Jeff Kavanda, Samuelle Desjardins, Michel Lavallée et Massimo Cisca.

Folk-Rock with Acoustic and Electric guitars, Rock music.

Notes on Delivery

The Budding enthusiast that comes, by design or chance, to discover this collection shall, upon Preliminary Survey of its Contents, find him or herself confronted by divers  ‘Fulsome Bloomings, Abandoned Airs and Declamations’, all, indeed, allegedly composed by Messrs Drust & Erskine. 

It is, however, to be Anticipated that the fledgeling aesthete may, whilst hopefully being familiar with the general Thrust of this or that Song, find him or herself Uncertain as how best to approach the True Form of the Musical Pieces, and, moreover, how best to discern the Melody and Intonation: indeed, how to Discover, and consequently Interpret, the Leitmotif. 

Be then reassur'd that the Composers are devotees of Cantabile, and each Song in this canon has been thoroughly Mulled Over and Subjected to Rigorous and Demanding attentions. By this Means, Songs, that may, upon Inspection of the grounds upon which they were first Inspired having revealed a requirement for overly-exacting Polytonality or Interval that may Induce a certain Reticence, have subsequently been Hammer'd into a Shape that Messrs Drust and Erskine aver is Deliverable by one Mode or another. 

Accordingly, Messrs D & E press you oil your lung, fill your chest, loosen your tongue, and hold forth in as fulsome a voice as your maker may have designed for you, and relish every nuance of counterpoint, every flourish and every roundelay here afforded for your delectation.

Rewriting the history of popular music - 
do dance round our maypole if you're so inclined

Ray Blevins / percussion
Lenny Brooks / bass
Frank Tapp / brass
Ralph Maloof / strings
Stephen Le Baigue / guitars / keyboards
Hari Ek / accordion / production
Chas Blevins / vocals
Crystal / vocals
Clive Laramie / vocals
Hero Watusi / vocals

All compositions © *Stephen Le Baigue 
*unless a feeble cover version of someone other

Creswell Crags

DRUST IV